Kim Basinger

At 70 years old, Kim Basinger has this physical status:

In 1976, after five years as a cover girl, Basinger quit modeling and moved to Los Angeles to act. She made guest appearances on a few television shows such as McMillan & Wife and Charlie's Angels, turning down a regular role in the latter series that eventually went to Cheryl Ladd. Her first starring role was a made-for-TV movie, Katie: Portrait of a Centerfold (1978), in which she played a small town girl who goes to Hollywood to become an actress and winds up becoming a famous centerfold for a men's magazine. In 1979, she co-starred with Natalie Wood, William Devane and Steve Railsback in the miniseries remake of From Here to Eternity, reprising her role as prostitute Lorene Rogers in a 13-episode spinoff that aired in 1980. In 1981, Basinger posed for a famous nude pictorial for Playboy, and made her feature debut in the critically well-received but little-seen rural drama Hard Country, which she followed with the Charlton Heston-directed outdoorsy adventure Mother Lode (1982).

Her 1981 Playboy shoot was not published until 1983, when Basinger used it to promote her breakthrough role as the Bond girl Domino Petachi in Never Say Never Again (1983), where she starred opposite Sean Connery. In his review of the film, Gary Arnold of The Washington Post said Basinger "looks like a voluptuous sibling of Liv Ullmann and has a certain something." Worldwide, Never Say Never Again grossed US$160 million. Basinger said her subsequent Playboy appearance led to further opportunities, such as the role of the romantic interest of a baseball team star in Barry Levinson's The Natural (1984), alongside Robert Redford, for which she earned a Golden Globe nomination for Best Supporting Actress.

Blake Edwards cast her twice in his films; as a beautiful woman married to a Texas millionaire in The Man Who Loved Women (1983), and as an apparently shy woman who goes on a date with a workaholic man in Blind Date (1987). Robert Altman cast Basinger in the role of a woman hiding from her former lover at an old motel in Fool for Love (1985). In 1986, Basinger starred as a New York City art gallery employee who has a brief yet intense affair with a mysterious Wall Street broker, opposite Mickey Rourke, in Adrian Lyne's controversial erotic romantic drama 9½ Weeks. Though the film failed at the North American box office, it performed very well in Europe, especially France, and acquired a large American fanbase on home video and cable. Roger Ebert praised the film, comparing it to Last Tango in Paris, and said Basinger helped "develop an erotic tension [...] that is convincing, complicated and sensual."

Academy Award-winning writer-director Robert Benton also cast her in the title role of a slightly pregnant woman in trouble for Nadine (1987). While most of the films Basinger starred in during this period were released to varying degrees of success, they helped to establish her as an actress. With over US$400 million in box office totals, the highest-grossing film of her career thus far is Tim Burton's 1989 film Batman, in which Basinger took on role of photojournalist Vicki Vale, opposite Michael Keaton (Batman) and Jack Nicholson (Joker). The Hollywood Reporter, in its original review, remarked that "the uniqueness and very soul of the film [...] is achieved through the beautifully defined and probing performances of Michael Keaton as Bruce Wayne and Kim Basinger as Vicki Vale".

Following the success of Batman, Basinger played a glamorous singer, alongside Alec Baldwin, in the comedy The Marrying Man (1991), and starred with Richard Gere, as a woman romantically involved with her sister's psychiatrist, in the neo-noir Final Analysis (1992). Both films were released to moderate box office returns. In 1992, Basinger was also a guest vocalist on a re-recorded version of Was (Not Was)'s "Shake Your Head", which featured Ozzy Osbourne on vocals, and reached the UK Top 5, and starred in what marked her only voice-acting project to date, the film Cool World, directed by Ralph Bakshi, as a cartoon bombshell who longs to become a real human woman.

In 1993, Basinger took on the roles of a woman recently released from prison in the crime film The Real McCoy, and that of a woman named Honey Hornée in the comedy Wayne's World 2. In 1994, she reunited professionally with Baldwin for the thriller The Getaway, in which she portrayed the wife of a former con, and with director Robert Altman for the comedy Prêt-à-Porter, playing a breathlessly dim-witted cable reporter. Amid financial issues, Basinger went into hiatus from the screen by the mid-1990s.

She made a comeback as the high-class hooker in Curtis Hanson's neo-noir L.A. Confidential (1997), alongside Guy Pearce and Russell Crowe. She initially turned down the film twice, feeling an insecurity at returning to the screen and enjoying motherhood. The Washington Post felt that Basinger "exudes a sort of chaste sultriness", in what Roger Ebert described as "one of the best films of the year". The role earned her an Academy Award for Best Supporting Actress, as well as the Golden Globe Award for Best Supporting Actress – Motion Picture and the Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role, and was also nominated for the BAFTA Award for Best Actress in a Leading Role. She holds the distinction of being the only actress who has both posed nude in Playboy and won an Academy Award. In a 2000 interview with Charlie Rose, Basinger said that L.A. Confidential and her next film, I Dreamed of Africa (2000), were the most pleasurable of her career.

In I Dreamed of Africa, Basinger portrayed writer and environmentalist Kuki Gallmann, with Vincent Pérez, whom she called the "most incredible actor she had ever worked with". The film was described as a "passion project" for her, and she told UrbanCinefile that she "cried for hours" when she had to leave Kenya, where filming took place. Budgeted at US$50 million, I Dreamed of Africa got a 10 percent rating on Rotten Tomatoes, and only managed to pull in US$14 million at the worldwide box office.

Curtis Hanson cast her again, this time as the alcoholic mother of an aspiring rapper, in 8 Mile (2002), opposite Eminem and Brittany Murphy. The film appeared on many top ten lists of the year, and in his review, Roger Ebert asserted: "There has been criticism of Kim Basinger, who is said to be too attractive and even glamorous to play [Eminem]'s mother, but [...] Her performance finds the right note somewhere between love and exasperation; it cannot be easy to live with this sullen malcontent, whose face lights up only when he sees his baby sister". 8 Mile was a commercial success, grossing US242.9 million worldwide.

Basinger starred as the wife of a children's book author, with Jeff Bridges and Jon Foster, in The Door in the Floor (2004), a drama with heavy sexual themes adapted from the novel A Widow for One Year by John Irving. The film found a limited audience in theaters, but in his review, Peter Travers of Rolling Stone, felt that "Basinger's haunted beauty burns in the memory" and called it "her finest work".

Basinger next appeared in two crime thrillers—Cellular (2004) and The Sentinel (2006). In Cellular, opposite Chris Evans and Jason Statham, she played a wealthy high school biology teacher taken hostage in her home. Entertainment Weekly considered that "Basinger makes a vividly frightened yet resourceful woman in peril", and the film was a moderate commercial success. In The Sentinel, Basinger portrayed the First Lady of the United States, opposite Michael Douglas, Kiefer Sutherland and Eva Longoria. Despite mixed reviews, the film made US$78.1 million globally. In 2006, Basinger also starred in the Lifetime film The Mermaid Chair, as a married woman who falls in love with a Benedictine monk and experiences a self-awakening.

Basinger then played a mother having extramarital affairs in director Guillermo Arriaga's feature film debut The Burning Plain (2008), a drama narrated in a hyperlink format, opposite Charlize Theron and Jennifer Lawrence. While the film found a limited release in theaters, The Telegraph, in its review, wrote: "Arriaga pulls together the strands of his narrative with great expertise [and] his job is made easier by great performances from three actresses: Theron and Basinger, who both look like racing certs for next year's awards season, and Jennifer Lawrence as Basinger's teenage daughter".

In 2008, Basinger produced and starred in the independent thriller While She Was Out, as a suburban housewife who is forced to fend for herself when she becomes stranded in a desolate forest with four murderous thugs. Despite a very limited release in theaters, L.A. Weekly described that film as a "surprisingly enjoyable female revenge tale" and called Basinger's performance "first-rate". Her next film, The Informers (2009), which was written by Bret Easton Ellis, premiered at the Sundance Film Festival. In it, Basinger starred as the chronically depressed wife of a jaded film executive (played by Billy Bob Thornton).

Basinger played the mother of a young man who made a promise to his deceased brother, with Zac Efron, in the supernatural drama Charlie St. Cloud (2010), based on the 2004 best-selling novel The Death and Life of Charlie St. Cloud by Ben Sherwood.

Basinger returned to Africa in her next film, the 2012 Nigerian drama Black November, about a Niger Delta community's struggle to save their environment, which was being destroyed by excessive oil drilling. As part of an ensemble cast (which included her 9½ Weeks co-star Mickey Rourke), she played the role of a kidnapped reporter. While the film had a significant impact upon its release, The Hollywood Reporter noted: "Don't be fooled by the names of Mickey Rourke and Kim Basinger on the marquee. Despite the tantalizing prospect of a reunion of the stars of a certain '80s-era hit erotic drama, their minor presence is largely extraneous to the proceedings of [this] overwrought and preachy thriller".

Basinger played the role of wife in two 2013 films — the independent drama Third Person, with Liam Neeson and Olivia Wilde, and the sports comedy Grudge Match, with Robert De Niro and Sylvester Stallone. Critic Odie Henderson, describing Basinger in his review for the latter film, remarked that she "looks stunning at 60 and provides the film's sole voice of reason". She subsequently took on the role of mother in the independent drama 4 Minute Mile (2014) as well as the part of a woman who, after a miscarriage, sets out on a dangerous quest to obtain a child in the likewise independent production The 11th Hour (also 2014), which was released for VOD. IndieWire felt that Basinger "does what she can with [The 11th Hour] material, but that's not much". In 2016, she had a brief role, as a crooked high-ranking official in the United States Department of Justice, in the crime comedy The Nice Guys, alongside Russell Crowe and Ryan Gosling.

Basinger played Elena Lincoln, the business partner and former lover of Christian Grey, in the film adaptation of Fifty Shades Darker (2017), the sequel to Fifty Shades of Grey. Dakota Johnson, her co-star, described her as "one of the great people to work with". Despite negative reviews, the film made US$381.4 million globally. Basinger reprised the role in the 2018 sequel, Fifty Shades Freed.

In January 2022, Basinger collaborated with Peter Bogdanovich to create LIT Project 2: Flux, a first of its kind short film made available on the Ethereum blockchain as a non-fungible token.

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