Alice Faye

At 83 years old, Alice Faye has this physical status:

Alice Jeanne Faye (née Leppert) was an American actress and singer who died on May 5, 1915 to May 9, 1998.

At the 1944 Academy Awards for Best Original Song, she performed "You'll Never Know," which was awarded to its composers.

In the musical film Hello, Frisco, Hello (1943), Faye performed the song. Faye was married twice and had two children.

In 1937, she married actor and singer Tony Martin, and the couple divorced in 1940.

In 1941, she married actor Phil Harris, a union that continued until his death in 1995.

Later life and death

She endorsed Adlai Stevenson's campaign in the 1952 presidential election and Barry Goldwater in the 1964 US presidential election.

Faye and Harris continued with various initiatives, both individually and together, for the remainder of their lives. Faye returned to Broadway in 1974 after 43 years in a Good News revival, with her old Fox buddy John Payne (who was replaced by Gene Nelson). Faye became a spokeswoman for Pfizer Pharmaceuticals in later years, promoting the benefits of a healthy senior lifestyle. The Faye-Harris marriage lasted 54 years until Harris' death in 1995. In an interview, Faye confessed that while she married Harris, the majority of Hollywood celebrities had guessed that the marriage would only last six months.

Alice Faye died of stomach cancer in Rancho Mirage, California, just four days after her 83rd birthday, three years after Phil Harris' death. She was cremated and her ashes lay at the Forest Lawn Cemetery in Palm Springs, California, alongside those of Phil Harris. In recognition of her contribution to Motion Pictures on 6922 Hollywood Boulevard, she has a spot on the Hollywood Walk of Fame. A Golden Palm Springs, California, Walk of Stars Founder In 1994, a Golden Palm Springs, California, Walk of Stars winner was dedicated to her. Old-time radio collectors still favor the Phil Harris-Alice Faye Exhibition.

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Life and career

Alice Jeanne Leppert was born in Hell's Kitchen, Manhattan, the niece of Alice (née Moffit), who worked for the Mirror Chocolate Company, and Charles Leppert, a police officer, was born on May 5, 1915. Charles, she had an older brother. Faye was born as an Episcopalian. Faye's acting career began in vaindeville as a chorus girl. She failed an audition for the Earl Carroll Vanities because she was found to be too young, then went to Broadway, where she was featured in George White's Scandals' 1931 edition. By this time, she had adopted her stage name and first appeared on Rudy Vallée's Yeast Hour.

When Lilian Harvey left lead roles in a film version of George White's Scandals (1934 film), in which Vallee was also to appear, Faye gained her first big film break in 1934. With Vallee, Faye, Faye, Faye, Faye, she was hired first to perform a musical number. Faye's female lead was appointed. She became a well-known film actress in the 1930s, particularly when Fox production head Darryl F. Zanuck made her his protégée. Faye transformed from a gruesome showgirl to a youthful, yet somewhat motherly figure, as shown by her appearances in a few Shirley Temple films. Faye underwent a makeover, from a Jean Harlow version to a wholesome appearance in which her platinum hair and pencil-line eyebrows were exchanged for a more natural look.

In In Old Chicago (1938), Faye was cast as the female lead. Zanuck initially refused to cast Faye, fearing that the role had been written for Jean Harlow, but critics applauded Faye's achievements. The film ended with a 20-minute finale, a recreation of the Great Chicago Fire, a scene so deadly that women, except for the main actors, were barred from the theater. In the film, she co-starred with Tyrone Power and Don Ameche, two of her most popular co-stars, because studios were accustomed to pair their contract actors together in more than one film.

Faye, Power, and Ameche were reunited for Alexander's Ragtime Band, which was intended to perform more than 20 Irving Berlin songs; Faye, Power, and Ameche were reunited in 1938; Faye, Power, and Ameche were reunited; Faye, Power, and Ameche were all reunited; Faye's Ragtime Band, which was meant to perform more than 20 Irving Berlin songs; Faye had received raved It was one of the most expensive films of its time, but it was also one of the most popular musicals of the 1930s.

Faye was one of Hollywood's top-ten box-office draws by 1939. Tyrone Power made Rose of Washington Square last year. Despite being a big hit, comedian Fanny Brice's life was apparently based on the real life of the comedian, who sued Fox for stealing her story.

Faye's talents are often put into films more for the sake of making money than showcasing Faye's talents. Tail Spin and Barricade (both 1939) were more dramatic than traditional Faye films, and most of them did not have any songs. Despite her immense success, none of the films she made in the 1930s and 1940s lost money; this triumph earned her the nickname "Queen of Fox."

The title role in Faye's musical biopic Lillian Russell (1940) was one of Faye's most memorable parts. Faye loved this film as one of her favorites, but it was also her most challenging role. Faye's tight corsets caused her to collapse on the set several times.

Faye was replaced by the studio's newest musical actress, Betty Grable, after losing the lead role in Down Argentine Way (also 1940) due to an illness. In the film Tin Pan Alley (also 1940), she was paired as a sister act opposite Grable. A rumor arose that a rivalry had arisen between the two artists during the creation of the photograph. Faye revealed that the Fox publicity team fabricated the report and that the two actresses were in fact close friends in a Biography interview.

Fox began to photograph Faye in musicals shot in Technicolor in 1941, a trademark for the studio in the 1940s. She performed regularly as a performer, with a majority of people moving up in society, allowing for situations that ranged from poignant to comedic. Week-End in Havana (1941) and That Night in Rio (1941), in which Faye played a Brazilian aristocrat, made good use of Faye's husky singing voice, good comic timing, and a natural performer of the period's starry-eyed romantic story lines, were used in a film.

Faye appeared in the Technicolor musical Hello, Frisco, Hello in 1943, after taking a year off to have her first child. The film, which was released at the time of World War II, became one of Fox's most popular films. "You'll Never Know" was Faye's song in this film. The song received the Academy Award for Best Original Song for 1943, and the sheet music for the movie sold over a million copies after she said that she could not legally record any of her movies, including Dick Haymes (whose version reached number one for four weeks), Frank Sinatra, and Rosemary Clooney were all associated with the song than Faye. However, it is still widely recognised as Faye's signature song. Faye was named one of the world's best box-office draws last year.

End of motion picture career

Family life became more important to her as Faye's fame soared during the war years, particularly after the arrival of Phyllis, her second daughter. Faye's mother died after her birth to make just one picture a year, with the option of a second one to give Faye a chance to spend more time with her family. Her second pregnancy resulted in a hospitalization, prompting her to leave a plum dramatic role in A Tree Grows in Brooklyn to Joan Blondell, and her second appearance in The Dolly Sisters departed (her intended role went to June Haver).

Faye was eventually accepted as the lead in Fallen Angel (1945). Although Zanuck ostensibly as Faye's car, Darnell proceeded to build his new protégé Linda Darnell, who was commissioned to film several of Faye's scenes, and Darnell emphasized. Faye, who had her role reduced by 12 scenes and a song number, wrote a scathing note to Zanuck, handed over the studio gate guard's keys, and drove home, vowing never to return to Fox. Faye was still so popular that thousands of letters were sent from Faye's house and the Fox studios around the world, begging for another photograph. "When I stopped taking pictures, it didn't bother me," she told an interviewer, because there were so many things she hadn't done." I had no idea how to run a house. I didn't know how to cook. I didn't know how to shop because of the internet. So all those things stuffed all of those spaces."

Faye's contract had demanded that she make two more films after she had been fired from Fallen Angel. Zanuck retaliated by being blackballed for breach of employment, effectively ending her film career, although Faye no longer wanted to pursue it. The Fallen Angel was Faye's last film to be starring. Zanuck, who was under public pressure, tried to lure Faye back to the screen; Faye supplied all the scripts.

Alice Faye appeared in a new Fox film, later this year, for a role. State Fair (1962) Alice Faye was a woman. Although she received positive feedback, the film was not a success. She made only occasional cameo appearances in film since being a secretary in Won Ton Ton Ton Ton (The Dog That Saved Hollywood (1976) and as a waitress in The Magic of Lassie (1978).

When Faye was welcomed by Eamonn Andrews at Hollywood's Metromedia Studios, she was the subject of This Is Your Life for British television in 1984.

Marriage and radio career

Faye's first marriage, to Tony Martin in 1937, ended in divorce in 1940; both had hectic careers that monopolized the majority of their time, leaving little opportunities for couples. She married bandleader Phil Harris in May 1941. Harris' marriage, one of Hollywood's most popular couples, became a plot line in The Jack Benny Program, where they served as a regular cast member for 16 years.

Alice (b.) and John (b.) The couple had two children, Alice (b. ). 1942) and Phyllis (b. 1922) (1941–2001) Harris, Jr., and Harris' adopted son from his first marriage, Phil Harris, Jr. When Faye's film career slowed, Faye and Harris began working in radio together. They first joined NBC, The Fitch Bandwagon, in 1946 to host a variety show. The Harrises' teasing comedy sketches made them the show's stars. By 1948, Fitch had been replaced as sponsor by Rexall, the pharmaceutical company, and the show, which had been renamed simply situation comedy with a music interlude from husband and wife, was renamed The Phil Harris-Alice Faye Show.

Harris' comedic talent was already familiar with Jack Benny's radio shows for Jell-o and Lucky Strike. He appeared in Benny's sage, jive-talking hipster bandleader from 1936 to 1952. Banning two young children in somewhat bizarre situations, many involving Harris's band guitarist Frank Remley (Elliott Lewis), and sponsor's representative Mr. Scott (Gaye) involving bumbling, malaproping Harris, and usually involving bumbling, malaproping Harris, who had to be rescued by Faye, both with their own show reimagined to a sitcom.

Jeanine Roose and Anne Whitfield's two children appeared on radio; mainly by Ray Singer and Dick Chevillat; the Harrises' two daughters survived on NBC radio until 1954.

Faye's singing ballads and swing numbers in her honeyed contralto voice were a regular feature of the show, as was her knack for tart one-liners equal to those of her husband. Alice's riches from her film career were also included in the show's running gags ("I'm only trying to shield the wife of the money I love" was a common Harris drollery), as well as occasional Faye slurs directed at her rift with Zanuck, most often referring to Fallen Angel.

The Harris-Faye radio show was one of the country's top ten radio shows in its early years. Faye's show business and home life were also balanced by the radio show; since radio only permitted her to be present for a read-through and a live broadcast, she was still able to spend the majority of her time with her children.

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