Lolita Chakrabarti

TV Actress

Lolita Chakrabarti was born in Yorkshire, England, United Kingdom on June 1st, 1969 and is the TV Actress. At the age of 54, Lolita Chakrabarti biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, TV shows, and networth are available.

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Date of Birth
June 1, 1969
Nationality
United Kingdom
Place of Birth
Yorkshire, England, United Kingdom
Age
54 years old
Zodiac Sign
Gemini
Profession
Actor, Film Actor
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Lolita Chakrabarti Height, Weight, Eye Color and Hair Color

At 54 years old, Lolita Chakrabarti physical status not available right now. We will update Lolita Chakrabarti's height, weight, eye color, hair color, build, and measurements.

Height
Not Available
Weight
Not Available
Hair Color
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Eye Color
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Build
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Measurements
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Lolita Chakrabarti Religion, Education, and Hobbies
Religion
Not Available
Hobbies
Not Available
Education
Royal Academy of Dramatic Art
Lolita Chakrabarti Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Adrian Lester
Children
2
Dating / Affair
Not Available
Parents
Not Available
Siblings
Reeta Chakrabarti (sister)
Lolita Chakrabarti Life

Lolita Chakrabarti (born in Kingston upon Hull) is an English actress and writer.

Early life

Chakrabarti was born in Kingston, Pakistan, to Bengali Hindu parents from Hull on June 1, 1969. She grew up in Birmingham, where her father worked as an orthopaedic surgeon at Selly Oak Hospital.

Personal life

Chakrabarti is married to actor Adrian Lester, who she met when they were both students at RADA. They have two children.

In the 2021 Birthday Honours for services to drama, she was named Officer of the Order of the British Empire (OBE).

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Lolita Chakrabarti Career

Career

Chakrabarti graduated from the Royal Academy of Dramatic Art in 1990. From 1993 to 1996, she presented the BBC children's educational programme Numbertime.

Her screen credits include Vigil, Showtrial, The Wheel of Time, Criminal: UK, Riviera, Delicious, Defending the Guilty, All Is True, Beowulf: Return to the Shieldlands, The Casual Vacancy, My Mad Fat Diary, Jekyll and Hyde, Intruders, Bodies, Vera, Outnumbered, Hustle, Born to Kill, Forgiven, Extras Christmas Special, William and Mary, Fortysomething, Holby City, Silent Witness, and as WPC Jamila Blake in the long running ITV drama The Bill.

Her theatre credits include Fanny and Alexander for The Old Vic (2018), Gertrude in Hamlet starring Tom Hiddleston and directed by Kenneth Branagh for RADA (2017), The Great Game: Afghanistan for the Tricycle Theatre (2009), Last Seen for the Almeida (2009) (which she co-wrote), Free Outgoing for the Royal Court (2008) and John Gabriel Borkman for the Donmar Warehouse (2007).

In 2018, Chakrabarti curated The Greatest Wealth for The Old Vic, London. She commissioned eight monologues, of which she also wrote one in recognition of the 70th birthday of the NHS. The season was relaunched online during the pandemic in 2020, with a new monologue written by novelist Bernadine Evaristo.

She adapted Italo Calvino's novel Invisible Cities, in collaboration with 59 Productions, Rambert Dance Company and Sidi Larbi Cherkaoui. Presented at Manchester International Festival and Brisbane Festival in 2019, it was reimagined as a virtual realty film named Stones of Venice for Hong Kong New Vision Festival. In 2020, Chakrabarti was dramaturg on the dance piece Message in a Bottle for Kate Prince, ZooNation and Sadler's Wells Theatre.

Adrian Lester and Lolita Chakrabarti: A Working Diary was published by Bloomsbury in 2020, charting a year in the working life of Chakrabarti and her husband. Her play Hymn at the Almeida Theatre opened during lockdown in 2021, also starring Lester. The production was live streamed for several nights to critical acclaim, and later opened to a live audience in July of the same year. She has also written The Goddess for Woman's Hour on BBC Radio 4, Faith, Hope and Blue Charity for the same station, and co-wrote Last Seen for Slung Low Theatre Company and the Almeida Theatre.

Red Velvet, Chakrabarti's play about Ira Aldridge, an African-American actor at the centre of controversy in 1833 when he takes over from Edmund Kean in Othello at the Theatre Royal in Covent Garden premiered in 2012 at the Tricycle Theatre, London. It returned to The Tricycle in 2014 before transferring to St. Ann's Warehouse in New York. It returned again to the Garrick Theatre in London's West End as part of Kenneth Branagh's season in 2016. Chicago Shakespeare Theater and San Diego's Old Globe Theatre presented Red Velvet in 2017–18. Red Velvet has had more than 25 productions in the United States.

The play won Chakrabarti the Charles Wintour Award for Most Promising Playwright at the 2012 Evening Standard Theatre Awards. That same year she was nominated for Best New Play and London Newcomer of the Year at the Whatsonstage Awards. She won the award for Most Promising Playwright at the Critics Circle Awards in January 2013 and was awarded the AWA Award for Arts and Culture that same year. Red Velvet was also nominated for an Olivier Award in 2013.

Chakrabarti's adaptation of Life of Pi, based on Yann Martel's novel, premiered at the Crucible Theatre, Sheffield in June 2019. Following critical acclaim, the production transferred to the Wyndham's Theatre, West End in November 2021. Chakrabarti was awarded the Olivier Award for Best New Play for her work, and numerous other accolades including a WhatsOnStage Award, UK Theatre Award and CAMEO Award.

Chakrabarti ran Lesata Productions with Rosa Maggiora. In 2011, they produced Of Mary, a short film that won the Best Short Film Award at PAFF, Los Angeles 2012. Chakrabarti and Maggiora were nominated for the Best Producer Award at the Underwire Film Festival, London 2011.

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KATHRYN FLETT'S My TV Week: To see or not to see?Do not miss!

www.dailymail.co.uk, November 10, 2023
Kathryn Flett is captivated by BBC2's Shakespeare: Rise Of A Genius, which was created to celebrate the 400th anniversary of Shakespeare's First Folio's publication. She is also a huge fan of Aussie drama The Newsreader, and Chanel 5's Wife on Strike is equally convincing.

ROBERT GORE-LANGTON: The Bard's home life is a dramatic tale in itself

www.dailymail.co.uk, April 16, 2023
Maggie O'Farrell's book Hamnet was a lockdown bestseller about Shakespeare's domestic life, a book far more tragic than any Shakespeare's home life, which was much more disturbing than any play about the Bard I've ever seen. The RSC was supposed to stage it, with the theatre's door in Stratford (mostly) on the theatre's doorstep. Agnes Hathaway, also known as Anne, is the subject of this tale: a woman who was portrayed as the great man's shrewish wife is introduced as the great man's mistress. Here she has been regained, as both a witchy free spirit and a hard-pressed mother. In an apple shed, she and William have a baby. Twins are following. In a household that is under Shakespeare's tyranny (played with an enthralling gaze by Peter Wight), she raises the children, two girls and a boy.

GEORGINA BROWN addresses Hamnet, his clairvoyant wife, and the loss of their son

www.dailymail.co.uk, April 14, 2023
GEORGINA BROWN: Another week in the theatre, another adaptation of a novel. But Lolita Chakrabarti's deft distillation of Maggie O'Farrell's award-winning Hamnet - an imagined glimpse of Shakespeare's family life over the past 18 years - becomes something new and exciting. It's abridged down to just over two hours, but it does give a glimpse at Shakespeare's unhearded and unknown women, as well as how the playwright's personal lives were integrated into his performances. Hamnet's greatest tragedy, in particular, was his ferocious mourning over his son's death, which was buried a stone's throw away from the newly renovated Swan Theatre. That comes in the play's more dramatic second half. For the novel's dutifully, but magnificently, adhering faithfully to the story, despite enforcing a straightforward chronology beginning in 1582, it comes to an end.
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