Ricardo Montalban

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In 1941, Montalbán appeared in three-minute musicals produced for the Soundies film jukeboxes. He appeared in many of the New York–produced Soundies as an extra or as a member of a singing chorus (usually billed as Men and Maids of Melody), although he had the lead role in He's a Latin from Staten Island (1941), in which he (billed simply as "Ricardo") played the title role of a guitar-strumming gigolo, accompanied by an offscreen vocal by Gus Van.

Later in 1941, Montalbán returned to Mexico after learning that his mother was dying. There, he acted in a dozen Spanish-language films and became a star in his homeland.

He had an uncredited appearance in a version of The Three Musketeers (1942) starring Cantinflas. He can be glimpsed in El verdugo de Sevilla (1942), The Saint That Forged a Country (1942) starring Ramon Navarro, and La razón de la culpa (1943).

Montalbán became a star in Mexico in Santa (1943), which was directed by a Hollywood expat, Norman Foster. He followed it with a support role in Cinco fueron escogidos (1943).

Some American filmmakers shot a movie in Mexico about Yugoslavia in World War II, Five Were Chosen (1944). Montalbán had a support role.

Foster gave him a second lead role in The Escape (1944) aka La Fuga. Montalban had the star role in Cadetes de la naval (1945), Nosotros (1945), and The Hour of Truth (1945), the latter a bullfighting drama also directed by Foster.

Montalban was in The House of the Fox (1945), Pepita Jimenez (1946), and Fantasía ranchera (1947).

Montalbán's films had been seen by Metro-Goldwyn-Mayer who were looking for someone to play a bullfighter opposite Esther Williams in Fiesta (1947), shot in Mexico. Montalbán was cast and the movie was very popular; Metro-Goldwyn-Mayer signed him to a long-term contract.

The studio re-teamed him with Williams in On an Island with You (1948). He had a dance number in the Frank Sinatra musical The Kissing Bandit (1948), then did a third film with Williams, Neptune's Daughter (1949), in which they dueted on "Baby It's Cold Outside".

Montalbán's first leading role was in the film noir Border Incident (1949) with actor George Murphy, directed by Anthony Mann. It was one of a number of lower budgeted films made at the studio under Dore Schary and earned a small loss. Montalbán was the first Hispanic actor to appear on the front cover of Life magazine on November 21, 1949. "I was king for a week," he said later. "I thought the offers would flood in, but after a week—nothing."

Montalban was one of several soldiers in the William Wellman war film Battleground (1949), a huge success at the box office. He was given another star role in Mystery Street (1950), playing a detective in a film noir directed by John Sturges. It was a box office disappointment.

Sturges also directed Right Cross (1950) with Montalbán, Dick Powell and June Allyson. Montalbán and Jane Powell made the musical Two Weeks with Love (1950), which was a minor hit.

Universal borrowed Montalbán and Cyd Charisse for a swashbuckler, The Mark of the Renegade (1951). Back at Metro-Goldwyn-Mayer, he was second billed to Clark Gable in Across the Wide Missouri (1951), directed by Wellman. The film was a big hit, although Montalbán was injured during shooting.

The studio teamed him and Shelley Winters in My Man and I (1952) where he played a laborer under the direction of Wellman; it was a big flop.

Montalbán was one of several names in Sombrero (1953), shot in Mexico. Montalbán was Lana Turner's leading man in Latin Lovers (1953). Both films lost money and Metro-Goldwyn-Mayer let him go.

He later said, "I played caricatures of what a Latin is supposed to be like. In reality, we are family men. I should have had the courage of Dolores Del Rio who returned to Mexico and made her best movies there."

Montalbán did a swashbuckler for Sam Katzman, The Saracen Blade (1954), then returned to Mexico to star in Untouched (1954).

He travelled to Italy to make The Queen of Babylon (1954) with Rhonda Fleming, then returned to Mexico to make the US-financed A Life in the Balance (1955) with Anne Bancroft. He bought a story for himself, Green Shadows, but it appears to have not been made.

Montalbán began working in television, guest-starring on shows such as General Electric Theater, The Ford Television Theatre, Celebrity Playhouse, Climax!, The 20th Century-Fox Hour (versions of Broken Arrow and Five Fingers), Chevron Hall of Stars, Wagon Train, and Schlitz Playhouse.

In 1955, he appeared on Broadway in Seventh Heaven with Gloria DeHaven but it ran for only forty-four performances. In Hollywood, he appeared in the thriller for Allied Artists, Three for Jamie Dawn (1956).

Montalbán returned to Italy for Desert Warrior (1957), then had his first role in an "A" Hollywood film for a number of years in Sayonara (1957), in which he played a Japanese dancer. He later said, "I was and still am very pleased with my performance and very much saddened by this picture. I was hoping for an Academy Award nomination, but unfortunately, most of my scenes ended up on the cutting-room floor."

From 1957 to 1959, Montalbán starred in the Broadway musical Jamaica, singing several light-hearted calypso numbers opposite Lena Horne, which ran for 555 performances. His performance earned him a Tony Award nomination.

Montalbán continued to guest-star on shows such as Colgate Theatre and Playhouse 90. When Jamaica ended, he guest-starred in Riverboat, Adventures in Paradise, Startime, Death Valley Days, Bonanza, Alfred Hitchcock Presents, The Christophers, The Dinah Shore Chevy Show, The Loretta Young Show (several times), Zorro, The Untouchables, Checkmate, Cain's Hundred, and The Lloyd Bridges Show.

Montalbán could also be seen in Let No Man Write My Epitaph (1960); the TV remake of Rashomon (1960) directed by Sidney Lumet; Rage of the Buccaneers (1961), an Italian swashbuckler in which Montalbán had a lead role alongside Vincent Price; Hemingway's Adventures of a Young Man (1962); The Reluctant Saint (1963) with Maximillian Schell; and Love is a Ball (1963) with Glenn Ford, playing a French duke. He was the Native American leader Little Wolf in Cheyenne Autumn (1964) directed by John Ford, did the TV version of The Fantasticks (1964), and returned to Mexico to make ¡Buenas noches, año nuevo! (1964).

He was mostly seen, though, on television in Alcoa Premiere, The Dick Powell Theatre, Ben Casey, The Greatest Show on Earth, The Lieutenant, The Great Adventure, Slattery's People, The Defenders, The Rogues, Burke's Law, Dr. Kildare, and The Man from U.N.C.L.E..

Montalbán had supporting roles in The Money Trap (1965) with Ford, directed by Burt Kennedy, Madame X (1966) with Turner for producer Ross Hunter, and The Singing Nun (1966) with Debbie Reynolds at MGM.

He guest-starred in The Long, Hot Summer, Daniel Boone, The Wild Wild West, Insight, Combat!', Mission: Impossible, I Spy, Hawaii Five-O (playing a Japanese-American crime boss [1]), and Bob Hope Presents the Chrysler Theatre.

In 1965, he toured in The King and I. "'I think every actor loves the stage,' he said in 1991. 'The pros are that it is the actor's medium; there's no way your scene is going to end up on the cutting-room floor, and it's up to you to get and keep the attention of the audience by the truth of your performance.'"

He appeared in the TV movies Alice Through the Looking Glass (1966) (for which his fee was $10,000, equivalent to $84,000 today.) and Code Name: Heraclitus (1967), and the features The Longest Hundred Miles (1967), Sol Madrid (1968), and Blue (1968). He also guest-starred on "Space Seed", an episode of Star Trek. "I'm like a doctor on 24-hour call," he said in a 1967 interview. "I don't turn anything down."

Montalbán also starred in radio, such as on the internationally syndicated program Lobo del Mar (Seawolf), in which he was cast as the captain of a vessel that became part of some adventure at each port it visited. This 30-minute weekly show aired in many Spanish-speaking countries until the early 1970s.

Montalbán guest-starred in The Felony Squad, Ironside, It Takes a Thief, and The High Chaparral. He did the TV movies The Pigeon (1969), The Desperate Mission (1969) (playing Joaquin Murrieta), and Black Water Gold (1970), and had a supporting role in the big screen film version of Sweet Charity (1969).

Montalbán was in The Name of the Game; Gunsmoke; Dan August; Bracken's World; Marcus Welby, M.D.; The Virginian; The Doris Day Show; Sarge; and Nichols. He did the TV movies The Aquarians (1970), The Face of Fear (1971), and Fireball Forward (1972) and the features The Devil's Backbone (1971), Escape from the Planet of the Apes (1971), Conquest of the Planet of the Apes, and The Train Robbers (1973) (directed by Kennedy).

Montalbán continued to guest-star on shows like O'Hara, U.S. Treasury; Here's Lucy; and Griff.

In 1972, Montalbán co-founded the Screen Actors Guild Ethnic Minority Committee with actors Carmen Zapata, Henry Darrow and Edith Diaz. In 1973, he returned to Broadway for a revival of Don Juan in Hell. He did the TV movies Wonder Woman (1974), The Mark of Zorro (1974), McNaughton's Daughter (1976), and guest-starred on Switch and Columbo.

In 1975, he was chosen as the television spokesman for the new Chrysler Cordoba. The car became a successful model, and over the following several years, was heavily advertised; his mellifluous delivery of a line praising the "soft" or "rich Corinthian leather" upholstery of the car's interior, often misquoted as "fine Corinthian leather,” became famous and was much parodied, and Montalbán subsequently became a favorite subject of impersonators. For example, Eugene Levy frequently impersonated him on SCTV, as did Dan Aykroyd on Saturday Night Live. In 1986, he was featured in a magazine advertisement for the new Chrysler New Yorker.

Montalbán is in Won Ton Ton: The Dog Who Saved Hollywood (1976), and Joe Panther (1976) and had a regular role in a short lived series Executive Suite (1976). He guest-starred on Police Story and did the TV movies Mission to Glory: A True Story (1977), Captains Courageous (1977), as well as the miniseries How the West Was Won (1978).

Montalbán's best-known television role was that of Mr. Roarke on the television series Fantasy Island, which he played from 1977 until 1984. For a while, the series was one of the most popular on television, and his character as well as that of his sidekick, Tattoo (played by Hervé Villechaize), became popular icons.

Another of his well-known roles was that of Khan Noonien Singh in Star Trek II: The Wrath of Khan (1982), in which he reprised a role that he had originated in the episode of Star Trek titled "Space Seed" (1967). Early rumors suggested Montalbán wore prosthetic muscles on his chest during filming of Star Trek II to appear more muscular. Director Nicholas Meyer replied that even in his sixties Montalbán, who had a vigorous training regimen, was "one strong cookie", and that his real chest was seen on film. Khan's costume was specifically designed to display Montalbán's physique. Critic Christopher Null called Khan the "greatest role of Montalbán's career".

New Yorker critic Pauline Kael said Montalbán's performance as Khan "was the only validation he has ever had of his power to command the big screen". Montalbán agreed to take the role for a significant pay cut, since by his own admission, he relished reprising the role, and his only regret was that he and William Shatner never interacted – the characters never meet face to face, except through video communication – as their scenes were filmed several months apart in order to accommodate Montalbán's schedule for Fantasy Island. When Montalbán guest-starred in the Family Guy episode "McStroke" as a genetically engineered cow, his character made several references to his role as Khan, and similar references were made in his role as Guitierrez on the animated series Freakazoid. After a cameo in Cannonball Run II (1984), Montalbán had a guest role in Dynasty which led to a regular role in its spin-off The Colbys.

Montalbán played the villain in The Naked Gun: From the Files of Police Squad! (1988) and guest-starred in B.L. Stryker; Murder, She Wrote; Hearts Are Wild; and The Golden Palace.

During the filming of the film Across the Wide Missouri (1951), Montalbán was thrown from his horse, knocked unconscious, and trampled by another horse, which aggravated his arteriovenous malformation and resulted in a traumatic back injury that never healed. The pain increased as he aged, and in 1993, he underwent over nine hours of spinal surgery that left his body below the waist impaired and requiring the use of mobility aids.

Despite constant pain, he continued to perform, providing voices for animated films and supporting his Nosotros Foundation. Filmmaker Robert Rodriguez created a role in his Spy Kids film series specifically for Montalbán.

He had another regular series with Heaven Help Us (1994), but it only lasted 14 episodes.

In 1997, Montalbán sued the producers of Fantasy Island claiming he was entitled to five percent of the profits. The producers claimed the show had lost $11 million. The matter settled out of court.

Montalbán also narrated several historical documentaries including the Spanish version of the National Park Service's history of Pecos Pueblo for Pecos National Historical Park.

Montalban had a supporting role in two big hits Spy Kids 2: Island of Lost Dreams (2002) and Spy Kids 3-D: Game Over (2003).

Prior to his death in January 2009, Montalbán recorded the voice for a guest character in an episode of the animated series American Dad!, in which main character Roger becomes the dictator of a South American country. According to executive producer Mike Barker, it was his last role after The Ant Bully.

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