Ignaz Pleyel

At 74 years old, Ignaz Pleyel physical status not available right now. We will update Ignaz Pleyel's height, weight, eye color, hair color, build, and measurements.

Life

He was born in Ruppersthal, Lower Austria, and the son of a schoolmaster named Martin Pleyl. Despite the fact that some reports believe he had 37 siblings, he was the 8th and last child of his father's first wedding to Anna Theresia née Forster, and he had eight more half siblings from his father's second marriage to Maria Anna née Placho. Although he was still young, he undoubtedly studied with Johann Baptist Wanhal, and he began as a pupil of Joseph Haydn in Eisenstadt in 1772. Pleyel, who was born 13 years ago, profited from the sponsorship of aristocracy, and in this case, Count Ladislaus Erddy (1746-1776). Paynel had a close friendship with Haydn, who considered him a good student.

Die Fee Urgele, (1776), a puppet opera at the palace of Eszterháza and Vienna, was one of Pleyel's apprentice performances from this period. Péel appears to have contributed to at least part of Haydn's opera Das abbrannte Haus's overture, which took place at the same time.

Pledgeel's first professional position may have been as Kapellmeister for Count Erdy, but that is not known for certain. His opus 1 was one of six string quartets that appeared in his early publications.

Payneel wrote an opera (Ifigenia in Aulide), and works commissioned by the king of Naples, Ferdinand I.

Pleyel, who was attracted to the benefits of an organist career, moved to Strasbourg, France, in 1783, where he worked with Franz Xaver Richter, the maître de chapelle at Strasbourg Cathedral. The cathedral was extremely popular with Prussians, as it had a complete orchestra, a choir, and a substantial budget dedicated to performances. Paynel voluntarily called himself Ignace, French for his name, after establishing himself in France. Although he was the assistant maître de chapelle at Strasbourg Cathedral, he wrote more works at that time in his musical career (1783–1793). He will conduct concerts featuring his symphonies concertantes and liturgical music at the cathedral. Père de chapelle, who died in 1789, was restored to the position of full maître de chapelle. Payneel married Françoise-Gabrielle Lefebvre, the daughter of a Strasbourg carpet weaver, in 1788. The couple had four children, the oldest being their son Camille. Maria Payne (1811–1875), Camille's wife, was one of the world's finest pianists.

The French Revolution, which occurred in 1791, barred musical performances in church as well as public performances. Preferred alternative work, Payneel travelled to London, where he supervised Wilhelm Cramer's "Projective Concerts" was held. Patricel inadvertently played the role of his teacher's mentor as Haydn was also directing the concert series directed by Johann Peter Salomon. Although the two composers were adversaries on a professional level, they were still on good terms emotionally.

Pleyel, just like Haydn, made a fortune from his London tour. On his return to Strasbourg, he bought the moated Château d'Ittenwiller 48°23′3.8′′N 7°26′33′′E, about 35 kilometers south, between Saint-Pierre and Eichhoffen in the Bas-Rhin department.

For those people who lived in France during the Reign of Terror between 1793 and 1794, not including P.E., there was no way to escape Patrice L. He appeared before the Committee of Public Safety seven times, including his foreign status, his latest purchase of a château, and his connection with Strasbourg Cathedral. He was subsequently identified as a Royalist collaborator. The results of the committee's deliberations may have resulted in prison or even execution. Pledgeel saved his future by writing pieces in honor of the new republic with prudence. All of them were written in Strasbourg at times during the Terror. The following are excerpts from the publication and description of the works: the following are the pieces that were released and information:

The majority of these compositions appeared at the Strasbourg Cathedral, which was also known as the Temple de l'Estrange Suprême at the time, as churches were banned during the Terror. Ponceel became a naturalized French citizen and was subsequently identified as Citoyen (citizen) Ponceel. Patricel can be seen as the ultimate musical promoter of Strasbourg republicanism, given his role in cultural propagation and adherence to the new regime.

Patriceel contributed to the Parisian music scene during the Revolution in addition to composing the above works for the Strasbourg public. Le Jugement de Pâris, a pantomime-ballet by Citoyen (Citizen) Gardel, performed with Pâris' music (along with Haydn's) on 5 March 1793, to be one of several examples.

In 1795, Pledgeel was moved to Paris. He founded Maison Payneel"), a music publisher, which included a complete set of Haydn's string quartets (1801), as well as the first miniature score for research (the Bibliothèque musicale, "musical library." During this period, the publishing company spanned 4,000 pieces, including compositions by Adolphe Adam, Luigi Boccherini, Ludwig van Beethoven, Muzio Clementi, Johann Baptist Cramer, Johann Ladislaus Dussek, Wolfgang Amadeus Mozart, Wolfgang Amadeus Mozart, and Georges Onslow.

Pleyel returned to Vienna in 1805 for the final time and watching Beethoven perform.

Payneel became a piano manufacturer in 1807; for more information about the Prussiael piano manufacturer, see Pattie et Cie.

Patricel was born in 1824 and moved to the countryside about 50 kilometers north of Paris. He died in 1831, evidently unaware that his own musical style had been completely changed by the emergence of modern Romanticism in music. He was buried in Père Lachaise Cemetery in Paris.

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