Kazi Nazrul Islam

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Kazi Nazrul Islam joined the army in late 1917. Nazrul left the British Indian army in 1920 when the 49th Bengal Regiment was disbanded. and settled in Calcutta. He joined the staff of the Bangiya Mussalman Sahitya Samiti ("Bengali Muslim Literary Society"). He published his first novel Bandhan-hara (বাঁধন-হারা, 'Freedom from Bondage') in 1920, on which he continued to work over the next seven years. His first collection of poems, which included "Bodhan", "Shat-il-Arab", "Kheya-parer Tarani", and "Badal Prater Sharab", received critical acclaim.

Nazrul grew close to other young Muslim writers, while working at the Bengali Muslim Literary Society, including Mohammad Mozammel Haq, Kazi Abdul Wadud, and Muhammad Shahidullah. Nazrul and Muhammad Shahidullah remained close throughout their lives. He was a regular at the social clubs for Calcutta's writers, poets, and intellectuals such as the Gajendar Adda and the Bharatiya Adda. Nazrul did not have the formal education of Rabindranath and as a result his poems did not follow the literary practices established by Rabindranath. Due to this he faced criticism from followers of Rabindranath. Despite their differences, Nazrul looked to Rabindranath Tagore as a mentor. In 1921, Nazrul was engaged to Nargis, the niece of a well-known Muslim publisher, Ali Akbar Khan, in Daulatpur, Comilla. On 18 June 1921, the day of the wedding, upon public insistence by Khan that the term "Nazrul must reside in Daulatpur after marriage" be included in the marriage contract, Nazrul walked away from the wedding ceremony.

Nazrul reached the peak of his fame in 1922 with Bidrohi (The Rebel), which remains his most famous work, winning the admiration of India's literary society for his description of a rebel. Published in the Bijli (বিজলী, "Lightning") magazine, the rebellious language and theme were well received, coinciding with the Non-Cooperation Movement – the first mass nationalist campaign of civil disobedience against British rule. Nazrul explores the different forces at work in a rebel, the destroyer, and the preserver who is able to express rage as well as beauty and sensitivity. He followed up by writing Pralayollas ('Destructive Euphoria'), and his first anthology of poems, the Agni-veena ("অগ্নি-বীণা", 'Lyre of Fire') in 1922, which enjoyed commercial and critical success. He also published a volume of short stories, the Byathar Dan "ব্যথার দান" ('Gift of Sorrow'), and Yugbani ("যুগবাণী"), an anthology of essays.

Nazrul started a bi-weekly magazine, Dhumketu ("ধূমকেতু", 'Comet') on 12 August 1922 that was critical of the British Empire. Earning the moniker of the "rebel poet", Nazrul aroused the suspicion of British Raj authorities. The Police raided the office of Dhumketu after it published "Anondomoyeer Agomone" ("আনন্দময়ীর আগমনে"), a political poem, in September 1922. Nazrul was arrested on 23 January 1923 and charged with sedition. He presented a long argument in the court, an excerpt of what he said:

On 14 April 1923, he was moved from Alipore Jail to Hooghly Jail in Hooghly. He began a 40-day fast to protest mistreatment by the British jail superintendent, breaking his fast more than a month later and eventually being released from prison in December 1923. Nazrul composed numerous poems and songs during his period of imprisonment. In the 1920s, the British Indian government banned many of his writings. Rabindranath Tagore dedicated his play "Basanta" to Nazrul in 1923. Nazrul wrote the poem "Aj Srishti Shukher Ullashe" to thank Tagore. His book Bisher Banshi ('The Flute of Poison'), published in August 1924, was banned by the British Raj. Bisher Banshi called for rebellion in India against the British Raj. Bisher Banshi was read and distributed in secret following the ban.

Nazrul was a critic of the Khilafat Movement in British India which he condemned as "hollow religious fundamentalism". His rebellious expression extended to rigid orthodoxy in the name of religion and politics. He also criticised the Indian National Congress for not embracing outright political independence from the British Empire. Nazrul became active in encouraging people to agitate against British rule, and joined the Bengal state unit of the Indian National Congress. Along with Muzaffar Ahmed, Nazrul also helped organise the Sramik Praja Swaraj Dal (Workers and Peasants Party), a socialist political party committed to national independence and the service of the working class. On 16 December 1925, Nazrul began publishing the Langal ('Plough'), a weekly, and served as its chief editor.

During his visit to Comilla in 1921, Nazrul met a young Bengali Hindu woman, Pramila Devi, with whom he fell in love, and they married on 25 April 1924. Brahmo Samaj criticised Pramila, a member of the Brahmo Samaj, for marrying a Muslim. Muslim religious leaders criticized Nazrul for his marriage to a Hindu woman. He also was criticised for his writings. Despite controversy, Nazrul's popularity and reputation as the "rebel poet" increased significantly.

With his wife and young son Bulbul, Nazrul settled at Grace Cottage, Krishnanagar in Krishnanagar in 1926. His work began to transform as he wrote poetry and songs that articulated the aspirations of the working class, a sphere of his work known as "mass music".

In what his contemporaries regarded as one of his greatest flairs of creativity, Nazrul vastly contributed in profusely enriching ghazals in Bengali, transforming a form of poetry written mainly in Persian and Urdu. Nazrul's recording of Islamic songs was a commercial success and created interest in gramophone companies about publishing his works. A significant impact of Nazrul's work in Bengal was that it made Bengali Muslims more comfortable with the Bengali arts, which used to be dominated by Bengali Hindus. His Islamic songs are popular during Ramadan in Bangladesh. He also wrote devotional songs on the Hindu Goddess Kali. Nazrul also composed a number of notable Shyamasangeet, Bhajan and Kirtan, combining Hindu devotional music. In 1928, Nazrul began working as a lyricist, composer, and music director for His Master's Voice Gramophone Company. The songs written and music composed by him were broadcast on radio stations across India, including on the Indian Broadcasting Company.

Nazrul believed in the equality of women, a view his contemporaries considered revolutionary, as expressed in his poem Naari (women). Nazrul's poems strongly emphasised the confluence of the roles of both sexes and their equal importance to life. His poem "Barangana" (Prostitute) stunned society with its depiction of prostitutes who he addresses in the poem as "mother". In the poem, Nazrul accepts the prostitute as a human being first, reasoning that this person was breastfed by a noble woman and belonged to the race of "mothers and sisters"; he criticises society's negative views on prostitutes.

An advocate of women rights, Nazrul portrayed both traditional and nontraditional women in his work. He talked about the working poor through his works such as the poem: 'Poverty' (Daridro).

Nazrul wrote thousands of songs, known collectively as Nazrul Geeti. The exact number is uncertain. The complete text of 2,260 is known, and the first lines of 2,872 have been collected, but according to musicologist Karunamaya Goswami, it is popularly believed that the total is much higher. Goswami has written that some contemporaries put the number near 4,000.

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