Vasay Chaudhry

Screenwriter

Vasay Chaudhry was born in Lahore, Punjab, Pakistan on November 12th, 1981 and is the Screenwriter. At the age of 42, Vasay Chaudhry biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

Date of Birth
November 12, 1981
Nationality
Pakistan
Place of Birth
Lahore, Punjab, Pakistan
Age
42 years old
Zodiac Sign
Scorpio
Profession
Writer
Vasay Chaudhry Height, Weight, Eye Color and Hair Color

At 42 years old, Vasay Chaudhry physical status not available right now. We will update Vasay Chaudhry's height, weight, eye color, hair color, build, and measurements.

Height
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Weight
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Hair Color
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Eye Color
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Measurements
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Vasay Chaudhry Religion, Education, and Hobbies
Religion
Not Available
Hobbies
Not Available
Education
National College of Arts
Vasay Chaudhry Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Mahera Shah
Children
Not Available
Dating / Affair
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Parents
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Vasay Chaudhry Career

Chaudhry started his career in 1998 when he did a theatre play called Desperado. He recalls, "I had just a 45-second role in it! So I started off with a role – that calling it a cameo would be a disgrace! I began to pursue theatre seriously when I went to LACAS for my A-levels where I met Zain Ahmed (actress/director Samina Ahmad's son) and acted and assisted him on his play, Blood wedding". Afterwards, he went on to become head of the Dramatics Club in LACAS and directed an old Urdu play called Bari Dair Meherban Aatay Aatay for the Rafi Peer Theatre International Theatre Festival.

Chaudhry's first writing venture for television was a sitcom called Jutt and Bond in 2001, starring Fawad Khan in lead role along with Ahmad Ali Butt and Farah Tufail. It was television adaptation of his theatre play of the same name performed in 2000. Chaudhry approached Younis Butt to write the series; when he refused, Chaudhry wrote the show himself. He recollected the memories of Jutt and Bond while speaking to a newspaper "So, then I sat down to make the decision and thought about all the terrible dramas I have seen in my life. I thought about how bad could my writing really is, decided to give it a shot and wrote Jutt and Bond."

In 2010, after establishing himself in 25-minute sitcom business, he wrote his first long TV serial Dolly ki Ayegi Baraat, which turned out to be a huge commercial and critical hit. He continued writing long TV serials after success of Dolly. Chaudhry in an interview stated that he has started enjoying writing for film and TV more than sitcoms. Chaudhry's most famous TV plays as a writer include Timmy G, Dolly Ki Ayegi Baraat, Takkay Ki Ayegi Baraat, Inspector Khojee, Kash Tu Mera Baap Na Hota, Yeh Shaadi Nahi Ho Sakti, telefilm Armaan and Jackson Heights (drama). He terms his Eid Special play Kash Tu Mera Baap Na Hota which aired on Geo TV, 2011, as one of his personal favourite work along with Inspector Khojee and Jackson Heights. In cinematic work, he debuted with the script and screenplay writing for Main Hoon Shahid Afridi; it was declared a commercial hit of Pakistani cinema, 2013, and garnered accolades from critics and audience alike.

Chaudhry has been seen in TV commercials from time to time, prominent ones include MCB ad and Zong. Chaudhry wrote in the Herald (Pakistan) as a film reviewer and critic for a brief period, during 2002–03. Since then he has occasionally contributed towards writing on Pakistani media and cinema in Pakistan's leading newspapers like Pakistan Today, The Express Tribune and The News.

Chaudhry in one interview explained the reason for writing as "only to bring the people's attention to the various character types that exist amidst us. It is important to be a responsible role model but for most people, it is easier to pick ideas off the internet and ape them."

Chaudhry believes in self-censorship but insists "My target has always been to entertain people; I am not into "artistic stuff" as far as my work is concerned, at least not now. Even when I was doing theatre, I wasn't into it. I suppose it's because I am influenced by entertainment films of the 80s and 90s". He regards Anwar Maqsood and Mushtaq Ahmad Yusufi as his gurus in comedy writing and laments the lack of fresh ideas and wit in majority of current comedies. Being a strong believer in originality he was quoted saying "It's mostly foreign concepts that we are picking up and then trying to localize and obviously failing. We need to learn to improvise rather than copy ideas."

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