Louise Gluck

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Louise Elisabeth Glück (born April 22, 1943) is an American poet.

After serving as a Special Bicentennial Consultant three years ago in 2000, she was appointed Poet Laureate Consultant in Poetry to the Library of Congress in 2003.

In 2014, she received the National Book Award for Poetry for Faithful and Virtuous Night.

Early life

Louise Glück was born in New York City on April 22, 1943. Beatrice Glück (née Grosby), a homemaker, and Daniel Glück, a widow, are the elder of two living daughters of two surviving daughters.

Glück's mother was of Russian Jewish descent. Terézia (née Moskovitz) and Henrik Glück, her paternal grandparents, lived in Érmihályfalva, Bihar County, Hungary, during the Austro-Hungarian Empire (present-day Romania); her grandfather operated a timber business named "Feldmann és Glück." They immigrated to the United States in December 1900 and later bought a grocery store in New York. Glück's father, who was born in the United States, had aspired to be a writer, but he and his brother-in-law decided to go into business together, but the twosome decided not to go into business together. They were able to develop the X-Acto knife together. Glück's mother was a Wellesley College graduate. Glück's parents coached her Greek mythology and classic tales such as Joan of Arc's life. She began writing poetry at an early age.

Glück began anorexia nervosa as a teenager, becoming her signature challenge in her late teenage and young adult years. In one essay, she characterized the condition as the result of an attempt to regain her autonomy from her mother. Elsewhere, she has attributed her illness to the death of an elder sister, an event that happened before she was born. She began psychoanalytic therapy in Hewlett, New York, in the fall of her senior year at George W. Hewlett High School. She was taken out of class a few months later in order to concentrate on her education, though she did graduate in 1961. "I knew that at some point I was going to die," she wrote about her decision. "I didn't want to die," I recall more clearly, more than ever. She spent seven years in therapy, which she has credited with helping her recover from the illness and teaching her how to think.

Glück did not enroll in college as a full-time student because of her illness. "My mental state, my extreme rigidity of behavior, and a frantic reliance on ritual made other forms of education impossible," she said. Rather, she took a poetry class at Sarah Lawrence College, and, from 1963 to 1966, she attended poetry workshops at Columbia University's School of General Studies, which offered non-degree courses. She interned with Léonie Adams and Stanley Kunitz while living in France. She has praised these teachers as mentors in her growth as a poet.

Glück began to publish her poems after attending poetry workshops. Mademoiselle's first publication appeared in Mademoiselle, followed by poems in Poetry, The Atlantic Monthly, The Nation, and other publications. Glück supported herself with After leaving Columbia, she continued her studies with In 1967, she married Charles Hertz Jr. Glück's first collection of poems, Firstborn, garnered some critical attention in 1968. Robert Hass referred to the book as "hard, brilliant, and full of pain." The collection, on the other hand, was "revealed as a clotted poet, an ecstatic imitator of Robert Lowell and Sylvia Plath." Glück had a long bout of writer's block, which she said was only cured after 1971, when she started teaching poetry at Goddard College in Vermont. The poems she wrote during this period were collected in her second book, The House on Marshland (1975), which some commentators have characterized as her "discovery of a distinct voice."

Glück gave birth to Noah, a boy from 1973. Her marriage to Charles Hertz Jr. ended in divorce, and she married John Dranow, an author who had started the summer writing program at Goddard College in 1977. Dranow and Francis Voigt, the husband of poet Ellen Bryant Voigt, co-founded the New England Culinary Institute in 1980 as a private, for-profit institution. Glück and Bryant Voigt were early investors in the company and served on the board of directors.

Descending Figure, Glück's third collection, was released in 1980. For example, poet Greg Kuzma accused Glück of being a "child hater" in her now anthologized poem "The Drowned Children," it has received some flakiness and topic matter. The book, on the whole, was well-received. Mary Kinzie praised the book's portrayal of "deprived, harmed, stammering beings." J.D. : Poetry, poet and critic J.D. The book, according to McClatchy, was "a significant improvement on Glück's previous work" and "one of the year's best books." Glück's house in Vermont was destroyed in the same year, resulting in the loss of the majority of her possessions.

Glück began to write the poems that would later be included in her award-winning collection, The Triumph of Achilles (1985), following the tragedy. In a New York Times column, author and scholar Liz Rosenberg characterized the collection as "clearer, purer, and sharper" than Glück's earlier work. "The book," Peter Stitt, a Georgia writer, said, the book displayed Glück to be "among the top writers of our time." The poem "Mock Orange," which has been likened to a feminist anthem, has been described as a "anthology work" in poetry anthologies and college courses.

Glück joined Williams College in Massachusetts in 1984 as a senior lecturer in the English Department. Her father died the following year. The loss prompted her to start Ararat (1990), the name of which refers to the Genesis flood story's peak. "The most brutal and sorrow-filled book of American poetry published in the last 25 years," Dwight Garner wrote in The New York Times in 2012. Glück continued this series with The Wild Iris (1992), one of her most well-known and critically acclaimed books, including garden flowers in a talk with a gardener and a deity on the nature of life. It was described as a "significant book" by Publishers Weekly that showcased "poetry of great beauty." Elizabeth Lund, a critic, wrote in The Christian Science Monitor, called it "a monumental achievement." It went on to win the Pulitzer Prize in 1993, confirming Glück's status as a preeminent American poet.

While the 1990s saw Glück literary triumph, it was also a period of personal hardship. Dranow's marriage to John Dranow ended in divorce in 1996, the difficult nature of which affected their company relations, leading to Dranow's departure from his positions at the New England Culinary Institute. Glück turned her experience into writing, marking a recurring period in her career. Proofs & Theories: Essays on Poetry, published in 1994. Meadowlands (1996), a collection of poetry about the nature of love and marriage decay. Vita Nova (1999) and The Seven Ages (2001), she continued it with two more collections: Vita Nova (1999) and The Seven Ages (2001).

Glück released a chapbook called October in 2004 in reaction to the September 11, 2001 terrorist attacks. It's based on a single poem divided into six parts, and it explores aspects of trauma and suffering in ancient Greek mythology. She was named the Rosenkranz Writer in Residence at Yale University in the same year.

Glück has continued to write poetry since joining Yale's faculty. Averno (2006), A Village Life (2009), and Faithful and Virtuous Night (2014) were among her books that were published during this period. Poems: 1962–2012, a literary event, was described as "a literary event" in 2012. In 2017, the author of another collection of her essays, titled American Originality, appeared.

Glück was named the Nobel Prize in Literature in October 2020, the sixteenth female literature laureate since the award was established in 1901. She received her reward at home due to the restrictions caused by the COVID-19 pandemic. She referred to poets' early involvement with poetry by William Blake and Emily Dickinson in a public lecture that was delivered in writing.

Winter Recipes from the Collective, Glück's collection, was published in 2021. In 2022, she was named Frederick Iseman Professor in Yale's Practice of Poetry.

Source

Career

Glück began to publish her poems while attending poetry lectures. Mademoiselle was her first publication, followed by poems in Poetry, Poetry, The Atlantic Monthly, The Nation, and other publications. Glück continued with undercover work after leaving Columbia. In 1967, she married Charles Hertz Jr. Glück's first collection of poems, Firstborn, received some critical attention in 1968. Robert Hass' book was described as "hard, fine, and full of pain" in a review. However, when reflecting on the collection in 2003, Stephen Burt said that it "revealed a tenacious yet clotted poet, an excited imitator of Robert Lowell and Sylvia Plath." Glück suffered with writer's block for a long time, but it was only cured, she says, beginning in 1971, when she began to teach poetry at Goddard College in Vermont, she was first published. The poems she wrote during this period were included in her second book, The House on Marshland (1975), which many commentators have regarded as her "first book" indicating her "discovery of a distinctive voice."

Glück gave birth to Noah in 1973. Charles Hertz Jr.'s marriage ended in divorce, and she married John Dranow, an author who had started the summer writing program at Goddard College in 1977. Dranow and Francis Voigt, the husband of poet Ellen Bryant Voigt, co-founded the New England Culinary Institute in 1980 as a private, for-profit academy. Glück and Bryant Voigt were early investors in the company and served on the board of directors.

Descending Figure, Glück's third collection, was released in 1980. It has been chastised for its tone and subject matter, as shown by poet Greg Kuzma's description of Glück as a "child hater" in her newly anthologized poem, "The Drowned Children." The book, on the whole, was well received. Mary Kinzie lauded the book's portrayal of "deprived, wounded, stammering beings" in The American Poetry Review. J.D., poet and critic, writes in Poetry. The book, according to McClatchy, was "a major step forward on Glück's previous work" and "one of the year's best books." Glück's house in Vermont was destroyed by a fire in the same year, resulting in the loss of the majority of her possessions.

Glück began to write the poems that would later be published in her award-winning collection, The Triumph of Achilles (1985), in the aftermath of the disaster. The author and commentator Liz Rosenberg wrote in The New York Times, describing the collection as "clearer, purer, and sharper" than Glück's previous work. The book's reviewer, Peter Stitt, said it was Glück to be "among the best writers of our time." Because of its frequent inclusion in poetry anthologies and college courses, Mock Orange's collection, which has been likened to a feminist anthem, has been dubbed a "anthology work."

Glück became a senior lecturer in Williams College in Massachusetts in 1984. Her father died in the ensuing year. Following her loss, she inspired Ararat (1990), the name of which refers to the Genesis flood story. The critic Dwight Garner wrote in The New York Times in 2012 that it was "the most brutal and sorrow-filled book of American poetry published in the last 25 years." Glück continued her series with The Wild Iris (1992), one of her most popular and critically acclaimed books, featuring garden flowers in discussion with a gardener and a deity about the nature of life. "Poetry of great beauty" was featured in Publishers Weekly as a "important book." Elizabeth Lund, a writer for The Christian Science Monitor, described it as "a monumental job." In 1993, it went on to win the Pulitzer Prize, establishing Glück's fame as a renowned American poet.

Although the 1990s brought Glück literary success, it came at the same time as a period of personal hardship. Dranow's marriage to John Dranow in 1996 ended in divorce, the difficult nature of which had an effect on their work, resulting in Dranow's resignation from his positions at the New England Culinary Institute. Glück channeled her experience into her writing, bringing her career to a point of briskness. Proofs & Theories: Essays on Poetry, a collection of essays published in 1994. Meadowlands (1996), a series of poems about love and marriage demise, was produced by the author. Vita Nova (1999) and The Seven Ages (2001), she followed it with two more collections: Vita Nova (1999) and The Seven Ages (1999).

Glück published a chapbook named October in 2004, as a result of the September 11, 2001 terrorist attacks. It is based on ancient Greek myth to explore aspects of trauma and suffering, which is divided into six parts. She was named the Rosenkranz Writer in Residence at Yale University the previous year.

Glück has continued to write poetry since joining Yale's faculty. Averno (2006), A Village Life (2009), and Faithful and Virtuous Night (2014) were among her books that were released during this period. Poems: 1962–2012, a literary event, was described as "a literary event" in 2012. In 2017, she published American Originality, a new series of her essays.

Glück was named the Nobel Prize in Literature in October 2020, the sixth female literature laureate since the award was established in 1901. She received her reward at her house due to restrictions imposed by the COVID-19 pandemic. She emphasized her early involvement with poetry by William Blake and Emily Dickinson in writing about the relationship between poets, readers, and the wider audience in her Nobel lecture.

Winter Recipes from the Collective, Glück's collection from 2021, was released. She was named in 2022 as the Frederick Iseman Professor at Yale's Practice of Poetry.

Source