Lindy West

Non-Fiction Author

Lindy West was born in United States of America, United States on March 9th, 1982 and is the Non-Fiction Author. At the age of 42, Lindy West biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

  Report
Date of Birth
March 9, 1982
Nationality
United States
Place of Birth
United States of America, United States
Age
42 years old
Zodiac Sign
Pisces
Profession
Editor, Writer
Social Media
Lindy West Height, Weight, Eye Color and Hair Color

At 42 years old, Lindy West physical status not available right now. We will update Lindy West's height, weight, eye color, hair color, build, and measurements.

Height
Not Available
Weight
Not Available
Hair Color
Not Available
Eye Color
Not Available
Build
Not Available
Measurements
Not Available
Lindy West Religion, Education, and Hobbies
Religion
Not Available
Hobbies
Not Available
Education
Occidental College
Lindy West Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Ahamefule J. Oluo (m. 2015)
Children
Not Available
Dating / Affair
Not Available
Parents
Not Available
Lindy West Life

Lindy West (born March 9, 1982) is an American writer, comedian and activist.

She is the author of the essay collection Shrill: Notes from a Loud Woman and a contributing opinion writer for The New York Times.

The topics she writes about include feminism, popular culture, and the fat acceptance movement.

Personal life

Originally from Seattle, Washington, West is the daughter of Ingrid, who is a nurse, and Paul West, who was a musician. She attended Occidental College in Los Angeles, California.

On July 11, 2015, West married musician and writer Ahamefule J. Oluo, younger brother of Seattle writer Ijeoma Oluo.

Source

Lindy West Career

Career

West began working as the film editor for Seattle's alternative weekly newspaper, The Stranger, in 2009. She moved to Los Angeles in 2011 but continued to write for The Stranger until September 2012.

She worked as a staff writer for Jezebel, where she wrote about bigotry, misogyny, and fat shame. The Daily Telegraph, GQ, the New York Daily News, Vulture.com, Cracked.com, MSNBC, and The Guardian have all published West's work. Dayna Tortorici wrote in The New York Times that condemning West's often-comedic approach to serious issues.

West received the Women's Media Center Social Media Award in 2013, which was presented by Jane Fonda in New York City. "I hear a lot these days about the lazy, goalless millennials" – about how all we want to do is sit around twerking our iPods and Tweedling our Kardashians, West said. Where are all the young feminists and feminists and activists?' They're on the internet, dude.

West co-founded Shout Your Abortion, a social media platform for people who express their abortion experiences online without "sadness, shame, or regret" for the purpose of "destigmatization, normalization, and putting an end to shame on September 19, 2015. Following the Planned Parenthood (2015 undercover videos controversy), the social media campaign was launched in reaction to the US House of Representatives' attempts to defund Planned Parenthood.

West received The Stranger's Genius Award in Literature in 2016 for her book Shrill: Notes from a Loud Woman.

After having written two op-ed columns for the Times in 2016, West became a contributing opinion writer for The New York Times on July 1, 2017. She writes a weekly column on feminism and popular culture.

Shrill, the television series adaptation of West's memoir starring Aidy Bryant, premiered on Hulu on March 15, 2019. West is the show's executive producer and writer.

The Witches Are Coming is West's second essay collection, The Witches Are Coming, was released by Hachette Book Group on November 5, 2019.

West's book Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema, published in October 2020 by Hachette Books.

Source

People lose with Brendan Fraser's victory in Oscars

www.popsugar.co.uk, March 14, 2023
On March 12th, Brendan Fraser was named best actor for his leading role in "The Whale" at the Academy Awards, and I hated it. Fraser was nominated for a role in which he dons'fat suit and pretends to eat fried chicken and sandwiches and pizza. It's a film in which he literally eats himself to death, and it's portrayed as a sort of metaphor for love and redemption. Fraser and director Darren Aronofsky have stated consistently that they wanted the film to reflect fat people's humanity and inspire empathy in them, but the film does not do anything close. Fraser's win is the cherry on top, indicating Hollywood's recognition that this is a good, worthwhile film and performance. Every time I talk about "The Whale"'s issues, I get the feeling that I'm being pushed to avoid it. "I love Brendan, but I must admit." "He's so great in 'The Mummy!'He's in 'Killers of the Flower Moon' this year, he'll be so great!" Brendan has eloquently discussed his struggle with depression, about the agony he suffered at, and, of course, I'm delighted to see him get through those challenges and return to a career he loves. However, the mental health struggle didn't stop him from participating in a film like "The Whale," but it makes it worse. People with depression are stigmatized and stereotyped in culture, as well as obese people. Fraser's own experience led him to greater empathy for and recognition with those in larger organizations, but he and his awards campaign used it as a justification for why he deserved to win.
Lindy West Tweets