Lynne Ramsay

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Ramsay won the 1996 Cannes Prix de Jury for her graduation short film, "Small Deaths". Her second short film, "Kill the Day", won the Clermont Ferrand Prix du Jury; her third, "Gasman", won her another Cannes Prix du Jury in addition to a Scottish BAFTA for Best Short Film.

"Small Deaths" (1996), is Ramsay's debut short film that she completed as her graduating film at the UK's National Film and Television School. It is a series of three vignettes of children grappling with familial realities and the repercussions of their actions. Ramsay is the writer, director and cinematographer for this film.

"Kill the Day" (1997), written and directed by Ramsay, captures a day in the life of a heroin addict recently released from jail, and in the process inventively probes the inner workings of memory.

"Gasman" (1997), also written and directed by Ramsay, is about a brother and sister who attend a Christmas party with their father, and encounter two other children who are strangely familiar with him.

"Swimmer" (2012), was co-commissioned by BBC Films, Film4 and the London Organising Committee of the Olympic and Paralympic Games. The short was nominated for the British Independent Film Awards (BIFA) in the category for Best Short Film. It won a BAFTA Award for Best Short Film at the 66th British Academy Film Awards in 2013.

Ratcatcher (1999), Ramsay's debut feature, won critical acclaim and numerous awards. It was screened at the 1999 Cannes Film Festival and opened the Edinburgh International Film Festival, winning her the Guardian New Directors prize. She also won the Carl Foreman Award for Newcomer in British Film at the 2000 BAFTA Awards, the Sutherland Trophy at the London Film Festival and the Silver Hugo for Best Director at the Chicago International Film Festival.

Morvern Callar (2002), won Samantha Morton the British Independent Film Award for Best Actress, and Kathleen McDermott the Scottish BAFTA Award for Best Actress. It also won the 2002 C.I.C.A.E. Award and the Award of The Youth at the 2002 Cannes Film Festival. The motion picture soundtrack includes tracks from Stereolab, Aphex Twin, Broadcast, Velvet Underground, and Nancy Sinatra. Ramsay is credited as the writer and director. The film is based on Alan Warner's 1995 novel of the same name, Morvern Callar. It was featured in the Directors Fortnight for the Cannes Film Festival 2002 and then went on to open the Edinburgh International Film Festival in August of the same year. The film also featured at the Telluride, Toronto, San Sebastian, Dinard and Stockholm Film Festivals of 2002. It was nominated for seven British Independent Film Awards.

In 2001, it was announced she was slated to direct the adaptation of Alice Sebold's The Lovely Bones, which she had read in a manuscript form prior to its publication. She experienced great frustration in her involvement with adapting the novel, during which personal and professional problems saw her step away from the project in 2004, with the job of directing eventually going to Peter Jackson, whose version of the film received largely negative reviews. She stated in an interview: "People started to call it 'The Lovely Money,' they were getting greedy around it. And I could feel the vibes. It became like the Holy Bible, I kept handing in drafts and I thought they were good, but it was like 'But that's not exactly like the book, the book's going to be a success.' That was the mistake they made with the project." She stated additionally that she considered Jackson's interpretation of the film, with a desire to stick as closely as possible to the original story, as partially responsible for what she considered the lacklustre quality of the finished product.

We Need to Talk About Kevin (2011), was Ramsay's next feature-length film in which she was the writer, producer and director. The film, based on Lionel Shriver's novel, is about a mother dealing with the aftermath of a school massacre committed by her son. Budgetary difficulties held the production up, but after several script drafts, the film, which employed a fragmented, elliptical narrative and starred Tilda Swinton as the tormented mother, premiered in 2011, to great acclaim at the Cannes Film Festival. Ramsay went on to receive a BAFTA nomination for Best Director as well as taking the Best Director prize at the British Independent Film Awards, and a win for Best Film Screenplay at the Writer's Guild of Great Britain.

In 2013, Ramsay was slated to direct Jane Got a Gun. Natalie Portman signed on to star and produce the film as the farmer wife of an outlaw husband, who, after his gang turns on him, she must defend with the help of an old lover. In March 2013, Ramsay left the project due to creative differences with producers and funders, including over the latter's demand for a happy ending. She was replaced by Gavin O'Connor. Actor Jude Law also left the production shortly after. This caused significant backlash towards the director, during the fallout she would go to Santorini where she worked on the script that would be her next film You Were Never Really Here.

Ramsay was planning to direct a modern adaptation of Herman Melville's Moby Dick. She has stated that the film will be set in space, and deal with themes of psychology and claustrophobia, quoting "So we're creating a whole new world, and a new alien. [It's] a very psychological piece, mainly taking place in the ship, a bit like Das Boot, so it's quite claustrophobic. It's another monster movie, cos the monster's Ahab." The film has yet to come to fruition.

Ramsay directed You Were Never Really Here, an adaptation of Jonathan Ames's novella of the same name. It premiered to wide critical acclaim in competition at the 70th Cannes Film Festival in 2017, where it received a seven-minute standing ovation, and Ramsay won the Best Screenplay award. The film, starring Joaquin Phoenix, was released by Amazon Studios.

In 2018, she revealed she had started writing a script that she describes as an "epic environmental horror". In November 2020, it was announced Ramsay would be filming an adaptation of Stephen King's The Girl Who Loved Tom Gordon. and adapted Margaret Atwood's Stone Mattress

Ramsay directed the promotional video for the Manchester-based indie-rock band Doves' single "Black and White Town", which was released on 7 February 2005. However, Ramsay's version was re-edited and the released version was significantly different from her original piece.

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