Peter Gordon
Peter Gordon was born in New York City, New York, United States on June 20th, 1951 and is the Composer. At the age of 73, Peter Gordon biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.
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Gordon has led a varied career: He has helmed his ensemble The Love Of Life Orchestra, collaborated with other composers, and composed works for stage shows, particularly at Brooklyn Academy of Music. About his saxophone playing, Gordon has said, “I always liked the deep-throated R&B sound. Gene Ammons, Plas Johnson, King Curtis, Though if I had to name a sax hero, that would be John Coltrane.” As a composer, he was heavily influenced by his teacher Terry Riley.
Gordon co-founded The Love of Life Orchestra with David Van Tieghem in the late 1970s. At various points Arthur Russell, Rhys Chatham, Kathy Acker, Ernie Brooks, Jill Kroesen and Peter Zummo were collaborators in Love of Life Orchestra.
Gordon was an early proponent of Tape Music, which according to musicologist and composer Ned Sublette, “created an original kind of continuum between the composed and improvised, and between the acoustic and the virtual, one that gave performers a broad scope to create their own sound and their own parts while hewing to a carefully thought-out composition…”
He collaborated with “Blue” Gene Tyranny a number of times, including for the Trust In Rock recordings, performed live at the University Art Museum in Berkeley in 1976, and released as a recording on Unseen Worlds in 2019. He collaborated with writer Kathy Acker, artist David Salle and director Richard Foreman on the opera The Birth Of The Poet, which opened in Rotterdam in 1984, and had its U.S. premiere at Brooklyn Academy of Music in 1985. His score for Otello, a collaboration with the Neapolitan theater company Falso Movimiento, won the Village Voice’s Obie Award in 1985. That same year, Gordon composed the score for Secret Pastures, a collaboration with choreographers Bill T. Jones and Arnie Zane, artist Keith Haring, and designer Willi Smith, which premiered at BAM in 1984. His work on that production, as well as Otello, earned him a 1985 Bessie award in the category of Composer.
His composition Return of the Native, a collaboration with video artist Kit Fitzgerald, his wife and frequent creative partner, premiered at BAM in 1988. According to Sublette, it was “the first fusion of live orchestra and live video projection.” In fact, Gordon and Fitzgerald had merged projection and orchestration on earlier productions outside of New York City, including Return of the Animals, a 1984 performance at Rivoli Castle in Turin.
In 2015, Gordon directed a touring revival of Arthur Russell’s Instrumentals, whose first showing he scored in 1975.
In addition to his own work, and that with his Love of Life Orchestra, he has appeared on or composed music for albums by Laurie Anderson, Suzanne Vega, David Johansen, Elliott Murphy, Loose Joints, Dinosaur L, Gabe Gurnsey, Museum of Love, “Blue” Gene Tyranny, The Flying Lizards, David Van Tieghem, Lawrence Weiner, and Arthur Russell.
Gordon has collaborated on a number of occasions with Willi Smith’s company Williwear, including the film Expedition, used to introduce the designer’s 1986 collection, which was directed by Max Vadukul and shot on location in Dakar.
In 2007, James Murphy and Pat Mahoney of LCD Soundsystem used Gordon's classic Downtown tracks "Beginning of the Heartbreak" and "Don't Don't" to open and close their highly acclaimed dance mix FabricLive.36.
In 2008 an excerpt of his opera (with artist Lawrence Weiner) The Society Architect Ponders the Golden Gate Bridge was issued on the compilation album Crosstalk: American Speech Music (Bridge Records) produced by Mendi + Keith Obadike. Gordon wrote the scores for the serial mystery drama The Necklace, presented by The Talking Band. He worked on the soundtrack to Desperate Housewives.
In 2010, DFA Records released remixes by Gordon of "Beginning of the Heartbreak/Don't Don't" and "That Hat," cowritten with Arthur Russell. They released a compilation, Peter Gordon & Love Of Life Orchestra, consisting of music Gordon and his ensemble recorded in the ‘70s and ‘80s, that same year.