Paula Robison

At 82 years old, Paula Robison physical status not available right now. We will update Paula Robison's height, weight, eye color, hair color, build, and measurements.

Robison joined the roster of Young Concert Artists in their inaugural year, 1961. The same year, she played Volière in Saint-Saëns' Carnival of the Animals with Leonard Bernstein and the New York Philharmonic.

In 1966 she became the first American to win First Prize at the Geneva International Music Competition. After this her concert tours became increasingly frequent, as she played with orchestras and gave recitals, many of them with the pianist and chamber musician Samuel Sanders.

Career

When the Chamber Music Society of Lincoln Center was established in the autumn of 1969, Robison was one of the founding members. She played in the first concerts in the recently opened Alice Tully Hall. She had her own recital series the hall for 5 years, called "Paula and..."

She also continued to play often at Carnegie Hall, long after her debut as Volière, in programs as diverse as J. S. Bach with Alexander Schneider in his Christmas and New Year's Eve Midnight Concerts, Mozart with the Leipzig Gewandhaus Orchestra, François Borne's Fantaisie brillante sur Carmen with Skitch Henderson and the New York Pops, the New York Premiere of Leon Kirchner's Music for Flute and Orchestra with Michael Tilson Thomas and the American Symphony Orchestra, Takemitsu's I Hear the Water Dreaming with John Nelson and the Indianapolis Symphony Orchestra, as well as a program of Choro and Bossa Nova with a group of Brazilian and American musicians.

On July 23, 1971, she premièred the first of Leon Kirchner's compositions commissioned for her, Flutings for Paula, in Sanders Theater at Harvard University. On September 21, 2006 she premiered the expanded version of the score with The Chamber Music Society of Lincoln Center at Alice Tully Hall, together with percussionist Ayano Kataoka.

Ms. Robison gave concerts at the Metropolitan Museum of Art every season for over 30 years, at the Grace Rainey Rogers Auditorium as well as in the Medieval Sculpture Court and in the Temple of Dendur with Chamber Orchestra.

Her touring continued, with frequent concerts at the Kennedy Center in Washington DC. She performed internationally with the Budapest Strings. She continued as a participant at the Marlboro Festival, playing with Rudolf Serkin, Mieczysław Horszowski, and others. She has also collaborated with pianists Jean-Yves Thibaudet and Yefim Bronfman, harpsichordists Kenneth Cooper and John Gibbons, as well as the guitarist Frederic Hand.

In 1971, she began to play at the Spoleto Festival. In 1977 she and Scott Nickrenz were appointed co-directors of the Noontime Concerts, and they continued in that capacity until 2003, both in Italy and in Charleston, SC. As a result, Robison was awarded the Premio Pegaso and the Adelaide Ristori prizes for her contribution to Italian cultural life. Together with the harpist Heidi Lehwalder, they toured as members of the Orpheus Trio from 1971 to 1983. Beginning in 1978 until 1990, she toured with the guitarist Eliot Fisk and with the pianist Ruth Laredo. In the late 1970s she was playing at least 100 concerts in a year. She toured Japan in 1978, performing Takemitsu's I Hear the Water Dreaming there not long after its premiere in the US.

Most of the flute music of the eccentric American polymath, Sidney Lanier (1841-1881), was lying inaccessible among his papers in the Johns Hopkins University Library until 1989, when Cynthia H. Requardt, Curator of Special Collections, approached Ms. Robison and Patricia Harper to make an edition of the scores, which was published in 1997 by Universal Editions. She has kept some of these works, above all "Wind Song", in her repertory ever since.

Ms. Robison joined the New England Conservatory faculty in 1973, and also taught at the Juilliard School during the early 1980s. She now occupies the Donna Hieken Flute Chair at the New England Conservatory.

In the early 1990s the composer Stanley Silverman, had come into possession of some musical scores written by Brazilian musicians for the Walt Disney cartoon, Saludos Amigos. He encouraged Robison to play one of these pieces as an encore at one of her 92nd Street Y concerts, a dance for flute and pandeiro, a large tambourine traditional in Brazil. Silverman invited the percussionist Cyro Baptista to join her. The flutist Irna Priore, who was at the concert, told her that in Brazil there was a repertory for flute in the choro, a tradition of popular song originating in 19th century Rio de Janeiro. Cyro Baptista's wife provided recordings and tapes of music that was largely unknown in the US. Robison began to work on it with Baptista and other Brazilian musicians, who toured with her and eventually they produced a recording, Brasileirinho. In the end the group became a trio: Cyro Baptista, Romero Lubambo and Ms. Robison. As she has said, "The fusion between the three of us, with Romero's elegant Bossa nova style and Cyro's mad world music percussion genius, created a whole new, very exciting sound. I called it 'Mistura Nova'!" The trio played together for over ten years. She also played with flutist Altamiro Carrilho and his ensemble in Rio de Janeiro.

Around this time, she took up a series of continuing projects called "With Art". These consist of collaborations with visual artists in unusual spaces. In the fall of 2005, Ms. Robison, as Artist-in-Residence at Boston's Isabella Stewart Gardner Museum, initiated "Variations on a Theme", together with conceptual artist Sol LeWitt and Pieranna Cavalchini, Curator of Contemporary Art at the museum, incorporating the music of Mozart.

In 2007 she made a new English performing version of the texts Schoenberg set in his Pierrot Lunaire — a work dear to her since she had played the flute part with Felix Galimir at Marlboro. In this she used both the original Albert Giraud poems and Otto Erich Hartleben's translations. She herself undertook the speaking part for two performances at Bargemusic in New York City. On December 31, 2009, in celebration of the full moon, the New Year, and a lunar project by Gardner Museum Artist-in-Residence Taro Shinoda, she performed as Sprecherin in a special midnight performance. She has since performed Schoenberg's work in many other venues. In November–December 2012 she joined Argento New Music Project for a two-week celebration of the 100th Anniversary of Pierrot Lunaire at the Austrian Cultural Forum New York.

Robison's recordings for Vanguard Classics Vanguard Classics were reissued, including The complete JS Bach and GF Handel sonatas for flute and harpsichord with Kenneth Cooper and "The Art of Paula Robison". She has also recorded for Sony, Mode (the complete Berio Sequenzas, awarded the Premio del Disco Amadeus 2008, and Lei Liang's "In Praise of Shadows"), New World Records, King Records, MHS, MusicMasters, and Bridge Recordings (her Marlboro Festival performance of Schubert's Introduction and Variations with Rudolf Serkin. In 2006 Robison founded Pergola Recordings. Critically acclaimed releases have included collaborations with pianists Jean-Yves Thibaudet, Yefim Bronfman, Timothy Hester, and Samuel Sanders, harpsichordists John Gibbons and Kenneth Cooper, violinists Krista Bennion Feeney and Calvin Wiersma, bassist John Feeney, percussionists Cyro Baptista and Ayano Kataoka, and guitarists Romero Lubambo, Eliot Fisk, and the late Sergio Brandao.

In 2011 she played Taffanel's Fantasy on Themes from Weber's Der Freischütz and in 2012 Boulez's Sonatine pour Flûte et Piano with Pianist Paavali Jumppanen. During 2015, Robison gave four performances with pianist Bruce Brubaker of Morton Feldman's more than four-hour-long work, "For Christian Wolff."

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