Pete Hamill

At 89 years old, Pete Hamill physical status not available right now. We will update Pete Hamill's height, weight, eye color, hair color, build, and measurements.

In 1958, while serving as the art director for a Greek-language newspaper the Atlantis, Hamill talked his way into writing his first piece about his friend, Puerto Rican professional boxer José Torres, then a neophyte middleweight and Olympic champion. This led Hamill to pursue writing a few letters to the editor for the New York Post of which two were printed. Hamill eventually attracted enough attention and was hired as a reporter for the New York Post in 1960. The 1962–63 New York City newspaper strike led Hamill to start writing magazine articles. By the fall of 1963 he was a correspondent for The Saturday Evening Post, stationed in Europe. Hamill spent six months in Barcelona and five months in Dublin, and traveled Europe interviewing actors, movie directors, and authors, as well as ordinary citizens. In August 1964 he returned to New York, reported on the Democratic Convention in Atlantic City, and was briefly employed as a feature writer at the New York Herald Tribune. He began writing a column for the New York Post in late 1965, and, by the end of that year, was reporting from Vietnam.

For more than four decades, he worked at the New York Post, the New York Daily News, the Village Voice, and New York Newsday. He served briefly as editor of the Post, and later as editor-in-chief of the Daily News. His resignation from the latter position after eight months prompted a letter of protest signed by more than a hundred of the paper's writers. Hamill's more extensive journalistic pieces have been published in New York, The New Yorker, Esquire, Playboy, Rolling Stone, and other periodicals. He wrote about wars in Vietnam, Nicaragua, Lebanon and Northern Ireland, and reported on America's urban riots of the 1960s.

Hamill wrote about the New York underclass and racial division, most notably in an essay for Esquire magazine, "Breaking the Silence". He also wrote about boxing, baseball, art, and contemporary music, winning a Grammy Award in 1975 for the liner notes to Bob Dylan's Blood on the Tracks. However, while at the New York Post, Hamill defammatorally wrote of the later exonerated Central Park Five that the teens hailed “from a world of crack, welfare, guns, knives, indifference and ignorance…a land with no fathers…to smash, hurt, rob, stomp, rape. The enemies were rich. The enemies were white.”

Two collections of his selected journalism have been published: Irrational Ravings and Piecework (1996). For the Library of America he edited two volumes of the journalism of A.J. Liebling. In 1998, he published an extended essay on contemporary journalism titled News is a Verb: Journalism at the End of the Twentieth Century.

Hamill also wrote fiction, producing ten novels and two collections of short stories. His first novel, a thriller called A Killing for Christ, about a plot to assassinate the Pope on Easter Sunday in Rome, was published in 1968. Drawing on his youth in Brooklyn he next wrote a semi-autobiographical novel called The Gift. Most of his fiction is set in New York City, including Snow in August (1997), Forever (2003), North River (2007), and Tabloid City (2011).

Hamill published more than 100 short stories in newspapers, including those that were part of a series called The Eight Million in the New York Post; in the Daily News, his stories ran under the title Tales of New York. He published two volumes of short stories: The Invisible City: A New York Sketchbook (1980) and Tokyo Sketches (1992).

Hamill's 1994 memoir, A Drinking Life, chronicled his journey from childhood into his thirties, his embrace of drinking and the decision to abandon it. According to Hamill, Frank McCourt was inspired by the book to complete his own memoir, Angela's Ashes. Hamill's memoir Downtown: My Manhattan includes his reporting for the New York Daily News on the destruction of the World Trade Center on September 11, 2001, at which he was present.

Hamill's book on the Mexican muralist Diego Rivera was inspired by time spent in Mexico City in 1957 and his presence at Rivera's funeral. In Tools as Art (1995), Hamill surveys the Hechinger Collection and the incorporation of utilitarian objects for aesthetic ends. His biographical essay on the artist was featured in Underground Together: The Art and Life of Harvey Dinnerstein (2008), whose work, like Hamill's, often focuses on the people and cultural life of Brooklyn.

Hamill's interest in photography informed his later essays in nonfiction. New York: City of Islands (2007), celebrates the photography of Jake Rajs. New York Exposed: Photographs from the Daily News (2001) contains an extended essay about the New York Daily News and its role in American photojournalism. In his introduction to Mexico: The Revolution and Beyond (2003), Hamill writes about Agustin Victor Casasola, whose photographs recorded the Revolution of 1910–1920. In his introduction to A Living Lens: Photographs of Jewish Life from the Pages of the Forward (2007), Hamill evokes the heyday of American Yiddish journalism. His text for The Times Square Gym (1996) enhances John Goodman's photographs of prizefighters, while his introduction to Garden of Dreams: Madison Square Garden (2004) offers a context for the sports photography of George Kalinski. Hamill's Irish heritage informs the text for The Irish Face in America (2004), as seen by the photographer Jim Smith.

Hamill also wrote about comic strips, of which he was a collector. Among his writings on the subject are an introduction to Terry and the Pirates: Volume Two by Milton Caniff (2007), and an introductory text for a revised version of Al Hirschfeld's The Speakeasies of 1932 (2003). He also contributed an introduction to Jerry Robinson: Ambassador of Comics (2010).

Hamill penned a handful of teleplays and screenplays, including adaptations of his own novels, and had a few minor film roles, usually playing a generic "reporter," or himself. According to Robert Rosen, the Producer on French Connection II, he re-wrote all of the dialogue in the film, working nearly non-stop for three days, for which he did not receive screen credit. He appeared as a commentator in several documentaries, including Ric Burns' New York: A Documentary Film, and Ken Burns' Prohibition. He also appeared as a speaker in the 2018, 4-part Netflix documentary titled Bobby Kennedy for President.

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