Jerry Hadley

At 55 years old, Jerry Hadley physical status not available right now. We will update Jerry Hadley's height, weight, eye color, hair color, build, and measurements.

Hadley married pianist Cheryll Drake and moved to Connecticut, where he took a job teaching music. In 1978 he began studying voice with Thomas LoMonaco, who would remain his teacher for the next 12 years.

Hadley's early years as a professional singer were spent in regional opera houses in the U.S. He impressed Beverly Sills, who had heard him in the National Opera Institute auditions in 1978 and offered him a New York City Opera contract. Hadley became a regular member of the roster of the New York City Opera after his debut there as Arturo in Lucia di Lammermoor in 1979.

In 1982 he made his first appearance at the Vienna State Opera as Nemorino in Donizetti's L'elisir d'amore. He frequently performed at the Metropolitan Opera, La Scala, the Royal Opera House at Covent Garden, the Deutsche Oper Berlin, the Hamburg State Opera, the Lyric Opera of Chicago, the San Francisco Opera, the San Diego Opera and the Glyndebourne, Aix-en-Provence and Salzburg festivals.

Hadley was known for his interpretations of lyric tenor opera roles as well as his performances of Broadway musicals, operetta, and popular music. One of his best-selling recordings was the EMI three-CD recording of the complete score of Show Boat, conducted by John McGlinn. Hadley sang the role of Gaylord Ravenal.

Hadley sang the tenor roles of the bel canto repertory (Il Barbiere di Siviglia, L'elisir d'amore, Anna Bolena, La bohème, Lucia di Lammermoor) as well as Mozart (Così fan tutte, Don Giovanni, The Magic Flute, La clemenza di Tito) and the French Romantics (Les contes d'Hoffmann, Faust, Werther, Manon). He also sang the tenor soloist in Handel's Messiah and Verdi's Requiem. He sang the role of Tom Rakewell in Stravinsky's The Rake's Progress for much of his career, first performing it while a graduate student at the University of Illinois.

In the early 1990s, Hadley appeared on The Long Goodbye, an album of reinterpretations of the music of Procol Harum featuring past and present members of the band, augmented by orchestra and guest vocalists; Hadley's contributed with an interpretation of "Grand Hotel".

In 1996, Hadley commissioned the composer Daniel Steven Crafts to set selected poems by Carl Sandburg to music. The work, The Song and The Slogan, premiered in 2000 at the University of Illinois, and was made into a PBS video, which won an Emmy Award for Best Musical Performance by the Mid-America Chapter of the National Academy of Television Arts and Sciences. Among the performers in the premiere were university professors and musicians with whom he had worked while a student, including pianist Eric Dalheim, conductor Paul Vermel, and cellist Barbara Hedlund.

Hadley created the role of Don Luis de Carvajal y de la Cueva, in Myron Fink's 1997 opera, The Conquistador, and the title role in John Harbison's 1999 The Great Gatsby, based on the novel of the same name. Outside opera, he created in 1991 the tenor part in Paul McCartney's Liverpool Oratorio.

At the 1998 Salzburg Festival, Hadley sang the lead tenor role in Weill's Rise and Fall of the City of Mahagonny, a staging that was filmed and commercially released.

Hadley made many recordings, including bel canto roles conducted by Richard Bonynge, and was selected by Leonard Bernstein to sing the title role of his Candide for his 1989 recording for Deutsche Grammophon. London performances of the operetta from that year with the same principal singers, including Hadley, were separately televised and commercially released.

In addition to operatic performances, Hadley also gave recitals in Europe and the United States, which regularly included American music. He performed frequently with the American conductor-pianist Alexander Frey, and at the time of Hadley's death they were planning to record two new solo compact discs of song repertoire of Austria and Hollywood. Hadley also performed frequently with pianist Eric Dalheim.

Following his divorce from Cheryll Drake in 2002, Hadley stopped performing until 2004.

On July 12, 2004, Hadley, with Sondra Radvanovsky, Marianne Cornetti, John Relyea performed a critically acclaimed Verdi Requiem with the Pittsburgh Symphony Orchestra and the Mendelssohn Choir of Pittsburgh under the direction of Gilbert Levine.

On July 29, 2005, Jerry Hadley joined soloists: Bożena Harasimowicz, Monica Groop, and Franz-Josef Selig, the Royal Philharmonic Orchestra and the London Philharmonic Choir, under conductor Gilbert Levine, in a gala performance of Beethoven's Missa Solemnis in Cologne Cathedral. The performance was broadcast live on Westdeutscher Rundfunk, on 3sat throughout Europe and on PBS stations nationwide in the U.S. The performance was also released on DVD by Arthaus Musik

Hadley's last operatic performances were in May 2007 in Brisbane, Australia, as Pinkerton in Madama Butterfly with Opera Queensland.

In a 2007 interview with The Courier-Mail, Hadley commented on his return to the stage after his long absence since his divorce: "A wounded bird cannot sing. It was tough. It was emotionally distressing and it goes straight to the throat. So I took some time off and sat in the quiet for a while. I never really understood how inseparable was the journey of the spirit and the journey of singing and making music. For the first time in my life I couldn't see a way forward. But I came out on the other side of it with a deeper appreciation of what a great gift and great opportunities God has given me."

Source