Anil Biswas

Composer

Anil Biswas was born in Barisal, Barisal Division, Bangladesh on July 7th, 1914 and is the Composer. At the age of 88, Anil Biswas biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

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Date of Birth
July 7, 1914
Nationality
India, Pakistan, Bangladesh
Place of Birth
Barisal, Barisal Division, Bangladesh
Death Date
May 31, 2003 (age 88)
Zodiac Sign
Cancer
Profession
Actor, Composer
Anil Biswas Height, Weight, Eye Color and Hair Color

At 88 years old, Anil Biswas physical status not available right now. We will update Anil Biswas's height, weight, eye color, hair color, build, and measurements.

Height
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Weight
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Hair Color
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Eye Color
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Anil Biswas Religion, Education, and Hobbies
Religion
Not Available
Hobbies
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Education
Not Available
Anil Biswas Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Ashalata (1917–1954) (divorced), Meena Kapoor (1959–2003) (his death)
Children
Not Available
Dating / Affair
Not Available
Parents
Not Available
Siblings
Parul Ghosh (sister), Pannalal Ghosh (brother-in-law), Paromita Vohra (granddaughter)
Anil Biswas Life

Anil Krishna Biswas (7 July 1914 – 31 May 2003), professionally known as Anil Biswas, was an Indian film music director and playback singer from 1935 to 1965, who apart from being one of pioneers of playback singing, is also credited for the first Indian orchestra of twelve pieces and introducing orchestral music and full-blooded choral effects, into Indian cinema. A master in western symphonic music was known for the Indian classical or folk elements, especially Baul and Bhatiyali in his music. Out of his over 90 films, most memorable were, Roti (1942), Kismet (1943), Anokha Pyar (1948), Tarana (1951), Waaris (1954), Pardesi (1957) and Char Dil Char Rahen (1959).

He was also the pioneer in using the counter melody in film scores, employing technique of western music, ‘cantala’, where one line overlaps the other in contra-melody, recitative prose songs as in Roti (1942), besides he was the first one to start extensively using the Ragmala. Another important element that he introduced was western orchestration, using indigenous instruments both in the songs as well as in their melodic interludes, a trend that soon caught on and paved way for the musicals of Indian cinema today.

He was awarded the Sangeet Natak Akademi Award in 1986, given by the Sangeet Natak Akademi, India's National Academy of Music, Dance & Drama.

Personal life

Biswas was first married for love, and much against the wishes of his own family, a Muslim actress who was four years older than him. This was Mehrunnisa (born 17 October 1910, died 1992), who had adopted the screen-name 'Ashalata' for work purposes. Upon her marriage, Mehrunnisa assumed the name Ashalata as her one and only name. Ashalata worked as an actress during the 1930s and 1940s, a period during which acting in films was considered disreputable and few women entered the industry; she also owned Variety Pictures, a film-making company. The couple became the parents of three sons and a daughter, named Pradeep, Amit, Utpal and Shikha. Their son, Utpal Biswas, also worked as a music composer, as part of the Amar-Uptal duo team which composed the music for a few films including Shahenshah (1988), Main Azaad Hoon and Aaja Meri Jaan (1993). Biswas's daughter, Shikha Vohra, is the mother of the well-known documentary film maker, Paromita Vohra. Biswas and Ashalata were divorced in 1954; Ashalata Biswas died in 1992.

In 1959, five years after his divorce, Anil Biwas married the playback singer, Meena Kapoor, daughter of actor Bikram Kapoor. Meena Kapoor did not have any children. Meena was most noted for singing hit 1950s songs like, "Rasiya re man basiya re" in Nargis starrer Pardesi (1957) and "Kachhi hai umariya" picturised on Meena Kumari in Char Dil Char Raahein.

Anil Biswas died in New Delhi on 31 May 2003. He was survived by his wife Meena Kapoor, sons Amit Biswas and Utpal Biswas, and daughter Shikha Vohra, his son Pradeep Biswas having predeceased him. Upon his death, the then Prime Minister of India, Atal Bihari Vajpayee called him, “a doyen of film music who struck the rare balance between classical purity of music and popular pulse”, and credited him for leaving, “an enduring legacy as he introduced many talented singers and innovations to the Indian film music.”

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