Mary Blair

At 66 years old, Mary Blair physical status not available right now. We will update Mary Blair's height, weight, eye color, hair color, build, and measurements.

Blair's first professional job in the animation industry was as an animator with Metro-Goldwyn-Mayer. She would soon leave and join Lee Blair at the Ub Iwerks studio before moving to Disney. In the 1930s she was also a part of the innovative California Water-Color Society.

Blair joined Walt Disney Animation Studios—initially with some reluctance— in 1940, and worked briefly on art for Dumbo, an early version of Lady and the Tramp, and a second version of Fantasia titled "Baby Ballet" which was not released until the late 1990s.

After leaving the studio for a short time in 1941, Blair travelled to various South American countries with Walt Disney, Lillian Disney and other artists on a research tour as part of the Good Neighbor policy of President Franklin D. Roosevelt. Her watercolors impressed Disney, who appointed her as an art supervisor for the animated feature films Saludos Amigos and The Three Caballeros.

Blair first began animation and color design on major films in 1943 and would continue to work on animated films for Disney for a full decade. Her work with animation did not end there however as after that, she worked on several package films, excluding Fun and Fancy Free, and on two partially animated features—Song of the South and So Dear to My Heart. The early 1950s were a busy time for the Disney studio, with an animated feature released nearly every year. Mary Blair was credited with color styling on Cinderella (1950), Alice in Wonderland (1951) and Peter Pan (1953), and the artistic influence of her concept art is strongly felt in those films, as well as in several animated shorts, including Susie the Little Blue Coupe and The Little House, she designed during that period. Some of Mary Blair's work, notably in So Dear to My Heart, was inspired by quilts. In a letter to Walt Disney, Blair discussed her interest to incorporate quilts into So Dear to My Heart, "It seems that quilt making is a revived art in this country now, which fact adds more value to its use as a medium of expression in our picture.

After the completion of Peter Pan, Blair resigned from Disney and worked as a freelance graphic designer and illustrator, creating advertising campaigns for companies such as Nabisco, Pepsodent, Maxwell House, Beatrice Foods and others. She also illustrated several Little Golden Books for publisher Simon & Schuster, some of which remain in print today, and she also designed Christmas and Easter sets for Radio City Music Hall. Blair not only worked in graphic design and animation but also as a designer for Bonwit Teller and created theatrical sets.

At the request of Walt Disney, who regarded highly her innate sense of color styling, Blair began work on Disney's new attraction, "It's a Small World". Originally a Pepsi-Cola-sponsored pavilion benefiting UNICEF at the 1964 New York World's Fair, the attraction moved to Disneyland after the Fair closed and was later replicated at the Magic Kingdom in Walt Disney World Resort as well as Tokyo Disneyland, Disneyland Paris and Hong Kong Disneyland.

Blair created murals that would be showcased in Disney parks, hotels and other Disney attractions from California to Florida. These murals were not only painted but some would be tile decor.

In 1966, philanthropist Dr. Jules Stein hired Walt Disney to create a ceramic mural for his newly opened Eye Institute at the University of California, Los Angeles. Mary Blair designed the mural for Dr. Stein's Pediatric Surgery waiting room. The theme Walt chose for the mural was that of "It's a Small World" attraction designed by Blair. In 1967, Blair created mural art for the Tomorrowland Promenade. Two similar tile murals flanked the entrance corridor. The mural over Adventure Thru Inner Space was covered over in 1987 with the opening of Star Tours, while the other remained in place until 1998 when the Circle-Vision 360° was replaced by Rocket Rods and a new mural was designed to reflect the new theme. Her design of a 90-foot-high (27 m) mural remains a focal point of the Disney's Contemporary Resort hotel at Walt Disney World, which was completed for the resort's opening in 1971.

Mary Blair would also go on to make sets of Walt Disney note cards for Hallmark. In 1968, Blair was credited as color designer on the film How To Succeed In Business Without Really Trying. Blair would eventually move to Washington for Lee Blair's military career and then return to her in home studio located in Long Island, New York.

Source