Masashi Kishimoto

At 49 years old, Masashi Kishimoto physical status not available right now. We will update Masashi Kishimoto's height, weight, eye color, hair color, build, and measurements.

Kishimoto's first successful manga pilot was Karakuri (カラクリ, lit. "Mechanism"), which he submitted to Shueisha in 1995. This earned him an honorable mention in Shueisha's monthly "Hop Step Award" in 1996, granted to promising rookie manga artists. At this point he was assigned an editor, Kosuke Yahagi, and worked on a number of rejected drafts including a slice-of-life manga, Michikusa (道くさ, lit. "Wandering Detour"), and an action manga, Asian Punk (アジアンパンク, Ajian Panku). In 1997, he wrote a one-shot version of Naruto (NARUTO－ナルト－) which was published in Akamaru Jump Summer.

In December 1997, while redeveloping Karakuri for serialization, Kishimoto was offered a one-shot in Weekly Shōnen Jump. The new version of Karakuri debuted two weeks later in Weekly Shōnen Jump 1998 No. 4-5, but was hampered by the sudden deadline and performed poorly in reader surveys, being canceled immediately.

Following the failure of Karakuri, Kishimoto reduced his output and began moving in a seinen direction with drafts for a baseball manga, Yakyūō (野球王, lit. "Baseball King"), and a mafia manga, Mario (マリオ), hoping to find better luck with a seinen magazine. Yahagi persuaded him to give the shōnen genre one last shot and Kishimoto began working on storyboards for a fantasy one-shot, Magic Mushroom (マジックマッシュルーム, Majikku Masshurūmu), but stopped when Yahagi called and asked him to instead develop storyboards for serialization. The two decided to submit a version of Naruto with a reworked story and world and produced storyboards for the first three chapters, winning a spot in the magazine. With a six-month lead time, Kishimoto repeatedly revised and redrew the first several chapters of the series.

In September 1999, the serialized version of Naruto premiered in Weekly Shōnen Jump 1999 No. 43 and quickly became a hit. It ended on November 10, 2014, after more than 15 years of serialization, with a total of 700 chapters collected in 72 volumes. Sales have exceeded 113 million copies in Japan and over 95 million copies in the US, followed by over 93 million copies worldwide (outside Japan and United States) as of volume 36. This makes total sales for the series approximately 301 million copies.

Kishimoto was also the winner of "Rookie of the Year" for the series in the Agency for Cultural Affairs. It was adapted into two successful anime series, Naruto and Naruto Shippuden. Kishimoto requested that Tetsuya Nishio oversee the character designs of Naruto when the manga was adapted into an anime series. The Naruto manga series became one of Viz Media's top properties, accounting for nearly 10% of all manga sales in the US in 2006. The seventh volume of Viz's release became the first manga to ever win a Quill Award when it claimed the award for "Best Graphic Novel" in 2006.

War is a theme Kishimoto wanted to tell in the manga based on the Hiroshima crisis he was told from his grandfather. Despite understanding that war has no good site, Kishimoto wrote the concept of war in Naruto with a hopeful theme. Responding to Naruto's success, Kishimoto said in Naruto Collector Winter 2007/2008 that he was "very glad that the American audience has accepted an understood ninja. It shows that the American audience has good taste... because it means they can accept something previously unfamiliar to them." While writing the manga, Kishimoto met Eiichiro Oda, author of One Piece who he considered his rival. When Naruto ended, Oda left a message in the series' final volume acknowledging him as a rival. According to Kishimoto "That felt so gratifying."

Additionally, before the anime adaptation's premiere of My Hero Academia, he praised Kōhei Horikoshi's work, believing it would be a success overseas. Additionally, Kishimoto referred to Yoshihiro Togashi as one of his favorite artists.

For the video game Tekken 6, Kishimoto redesigned its new character, Lars Alexandersson. CyberConnect2 CEO Hiroshi Matsuyama said he was attracted by this design and thus asked the Tekken staff if he could include Lars in the video game Naruto Shippuden: Ultimate Ninja Storm 2. For Naruto Shippuden: Ultimate Ninja Storm Revolution, Kishimoto was responsible for Mecha Naruto upon being suggested by the staff to include a new character. Kishimoto decided on adding a character that would bring a big impact to worldwide level, which resulted in Mecha Naruto. CyberConnect2 CEO Hiroshi Matsuyama was surprised when seeing the new character.

For the ninth Naruto film, Road to Ninja: Naruto the Movie, Kishimoto was responsible for both the story planning and the characters' designs. To promote the film, Kishimoto worked in Motion Comic Naruto, a DVD that showed scenes from the manga in 3D that was given to the first 1.5 million people who went to the cinema. Regarding Naruto's publication, Kishimoto told Tetsuya Nishio in July 2012 that the series would take over a year and a half to end. However, Kishimoto admitted that it now appears that the manga will continue beyond that timeframe.

Throughout 2014, Kishimoto supervised the film The Last: Naruto the Movie, which would act as a bridge connecting the series' conclusion and epilogue, providing the story concept and character designs. The Naruto series finally concluded on November 10, 2014, with The Last: Naruto the Movie premiering a month later on December 6, 2014.

Kishimoto also worked on several other projects during Naruto’s serialization. In 2010, Kishimoto produced a one-shot baseball manga, Bench (ベンチ, Benchi), as part of Jump's "Top of the Super Legend" project, a series of six one-shot manga by famed Weekly Shōnen Jump artists. In April 2012, it was announced that Kishimoto would publish a one-shot version of his long-postponed mafia manga, Mario, in Jump Square, based on the rough, 160-page manuscript he began working on before Naruto became serialized. Throughout 2013, several of Kishimoto's one-shots saw their English-language debut in issues of the Weekly Shonen Jump digital magazine, including Mario, Bench, and the original Naruto pilot. In 2015, Kishimoto also illustrated the cover of violinist Chisako Takashima's album Strings on Fire.

Following Naruto‘s conclusion, Kishimoto became involved in the Start of a New Era Project commemorating both the manga's conclusion and 15th anniversary. On the last page of the final chapter, Weekly Shōnen Jump announced that a spin-off miniseries, also authored by Kishimoto, would be released in 2015. The miniseries, Naruto: The Seventh Hokage and the Scarlet Spring, ran from April to July 2015, leading up to the premiere of Boruto: Naruto the Movie on August 7, 2015, which he supervised and co-wrote with Ukyō Kodachi. He also illustrated several light novels set during the same time period as The Last. When asked by Boruto Uzumaki's voice actress Yūko Sanpei to continue making Naruto films, Kishimoto stated that he was taking a break and could not physically do so.

In August 2015, Kishimoto announced that he already has finalized what he wants to do for his next manga series. A sci-fi manga, the series will feature a unique protagonist, with Kishimoto having already completed the character designs. He plans for the work to surpass Naruto in quality, and plans to release the series monthly via the digital magazine Shonen Jump Plus due to the taxing effort required for a weekly series. Kishimoto had not yet finalized when he plans to officially announce the series, as he wants to spend time with his family.

On December 19, 2015, it was announced that Kishimoto would supervise the monthly Boruto: Naruto Next Generations (BORUTO−ボルト−) manga series beginning in Spring 2016. The new spinoff will be illustrated by Kishimoto's chief assistant on Naruto, Mikio Ikemoto, and written by his writing partner for Boruto: Naruto the Movie, Ukyo Kodachi. It was preceded by a Naruto: The Path Lit by the Full Moon one-shot written and illustrated by Kishimoto. In the June 10, 2019 issue of Weekly Shōnen Jump it was announced that Boruto: Naruto Next Generations would transition to the magazine's sister publication, V Jump, beginning with its June 20, 2019 issue.

In December 2017 at Jump Festa 2018 it was confirmed that Kishimoto was developing a new science fiction adventure series tentatively scheduled to debut in 2018. A year later at Jump Festa 2019 the series was formally announced as Samurai 8: The Tale of Hachimaru (サムライ8 八丸伝, Samurai Eito: Hachimaruden). Kishimoto will be handling the script and rough storyboards, while Akira Ōkubo, a former assistant on Naruto and brother of Atsushi Ōkubo, is responsible for illustrating the final manuscript. The series debuted in Weekly Shōnen Jump on May 13, 2019, as the magazine's first new series of Japan's Reiwa period, following a 4-page preview chapter on April 27, 2019, marking the end of the Heisei period. The series however failed to find an audience and concluded a year later in the 17th issue of Weekly Shōnen Jump on March 23, 2020.

In November 2020 it was announced that after 51 chapters and 13 volumes Kodachi would step down as writer of the Boruto: Naruto Next Generations manga, with Kishimoto assuming full writing duties and Ikemoto continuing as illustrator beginning with chapter 52 in the upcoming December issue of V Jump magazine, published on November 21, 2020.

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