Maggie Cheung 張曼玉

At 59 years old, Maggie Cheung 張曼玉 has this physical status:

Soon after her debut, Cheung broke into the film industry, starring in comedies. She caught the attention of Jackie Chan, who cast her in Police Story (1985) as May, his long-suffering girlfriend. The film was a huge hit and made Cheung a star overnight. TVB had also cast Barbara Yung and Kent Tong in a period drama, Kings of Ideas (橋王之王) but due to the death of Barbara Yung, the role was assigned to Cheung.

Despite her success, Cheung found herself typecast in the roles of comics or weak, clumsy women. Realizing this, Cheung wanted to break away by seeking more dramatic roles. She got this opportunity when Wong Kar-wai cast her in As Tears Go By (1988), her first of many collaborations with Wong. Cheung often cites the film as the piece that truly began her serious acting career, and she won critical praise for it. In 1989, she won Best Actress awards at the Golden Horse Award and Hong Kong Film Award for her work in Full Moon in New York and A Fishy Story respectively. In 1991, she became the first Chinese performer to win a Best Actress Award at the prestigious Berlin Film Festival for her work in Center Stage.

Cheung subsequently proved her versatility with roles in action films. Her performance in the sci-fi martial arts smash hit The Heroic Trio (1992) and its sequel, Executioners (1993), impressed both critics and audiences with her martial arts skills. Also in a departure from her usual roles, Cheung played a beautiful and vicious femme fatale in New Dragon Gate Inn (1992).

After taking a break in 1994, Cheung returned to film Olivier Assayas' Irma Vep (1996), which helped her break into the international scene. That same year, she won further acclaim for her work in the romantic film Comrades: Almost a Love Story, in which she played one of a pair of lovers kept apart for ten years by fate and circumstance. The following year, she made her first English-language film in Wayne Wang's Chinese Box (1997). Cast as a mysterious young woman named Jean, Cheung held her own alongside the more internationally well-established stars, Jeremy Irons and Gong Li.

After her 1998 marriage with Olivier Assayas, Cheung stayed mainly in France. She returned to Hong Kong to film In the Mood for Love (2000), which won critical acclaim and a second Taiwanese Golden Horse award for Cheung. Thereafter, she starred in Zhang Yimou's Hero (2002) and Wong's 2046 (2004). She won the Best Actress award at the Cannes Film Festival for her role as a mother who tries to kick her drug habit and reconcile with her long-lost son in Clean (2004).

Cheung was a jury member at the 1997 Berlin Film Festival, the 1999 Venice Film Festival, the 2004 Hawaii International Film Festival, the 2007 Cannes Film Festival, and the 2010 Marrakech International Film Festival. And for the first time in its history, the 59th Cannes Film Festival (2006) used a photographic image of a real actress on its poster – that of Cheung.

On 7 February 2007, The New York Times rated Cheung as one of the 22 Great Performers in 2006 for her Cannes winning role as Emily in Clean. After 25 years of making movies, she decided to retire from acting to pursue a career as a film composer. She had mentioned she would like to compose music and paint after having fulfilled her acting potential. Her last film appearance was as Mazu, Chinese goddess of the sea, in the film Ten Thousand Waves (2010) by British filmmaker and installation artist Isaac Julien.

As UK's Independent puts it, since her Cannes moment in 2004, Cheung "turned her back on film" and has shifted her focus to philanthropy, making music, and editing. In April 2010, Cheung was appointed as UNICEF's Ambassador to China. In July 2011, she was awarded a doctor honoris causa at the University of Edinburgh. Cheung retired from acting in 2013 and has since kept a low profile.

Cheung has provided celebrity endorsement for Mandarin Oriental Hotel Group.

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