Pete Muller

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Pete Muller is an American photographer and multimedia reporter based in Nairobi, Kenya.

His work focuses on masculinity, human ecology, national identity and conflict.

He has won various awards and is a member of the photographic collective, Prime.Muller is a contributing photographer to The New York Times, The Washington Post, National Geographic Magazine and other leading photographic outlets.

He has provided media support for human rights and development organizations such as the International Criminal Court, the Nobel Women's Initiative, Amnesty International, Human Rights Watch, UNICEF, Norwegian People's Aid, Greenpeace and others.

Life and work

Muller earned a bachelor's degree from the American University in Washington D.C. where he studied history and international peace and conflict resolution. He focused on the historical origins of contemporary ethnic conflict with particular interest in Israeli-Palestinian affairs, former Yugoslavia and the Caucasus; and social constructions of masculinity.

Muller's professional career began in 2005 with the Maan News Agency in the Palestinian Territories where he worked as a reporter and editor covering events in the West Bank, East Jerusalem and the Gaza Strip including Israeli settlement construction, Israel's 2005 withdrawal from Gaza, and the 2006 Palestinian Legislative Council elections and the subsequent international boycott of the Hamas-led government.

He has since covered political and social issues in northern Uganda, Somalia, Sudan, Afghanistan, Democratic Republic of Congo and other conflict-affected areas. From 2009-2012 he was based in Juba, South Sudan covering the country's transition to independence following decades of civil war. In addition to chronicling the political issues surrounding secession, he explored the tenuous national identity of the new South. This work is born of Muller's long-standing interest in nation-states, identity and conflict in post-colonial environments. From 2012-2019, he was based in Nairobi, Kenya where he covered events throughout sub-Saharan Africa, including the Ebola outbreak in West Africa in 2014-2015.

Social notions of masculinity and their impacts on male life is a consistent theme in Muller's work. For many years, this lens served as a component of his desire to understand interpersonal and collective forms of violence, much of which is committed by males. But over time, his interest broadened beyond violence and focused more on masculinity as a powerful social framework that affects nearly all aspects of how boys and men construct their lives and relationships. Today, he seeks to create work that explores the vast, complex and diverse landscape of male experiences.

Muller also chronicles the relationship between people and their environments. From 2017-2020, he undertook a global survey of the concept of solastalgia for National Geographic Magazine. This work aims to enhance social discourse on the emotional impacts of major forms of environmental degradation.

In 2011 his work on mobile military tribunals that aim to reduce mass rape in eastern Democratic Republic of Congo was included in the Open Society Foundations Moving Walls 19 Documentary Photography Exhibit.

In 2014 Muller collaborated with the Nobel Women's Initiative to chronicle and elevate the work of Congolese women activists in the country's embattled east. This collaboration culminated in an expansive exhibition at the Global Summit to End Sexual Violence in Conflict in London hosted by British Prime Minister William Hague and Angelina Jolie.

In 2017 and 2018, he served as the Cyrus Vance Visiting Professor of International Relations at Mount Holyoke College in western Massachusetts. His courses examine the subjectivity of narrative in conflict and the role of visual media as a fraught yet essential means of communication.

He is the grandson of Leon Kelly, one of the pioneers of surrealist painting in the United States.

Source

Awards

• 2009: Nominated, 21st Annual GLAAD media award, best online journalism article category, for On the Road to Refuge, published in ColorLines Magazine, which examined the relationship between alternative sexuality and religion in the African American community. It revolved around members of the City of Refuge, an inclusive, affirming Pentecostal church in the greater Washington D.C. area.
• 2011: "Wire Photographer of the Year" by TIME Magazine for his contributions to the Associated Press from Sudan and Central Africa.
• 2011: Honorable Mention, Chinese International Press Photo Contest, War and Disaster Stories category, for his work on rape trials in Eastern Congo.
• 2012: John Faber Award for Best Photographic Reporting for a Newspaper or News Wire by the Overseas Press Club of America.
• 2013: Won the Open Society Initiative for Southern Africa's (OSISA) Open Photo Contest for "In the Shadow of Change," work documenting South Sudan's transition to independence.
• 2013: 3rd Place, Sony World Photography Awards, People category, for his work on gun enthusiasts in the United States.
• 2013: Shortlisted, Sony World Photography Awards, Contemporary Issues category for his work documenting the war and humanitarian crisis along the border of Sudan and South Sudan.
• 2015: Magnum Emergency Fund Grant to support his work on militarized anti-poaching efforts in Africa.
• 2015 1st Prize, General News Stories category, World Press Photo Awards, World Press Photo, Amsterdam, for 'Ebola: The Viral Insurgent'.
• 2015 1st Prize, World Health category, Pictures of the Year International, for Ebola in Sierra Leone.
• 2017 Reportage Photographer of the Year, Pictures of the Year International, for a portfolio of work focused on masculinity, including work shot while on assignment for National Geographic Magazine and Smithsonian Magazine.
• 2018 National Geographic Storytelling Fellow