John Schlesinger

Director

John Schlesinger was born in London on February 16th, 1926 and is the Director. At the age of 77, John Schlesinger biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

Date of Birth
February 16, 1926
Nationality
United Kingdom
Place of Birth
London
Death Date
Jul 25, 2003 (age 77)
Zodiac Sign
Aquarius
Profession
Actor, Film Director, Screenwriter, Television Director
John Schlesinger Height, Weight, Eye Color and Hair Color

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John Schlesinger Religion, Education, and Hobbies
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Education
University of Oxford
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John Schlesinger Life

Richard Schlesinger (16 February 1926-27th, 2003) was an English film and stage director, as well as an actor.

He received an Academy Award for Best Director of Midnight Cowboy and was nominated for two other films (Darling and Sunday Bloody Sunday).

Early life

Schlesinger was born and raised in Hampstead, London, the eldest of five children of distinguished Emmanuel College, Cambridge-educated paediatrician, and physician Bernard Edward Schlesinger (1896-1904), OBE, FRCP, and his sister Winifred Henrietta, daughter of Hermann Regensburg, a Frankfurt stockbroker. She left school at 14 to study at Trinity College of Music, and then studied languages at the University of Oxford for three years. Richard Schlesinger, Bernard Schlesinger's father, a stockbroker, had come to England in the 1880s from Frankfurt.

Schlesinger was enlisted in the British Army during World War II at St Edmund's School, Hindhead, and Uppingham School (where his father had also been stationed). He made films on the war's front line while serving with the Royal Engineers. He also entertained his troops by performing magic tricks. He continued making short films and appeared in stage performances while attending Balliol College, Oxford, where he was active in the Oxford University Dramatic Society.

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John Schlesinger Career

Career

Schlesinger's acting career began in the 1950s and consisted of supporting roles in British films such as The Divided Heart and Oh... Rosalinda!!, and British television productions such as BBC Sunday Night Theatre, The Adventures of Robin Hood and The Vise. He began his directorial career in 1956 with the short documentary Sunday in the Park about London's Hyde Park. In 1958, Schlesinger created a documentary on Benjamin Britten and the Aldeburgh Festival for the BBC's Monitor TV programme, including rehearsals of the children's opera Noye's Fludde featuring a young Michael Crawford. In 1959, Schlesinger was credited as exterior or second unit director on 23 episodes of the TV series The Four Just Men and four 30-minute episodes of the series Danger Man. He also appeared in Col March of Scotland Yard as "Dutch cook" in "Death and the Other Monkey" 1956.

By the 1960s, he had virtually given up acting to concentrate on a directing career, and another of his earlier directorial efforts, the British Transport Films' documentary Terminus (1961), gained a Venice Film Festival Gold Lion and a British Academy Award. His first two fiction films, A Kind of Loving (1962) and Billy Liar (1963) were set in the North of England. A Kind of Loving won the Golden Bear award at the 12th Berlin International Film Festival in 1962. His third feature film, Darling (1965), tartly described the modern way of life in London and was one of the first films about 'swinging London'. Schlesinger's next film was the period drama Far from the Madding Crowd (1967), an adaptation of Thomas Hardy's popular novel accentuated by beautiful English country locations. Both films (and Billy Liar) featured Julie Christie as the female lead.

Schlesinger's next film, Midnight Cowboy (1969), was internationally acclaimed. A story of two hustlers living on the fringe in the bad side of New York City, it was Schlesinger's first film shot in the US, and it won Oscars for Best Director and Best Picture. During the 1970s, he made an array of films that were mainly about loners, losers and people outside the mainstream world, such as Sunday Bloody Sunday (1971), The Day of the Locust (1975), Marathon Man (1976) and Yanks (1979). Later, came the major box office and critical failure of Honky Tonk Freeway (1981), followed by films that attracted mixed responses from the public, and low returns, although The Falcon and the Snowman (1985) made money and Pacific Heights (1990) was a box-office hit. In Britain, he did better with films like Madame Sousatzka (1988) and Cold Comfort Farm (1995). Other later works include An Englishman Abroad (1983), the TV play A Question of Attribution (1991), The Innocent (1993) and The Next Best Thing (2000).

Schlesinger also directed Timon of Athens (1965) for the Royal Shakespeare Company and the musical I and Albert (1972) at London's Piccadilly Theatre. From 1973, he was an associate director of the Royal National Theatre, where he produced George Bernard Shaw's Heartbreak House (1975). He also directed several operas, beginning with Les contes d'Hoffmann (1980) and Der Rosenkavalier (1984), both at Covent Garden. Schlesinger also directed a party political broadcast for the Conservative Party in the general election of 1992, which featured Prime Minister John Major returning to Brixton in south London, where he had spent his teenage years, which highlighted his humble background, atypical for a Conservative politician. Schlesinger admitted to having voted for all three main political parties in the UK at one time or another.

In 1991, Schlesinger made a brief return to acting, portraying the gay character 'Derek' in the TV adaptation of The Lost Language of Cranes for the BBC. This paralleled his personal life where he was a homosexual, having come out as one during the making of Midnight Cowboy.

Schlesinger was appointed Commander of the Order of the British Empire (CBE) in the 1970 Birthday Honours for services to film. A resident of Palm Springs, California Schlesinger had a Golden Palm Star on the Palm Springs Walk of Stars dedicated to him in 2003.

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YOUR fifty classic films have been rediscovered. After BRIAN VINER's Top 100 films list, our readers responded with a passionate tweet, so here are our favorites — as well as his verdict

www.dailymail.co.uk, April 6, 2024
BRIAN VINER: If I compiled my list again today, I still wouldn't have space for The Italian Job, Forrest Gump, The Great Escape, or Titanic, which all of which encouraged readers to write in. By the way, that doesn't mean I don't like or even love those photos (although not Titanic), which makes me wish the iceberg would strike a bit sooner). Here is a list of the Top 20 movies you should have included in my Top 100 list, as well as your reasons for... The Shawshank Redemption (left), Mary Poppins (right), and Saving Private Ryan (inset).

JAN MOIR: Can the deliciously glitzy restaurant loved by Princess Diana reclaim its crown as the haunt that every A-lister MUST be seen in?90s icon Le Caprice reopens its doors

www.dailymail.co.uk, March 3, 2024
JAN MOIR (left): Jeremy King (left) is back where he belongs, sporting his latest restaurant (right), which also happens to be his old restaurant and, perhaps more importantly, was his first restaurant. From 1981 to 2000, the King of Arlington, Texas, operated it with his business partner Chris Corbin as Le Caprice. It was purchased by billionaire Richard Caring in 2005, who closed it three years ago due to the pandemic, but the name and plans to relaunch it in a London hotel were mischievous. However, it is no surprise that it was King Le Caprice's version that thrilled and delighted London. The opulent, the undeniably popular, and the indelibly royal became a favorite haunt in St James's under Corbin & King's direction.

EDEN CONFIDENTIAL: Oscar-winning screenwriter attacks Madonna and Rupert Everett for how their rom-com flop had a punishing effect on director John Schlesinger before he died

www.dailymail.co.uk, August 1, 2023
EDEN CONFIDENTIAL: Madonna and Rupert Everett would doubtless disregard the existence of the 2000 flop film, but Oscar-winning screenwriter Frederic Raphael has launched a stinging attack on the pair for the punishing effect on its producer, John Schlesinger. It was his last film before he died 20 years ago this month. You once more absconded from England in order to make the last Hollywood film The Next Greatest Thing, with Madonna and Rupert Everett, in a letter published in Schlesinger's book Last Post. You were no longer a director for whom it was a privilege to serve. You worked for them and they knew it. In the mastering of a one-time master by two pseudo-stars who revel in the knowledge that he has a job only because they choose him.' Ouch!