Waheeda Rehman

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Waheeda Rehman (born 3 February 1938) is an Indian actress and dancer who has appeared in mainly Hindi films as well as Telugu, Tamil, Bengali, and Malayalam films.

She is known for her contributions to various genres of film and different roles from the 1950s, 1960s, and the early 1970s.

Her awards include a National Film Award, two Filmfare Awards out of eight nominations, the Filmfare Lifetime Achievement Award, and the Centenary Award for Indian Film Personality.

Throughout her career, she has been consistently recognized as one of Bollywood's "most beautiful" actresses by various media publications, including Pyaasa (1957), Kaagaz Ke Phool (1959), and Sahib Bibi Aur Ghulam (1962), for which she received her first Filmfare Award.

She continued to perform in the mid-1960s, appearing in hit films and establishing herself as one of India's top female celebrities.

Rehman's career reached its high point when she received two awards for her Hindi blockbuster Guide (1965) and Neel Kamal (1968) as well as prizes for Ram Aur Shyam (1967) and Khamoshi (1970). Despite winning the National Film Award for Best Actress for portraying a clanswoman in love with a separate clansman (1971), her career came to a halt when she was barred from supporting roles in films.

Kabhie (1976), Namkeen (1982), and Lamhe (1991), and Rehmen's most notable film roles in the 1970s are Kabhi (1976), Rehmen (1981), and Lamhe (1991), and the latter film was her last film role in the next 12 years until 2002, where she returned to film in the 1970s. Rehman was honoured by the government of India with the Padma Bhushan, the country's third-highest civilian award.

Rehman is a philanthropist who does not act.

She is an advocate for education and a representative for Rang De, an association in India battling poverty.

Early life

Waheeda Rehman was born in Chengalpet, India's third-day Tamil Nadu, on February 3rd 1938 to a Deccani Muslim family. It's a common belief that Rehman was born in Hyderabad rather than Tamil Nadu. Mohammed Abdur Rehman and his mother, Mumtaz Begum, were the youngest of 4 daughters, and she was the youngest out of four children. She and her sisters were trained in Bharatanatyam in Chennai as a child. She spent time in St. Joseph's Convent in Visakhapatnam, when her father was posted there in the then-Madras Presidency. Her father, a district commissioner, died in 1951 when she was in her early teens.

Rehman's aspiration was to become a physician, but she stalled her as a result of her family's physical and financial challenges, as well as her mother's illness. She accepted film requests that related to her dancing abilities in order to assist her family. Rehman's first appearance on stage as a dancer in Brahmapur's Ganjam Kala Parishad, arranged by her uncle Dr. Ferose Ali, a well-known doctor and social activist in Brahmapur.

Personal life

Rehman married Shashi Rekhi (also known as Kamaljeet) in April 1974, and they both had worked together before in the film Shagoon (1964). Sohail Rekhi and Kashvi Rekhi, both of whom are writers, have two children. She worked in a farmhouse in Bangalore after her husband's death on November 21, 2000, she returned to her ocean-view bungalow in Bandra, Mumbai, where she now lives.

In an interview with Waheeda Rehman about her personal life, she admits she is not interested in it. My personal life should be kept private. It is nobody's industry. We know we are public figures, so do you want to know about it if you fight with your husband?

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Acting career

With the 1955 Telugu films Rojulu Maraayi and Jayasimha, Rehman made her film debut. In the film Eruvaka saagaro, the former performer appeared as a dancer. In the year that came after, Rehman made a cameo in the Tamil film Alibabavum 40 Thirudargalum (1956). It is the first Tamil film to be colored based on Ali Baba's folktale and the Forty Thieves. Rehman formed a professional relationship with Dev Anand in the mid-1950s. Solva Saal (1958), among their numerous hit films; Suresh Kohli of The Hindu writes about her appearance in Solva Saal, "Though she was just 20 years old and just getting her fourth Hindi debut, Waheeda Rehman demonstrates her class" in these "demanding scenes demanding passion as well as sparkling, mischievous eye movements during lighter scenes.

Collaborations with Guru Dutt

Rehman's appearances attracted the attention of Hindi filmmaker Guru Dutt, whom Rehman admires as her mentor. In the Hindi film C.I.D., Dutt took her to Bombay (current-day Mumbai) and cast her as Kamini. (1956): It's been a struggle (1956). Rehman was asked to use a stage name due to actresses like Madhubala, Nargis, and Meena Kumari, but she declined to do so and kept her birth name. Dutt would appear in her first lead role in Pyaasa (1957), where she played a prostitute; the film was a commercial success, and critics have characterized it as one of the best films ever made. The noir film 12 O'Clock (1958) and Kaagaz Ke Phool (1959), two of which received critical laud, are among Dutt's continuing collaborations. The last film starring Dutt, Meena Kumari, and Rehman herself in a supporting role was Rehman and Dutt's last collaboration. Both Indian and foreign commentators lauded the film as a triumphant success. Rehman received her first Filmfare award in the category of Best Supporting Actress at the 13th Berlin International Film Festival, while the film itself received awards for Best Supporting Actress. Later in 1964, Dutt stopped his relationship with Rehman due to personal challenges, and later died in 1964.

With Satyajit Ray's film Abhijan (1962), the actress next ventured into Bengali film-making. Following this, she played a murder suspect in Baat Ek Raat Ki (1962), a girl embroiled in a sibling rivalry in Rakhi (1962) and an infertile woman in Ek Dil Sau Afsane (1963). She was cast opposite many familiar faces of Hindi cinema, including Sunil Dutt in Mujhe Do (1964), Nirupa Roy (1964), and the psychological thriller Bees Saal Baad (1962), the latter becoming the highest-grossing Hindi film of 1962. Rehman made the third-highest paid actor in Hindi films from 1959 to 1964, from 1959 to 1964.

When Rehman was paired with other well-known celebrities, including Dilip Kumar, Rajendra Kumar, Raj Kapoor, and Rajesh Khanna, she maintained her peak. Teesri Kasam (1966), which received the National Film Award for Best Feature Film, Ram Aur Shyam (1967), Neel Kamal (1969), and Khamoshi (1969), two of her late 1960s films include Teesri Kasam (1966), which won the National Film Award for Best Feature Film. The last three films received Rehman consecutive nominations for Best Actress in each, with Neel Kamal winning for Neel Kamal. She plays a nurse who goes mentally ill after falling in love with one of her patients and then sent to her own mental hospital, which is largely praised in Khamoshi's starring Rajesh Khanna and Dharmendra. Patthar Ke Sanam (1967) and Aadmi (1968), two other commercial successes of the time. Rehman set a new record amongst herself in becoming India's second-most paid actress from 1964 to 1969. "I received 30,000 for Solva Saal, my first film as a freelancer," she says. I never made more money in my career than I did. A film costs 7 lakhs.

Guide and Reshma Aur Shera

The 1965 romantic drama Guide by Vijay Anand was an extension of R. K. Narayan's book "The Golden Age" (published in 1958. Rosie, a rebellious, strong-willed wife of an unfaithful archaeologist, was starring Rehman. She said that the role was difficult for her, particularly because it was outside of film stereotypes at the time. Guide was a commercial hit, peaking as the fifth-highest grossing Hindi film of 1965, and it attracted critical acclaim, with Rehman's appearance particularly lauded. According to Trisha Gupta of Hindustan Times, "Rosie was triply unusual: a woman who walks out of an unhappy marriage and begins a professional career as a dancer." "She will be an extraordinary Hindi film heroine even today" and ranked her among the top Hindi film actresses in the country. Guide went on to win the National Film Award for Best Feature Film after she received the Filmfare Award for Best Actress. It was India's first entry to the Oscars, but it was not nominated. It has attracted cult status and is considered Rehman's best film performance. Rehman received the National Film Award for Best Actress for headinglining the film Reshma Aur Shera (1971), India's equivalent to the Academy Award for Best Actress. Rehman started exploring with positions at this point in his career. She accepted Reshma Aur Shera in 1971, which attracted raves from critics, but the film suffered at the box office.

In Phagun (1973), Rehman accepted the challenge to play a mother to Jaya Bhaduri. Kabhie (1976), Trishul (1978), Jwalamukhi (1980), Namkeen (1982), Pata (1984), and Lamhe (1991). The Best Supporting Actress award went to Kabhie, Namkeen, Chandni, and Lamhe. Manmohan Desai had approached Rehman on behalf of Shammi Kapoor during the production of Naseeb (1981), according to film specialist Rajesh Subramanian. Shammi Kapoor and Waheeda Rehman play hand to hand in the song "John Jani Janardhan." Incidentally, this was the first time the two actors appeared on screen together. She declared a sabbatical after appearing in Lamhe (1991).

Rehman was supposed to play the mother of her frequent co-star Amitabh Bachchan in Karan Johar's Kabhie Gham (2001). However, after shooting a few scenes, she dropped out of the film due to her husband's death in November 2000. She was then played by Achala Sachdev, who later on in her career. In recent years, she has appeared in Om Jai Jagadish (2002), Water (2005), 15 Park Avenue (2006), Rang De Basanti (2006), and Delhi 6 (2009), all of whom have received critical acclaim. She was honoured by the government of India in 2011 with the Padma Bhushan Award for her contribution to Indian Cinema, and in 2013 with the Cenetary Award for Indian Cinema. In 2014, Rehman's Conversations With Waheeda Rehman, which were based on interviews conducted by author and director Nashman, was published and published.

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