Rambo Amadeus

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Antonije Pui (Cyrillic: нтоние уи) is a Montenegrin singer who performed on several occasions. He appeared on stage as Rambo Amadeus (Cyrillic: ам мадеус) is a Montenegrin musician who sang professionally as Rambo Amadeus (Cyrillic: до мадеус). He is a well-known musician, poet, and media manipulator who is known in the former Yugoslavia countries.

His songs blend satirical lyrics about human nature and the silliness of local politics with a mix of musical styles, including jazz, rock, hip-hop, and recently drum and bass; for example, "Rambo Amadeus the World Mega Tzar" ("Rambo Amadeus the World Mega Tzar") (RASMC). His stage name derives from John Rambo and Wolfgang Amadeus Mozart.

His performances were never mere repeats of recorded songs, but a synthesis of free improvisation and satirical hum exploiting all aspects of human nature in a crude manner. Some fans like Frank Zappa and Captain Beefheart's style.

With the song "Euro Neuro," Rambo Amadeus represented Montenegro in the Eurovision Song Contest 2012 in Baku, Azerbaijan.

Early life

Antonije Pui was born in Kotor, SFR Yugoslavia, although his family lived in nearby Herceg Novi, where he was raised. Bosiljka's mother was born in upriya and raised in Jagodina, Serbia, before meeting Ilija Pui, a coastal village near Herceg Novi, and heading there after marrying him. The couple arrived in Herceg Novi, where they began a family. Antonije graduated in tourism studies from the University of Belgrade's Faculty of Mathematics and Natural Sciences, after completing elementary and secondary education in his hometown. He also attended six grades of elementary music school for piano before dropping out.

Pui was an accomplished competitive sailor before embarking on music and performing arts as a career choice. He represented Yugoslavia in several international regattas between 1972 and 1984. He was the Montenegrin champion, national champion in the junior category, and the 1980 International rdap Cup champion. In the Gulf of Kotor, he still attends and competes in some recreational sailing regattas.

He began to write and compose in his first year of high school (gymnasium), which led to his participation in various local bands in Herceg Novi and Titograd. In an orchestra enthralling guests at Herceg Novi's Plaza hotel, one of his first appearances saw him play the mandolin.

In 1985, he moved to Belgrade in the search of higher education. He performed with various amateur bands and artists in parallel to his university studies.

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Musical career

Rambo Amadeus formed "Radioaktivni otpad," a short lived band, in 1979. He was also in "The Blues Band," a band. He didn't like the content, so he rearranged the order. The band lasted through his high school days, performing in Herceg Novi, Niki, and Igalo (5 kilometers away from Herceg Novi).

With his debut album O tugo jesenja, he burst into the music scene out of nowhere. His music was a strange mash-up of folkish ululations and opera, which was further diluted by humourous lyrics and classic guitar riffs. Since very few people had no prior knowledge of him, Rambo delighted in in inflaming ambiguity by introducing himself as Nagib Fazli Nagon, a mining shaft operator who saved up enough funds to record an album. He also referred to his own musical style as turbo folk, long before this word would be used to a more realistic musical style, which critics likened to with a strong social connotation and came to represent the ethnic and cultural decline in the Balkans during the 1990s' wars.

In the hit song "Balkan Boy," producer Saa Habiy gave Rambo the opportunity to sign for PGP RTB on the state television (Rambo later wrote an anecdotal tribute to the event). On this album, Habi also played the syntheser, and the track "Vanzemaljac" (Extraterrestrial) is still in vogue to this day. While the record's earnings weren't particularly high, Rambo generated enough buzz to remain on the scene.

Hoemo emo tailed out in 1989 and gave a small glimpse of Rambo's musical direction – overt political satire. The track "Amerika i Engleska (bi:e zemlja proleterska)" had been intended to be called "Kataklizma komunizma") but local authorities refused to allow it. The album name mocks a bizarre occurrence from Montenegro's 1989 demonstrations that sparked Milo ukanovi, Momir Bulatovi, and Svetozar Marovi's ascension to power. Many protesters yelled "Hoemo Ruse" ("We want the Russians"), but when the officials and state-controlled media attacked them for it, they retaliated, "We want gusle" ("We want gusle" is heard).

Other songs such as "Glupi" and the aforementioned "Balkan boy" will also become big hits. Rambo took home acclaim for his efforts on "Samit u buregdinici Laibach," a lamographer who received acclaim. He created a catchy hybrid by combining the unique sound of Laibach with poetry from Laza Kosti and Desanka Maksimovi's poetry, as well as folk kafana's popular "a lomim" mixing with his own comedic lyrics. The album sleeve includes the lyrics of a song that wasn't actually recorded, as "it was scrapped at the last minute because there was no space for it," the singer says, but gives promises that it would be out on the next album. Since the song in question, "Pegepe ertebe," was all about shootings at Rambo's Preferred RTB, but it didn't appear on PGP RTB's website, or any other website, it didn't appear on the next or any other album.

Rambo had risen to prominence in the early 1990s. Psiholo komplet M-91, his third album, came out towards the end of 1991, at a time when the former Yugoslavia was still in full swing. For obvious reasons, the album's subtitle – Psychological Propaganda Set – was used on several tracks, many of which featured heavy lyrics and a sombre, militaristic atmosphere. This was also par for the course in terms of facial profanity and descriptive cursing, making this the first major music release in former Yugoslavia to use such narrative liberties. "Smrt popa Mila Jovovia" (British aviators' "Jemo voli jem), "Inspektor Nagib" and "Zdravo damo"), as well as "Izgube sam bitke"), "Izduguje" and "Zdravo damo") became instant hits, with tracks like "Smrt popa Mila Jovovia" and "Izduhoplovc "Inspektor "Izduhop e ("Sa" ("B" ("Hejnici versus "he" and "Hej he" ("he" (incorporating samples from Yugoslav...

The discrepancy between what's on the front page and what's actually recorded is on the record, but not the track "KPGS" which will feature "Halid invalid Hari" and "Prijatelju" which were included and became big hits, is reflected here. Many people consider the two tracks to be classic Rambo: observant, opinionated, direct, and profane. The second of the two originals featured excerpts from Slobodan Miloevi's and Franjo Tuman's addresses, but the record company cut them out.

This collection of tracks boosted Rambo's fame on the circuit as he started to perform bigger arenas like Sava centar. He's often invited on numerous television and radio stations around the country due to his outspoken and amusing appearance.

During the "Belgrade spring" festival in 1992, he displayed civil courage by interrupting a performance by "Bebi Dol" during a live television broadcast and told tens of thousands of viewers: he said to tens of thousands of viewers.

F*** your mothers!"

He threw the microphone on the ground, left the stage, and the performance was over.

He hit the road, becoming one of the first performers from FR Yugoslavia to tour Macedonia and Slovenia in the years following those states' declarations of independence.

After the live album KPGS (taped in Skopje on December 29, 1992), the band "Karamba karambita" appeared in the studio, followed by a greatest hits compilation Izabrana dela 1989-1994, Rambo produced strange new material during July 1995 in Paris with Goran Vejvoda. It was released in the following year as Mikroorganizmi, an inaccessible, moody sound accompanied by terse, experimental music, marking a drastic departure from his normal antics.

He also released Muzika Za decu, a personal musical interpretation of Ljubivoje Rumovi's poetry, which includes two bonus tracks – "Sex" and "ABVGD."

Fans of Old-School Rambo didn't have to wait for a return to a simpler time. On Titanik, he delivered a new batch of traditional fare, including "akom u glavu," "Sado za penziju," "Zreo za penziju"), and "Oti ko valja" (dedicated to Toma Zdravkovi and members of arlo Akrobata) before the end of 1996. Goran Ljuboja, Dragan Markovski, and Marija Mihajlovi, seasoned performers, joined on recording sessions for this album. Ognjen Radivojevi (who would be known for working with such artists as Goran Bregovi and Zdravko oli), Goran Ljubojevi (who would be best known for his work with such artists as Goran Bregovi and Zdravko oli

An extensive tour followed Slovenia, which was also included Slovenia (a live album was recorded over two Ljubljana concerts in April 1997 and later released as Koncert u KUD France Prezen), as well as Bosnia, where Rambo appeared as a guest at Sejo Sexon's Zabranjenje pucha concert in Sarajevo, where Rambo appeared as a guest. That was the first postwar visit to Bosnia by a Montenegrin entertainer.

In what he predicted to be his last appearance before retirement, Rambo appeared in Belgrade's Dom Sindikata Hall on June 9, 1998. And if some doubted his sincerity, the performance was a hit. Rambo packed his suitcases and departed for the Netherlands, but not before squeezing in two more shows in Bosnia. He worked in the Netherlands, including construction, before returning to Belgrade after only four months abroad. He and Margita Stefanovi returned to music, not surprisingly, breaking down inter-ethnic barriers in Pula: on December 10, 1998, the first opportunity for a Croatian audience to see performers from Serbia and Montenegro.

Rambo spent the year 2000 working on what would later be called the Don't Happy, Be Worry album. This album featured the Norwegian journalist sne Seierstad, playing the Norwegian Folk song Eg rodde meg ut p seiegren and swearing. Samples and local pop-cultural references had become two more common elements of his music by this point, and this piece, as well as others, was heavy on both. It was produced by Iztok Turk and featured songs like "oban jeupravo napustio zgradu" (loose cover of Neda Ukraine's "Zora je svanula"), "Moj skutere" that borrows from Oliver Dragojevi's "Moj galebe"), and "Iza molly" in conversations from Goran Markovi's 1975 film Variola vera ("Iza ton a

In 2004, Rambo released Bolje jedno vrue pivo nego etru ladna, which was followed by the studio album Oprem dobro in mid-2005.

In 2007 he performed on the song "Komedija" ("Comedy") as a featured artist, and in 2006 he recorded a song "Dikh tu kava" in collaboration with ethno-jazz fusion band Kal.

As he "played" on 12 concrete mixers in front of the audience during the Alternative Rock Festival in SKC, Belgrade, in fall 2007, he produced "Mixing of alternative rocks."

He appeared in the song "Rakija" and Zorule, the traditional folk orchestra, for the New Year's show on RTV. Later, this song was used as one of the "Vratie se rode" TV serial's soundtrack. Rambo Amadeus appeared as a guest artist with The RTS Big Band jazz orchestra on February 28, 2008.

Hipishizik Metafizik is his latest studio album, which was released for PGP RTS in July 2008.

Rambo Amadeus was internally selected by Montenegro's national television broadcaster RTCG to represent Montenegro in the Eurovision Song Contest 2012 in Baku, Azerbaijan. "Euro Neuro" was his winning song, causing controversies due to its video. He eventually achieved his target of a low ranking in the competition, and he also announced that he is the best song on Eurovision ever written.

In 2013, he directed a video for the single O'Ruk on the Road Again with Three Winnettous.

He released "Vrh Dna," a previously unveiled track "Rano Za Poetak" from 2011, and renamed it "Samo Balade" for the album's release in 2015.

In 2016, he appeared in two voice-work roles, as Mighty Eagle in the Croatian-language and Serbian-language version of The Angry Birds Movie, and Crush in the Serbian-language version of Finding Dory.

With the song Nema Te, a duet with jazz singer Beti orevi, he attempted to represent Serbia in the Eurovision Song Contest 2018. They appeared in Beovizija 2018 and ended 9th.

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