Alfred Ryder

At 79 years old, Alfred Ryder has this physical status:

Ryder began to act at age eight and later studied with Robert Lewis and Lee Strasberg. He eventually became a life member of The Actors Studio.

During the 1930s and 40s, Ryder blended Broadway appearances with two memorable roles during the Golden Age of Radio, as Molly Goldberg's son Sammy in The Goldbergs; and as Carl Neff in Easy Aces. During World War II he served in the United States Army Air Forces and appeared in the Air Force's Broadway play and film Winged Victory. In 1946 he secured a one-year film contract with Paramount and had a role in the Anthony Mann-directed film noir T-Men (1947).

Ryder was an ambitious and intense theater performer who aspired to be "the definitive Hamlet of his generation." In the 1940s he joined the American Repertory Theatre, founded by Margaret Webster and Eva Le Gallienne; Webster's follow-up troupe, the Margaret Webster Shakespeare Company—for which he toured as Hamlet; and ultimately The Actors Studio. In the 1950s he continued appearing on Broadway (supplemented with television work), his most fruitful years coinciding with his 1958-1964 marriage to renowned stage actress (and fellow Actors Studio member) Kim Stanley, whom he would direct in the 1961 Broadway hit A Far Country.

In 1956, Atlantic Records released the spoken-word album This Is My Beloved with Ryder reciting the popular poetry of Walter Benton.

Notably, Ryder was chosen to be Laurence Olivier's standby when The Entertainer moved to Broadway from London in 1958.

He won the 1959 Obie Award for Best Actor, playing D.H. Lawrence in Tennessee Williams' one-act play I Rise in Flame, Cried the Phoenix. Kim Stanley hosted the awards presentation, but her husband was away in rehearsals for a CBS adaptation of Billy Budd, having been cast as Claggart as a rush replacement for an ailing Jason Robards, Jr. Ryder's growing association with the less-vaunted medium was reflected in TIME's announcement of their marriage; Stanley was feted as "star of Broadway's Bus Stop, and of Hollywood's The Goddess, whose training at the Actors' Studio [sic] made her the standard Brando of U.S. actresses," while Ryder was solely and dismissively identified as "TV actor Alfred Ryder," without even a mention of Ryder's own association with The Actors Studio.

In 1961 Ryder was cast as Eli Wallach's first replacement as Bérenger (a role originated in London by Olivier) in the Broadway production of Eugène Ionesco's Rhinoceros. Ryder also would tour in the part with Zero Mostel, who had won a Tony Award in the play's other starring role.

In 1964, 48-year-old Ryder was selected by impresario Joseph Papp to realize his dream and perform Hamlet in a high-profile production: a three-week engagement for Papp's Shakespeare in the Park. Notoriously, he was replaced after opening night by Robert Burr, who was understudying Richard Burton in the same role on Broadway. According to press reports, Ryder was suffering from laryngitis by the premiere, which was broadcast on CBS, but co-star Stacy Keach also recounted Ryder’s erratic performances and difficulty remembering lines in rehearsals due to drinking. Actress Lee Grant stated that Ryder’s stage career was “ruined” by the fact that the performance was televised and that Ryder was replaced afterward, compounded by Papp’s public refusal to allow Ryder to return to the role following his recovery from the throat infection.

The disappointment to Ryder was "acute," according to Ellen Adler, daughter of famed acting coach Stella Adler. "He was sort of promised he would be a great Broadway star, and somehow it never happened." Ryder would never again act on or off-Broadway, though he subsequently directed two more Broadway plays—1968's The Exercise and a 1971 production of The Dance of Death—both of which closed in less than one week. (In Los Angeles, Ryder would direct for UCLA's Theatre Group as a member of the Actors Studio Directors Unit and also for the U.S. Government's Educational Laboratory Theatre Project.)

Nevertheless, Ryder remained an A-list television guest star throughout the 1960's, as his eccentric, theatrical style and vaguely Germanic accent were well-suited for the sci-fi, spy, and fantasy shows that were popular at the time. He appeared in multiple episodes of The Wild Wild West and The Man from U.N.C.L.E., and he played the main alien leader, Mr. Nexus, in the TV series The Invaders (two seasons, 1967-68). He starred as a British criminal who could not be killed in Alcoa Presents: One Step Beyond episode "The Devil's Laughter'" (1959) and appeared in "The Man Trap", the first-aired episode of Star Trek, on September 8, 1966, as a scientist who is hiding the fact that a shapeshifting alien is masquerading as his late wife. He also guest-starred as the ghost of a World War I German U-boat captain in two episodes of Irwin Allen's ABC-TV series Voyage to the Bottom of the Sea. He then acted in an episode of another Irwin Allen series on ABC, as a cantankerous orphanage operator, Parteg, in "Night of Thrombeldinbar", an episode of Land of the Giants in February 1969. Later he appeared in the episode "A Hand for Sonny Blue" in the series Quinn Martin's Tales of the Unexpected (1977; known in the United Kingdom as Twist in the Tale).

Ryder's film work was more sporadic; his highest-profile role was the defense attorney who cross-examines John Wayne in True Grit (1969).

By the 1970s, Ryder's credits (and billing) had diminished, with his last significant role coming in 1979, on Steve Allen's PBS faux-talk show Meeting of Minds, for which he also co-directed two episodes. Despite an energetic performance as Machiavelli with extensive dialogue, Ryder only appeared once more onscreen, as restauranteur Mike Romanoff in the 1980 Humphrey Bogart TV-biopic Bogie.

In his later years Ryder lived with his sister, actress Olive Deering, eventually moving to the Actors Home in New Jersey, where he died of liver cancer in 1995.

Source