Juliette Binoche

At 60 years old, Juliette Binoche has this physical status:

Career

Binoche's early films made her a French celebrity of some renown. In 1983, she applied for the female role in Jean-Luc Godard's tumultuous Hail Mary, a modern retelling of the Virgin birth. Godard, who had seen a snapshot of her with Binoche at the time, arranged a meeting with her. Although she said she spent six months on the film's set in Geneva, her involvement in the final cut is limited to just a few scenes. In a number of French films, supporting roles will be followed. Les Nanas of Annick Lano played Binoche in her most notable role to date, despite the fact that the experience was not memorable or influential, she has denied that she was the case. She gained more prominence in Jacques Doillon's critically acclaimed Family Life cast as the vivacious teenage step-daughter of Sami Frey's central character. This film was supposed to set the tone of her early career. Doillon has stated that her character was supposed to be 14 years old in the original screenplay, but that he was so impressed with Binoche's audition that he changed the character's age to 17 to enable her to play her. Binoche continued this role in Bob Decout's Adieu Blaireau, a policier drama starring Philippe Léotard and Annie Girardot in April 1985. Adieu Blaireau's impact with critics or audiences was too small.

Binoche's debut as a leading actress in André Téchiné's Rendez-vous in 1985 was to be complete. Sandrine Bonnaire had to cancel the film due to a scheduling conflict, but she was only on short notice. At the 1985 Cannes Film Festival, Rendezvous debuted, winning Best Director. Binoche became the festival's darling, and the film was a hit. Rendez-Vous is the story of Nina (Binoche), a provincial actress who arrives in Paris and embarks on a string of dysfunctional relationships with many men, including the moody, suicidal Quentin (Lambert Wilson). However, it is Nina's collaboration with theater producer Scrutzler, played by Jean-Louis Trintignant, that brings us to the point of defining Nina. Armond White wrote about Rendez-vous in Film Comment as "Juliette Binoche's career-defining role."

Binoche was nominated for her first César for Best Actress in a Leading Role in 1986 for her role in the film. Following Rendez-Vous, she was uncertain what would be her next move. She auditioned unsuccessfully for Yves Boisset's Bleu comme l'enfer and Robin Davis' Hors la loi, but she was then cast in My Brother-in-Law Killed My Sister (1986) by Jacques Rouffio opposite French actor Michel Serrault and Michel Piccoli. This film was a film about human beings and industry. Binoche has stated that Rouffio's film is extremely influential to her career because it taught her to evaluate roles based on the screenplay's quality and her relationship with a producer, not on the reputation of other cast members. She appeared in Leos Carax's Mauvais Sang later in 1986. This film was a critical and commercial success, leading to Binoche's second César nomination. Mauvais Sang is a avant-garde drama in which she portrays Anna, Marc's much younger sister who falls in love with Alex (Denis Lavant), a young robber. When shooting this film, Binoche has claimed that she "discovered the camera."

In August 1986, Binoche started filming Philip Kaufman's adaptation of Milan Kundera's book The Unbearable Lightness of Being, portraying the young and innocent Tereza. This was Binoche's first English language role, and it was a worldwide success with writers and viewers alike. The film, set during the Soviet invasion of Prague in 1968, tells the tale of a Czech surgeon Tomas (Daniel Day-Lewis) and his partner Tereza (Lena Olin), who is accompanied by his wife Tereza and his lover Sabina (Lena Olin). Binoche has said that at the time, her English was poor and that she relied on a French translator to fully comprehend her role. Binoche opted to return to France rather than pursue an international career after this success. She appeared in Un tour de manège, Pierre Pradinas' little-seen French film opposite François Cluzet in 1988. She has stated that the reason for her attraction to this film was because it offered her the opportunity to work with close friends and relatives. Pradinas is the husband of Marion Stalens, the film's set photographer who appeared in a cameo role. Binoche returned to the stage in 1988 as part of Anton Chekhov's The Seagull directed by Russian director Andrei Konchalovsky at Théâtre de l'Odéon in Paris.

She began working on Leos Carax's Les Amants du Pont-Neuf later this year. The film was beset by issues and took three years to finish, requiring investment from three manufacturers and funds from the French government. Les Amants du Pont-Neuf, a critical success when it was first launched in 1991, was a huge success. Binoche received her third César nomination for her appearance as well as a European Film Award for her role. In the film Binoche, an artist who lives rough on the famous Parisian bridge, where she meets another young vagrant (Denis Lavant). This historic part of the city becomes the backdrop for a wildly passionate love tale as well as some of the city's most striking photos ever created. Binoche's own creations were included in the film. The film's French poster, which also features an ink drawing of the eponymous couples locked in marriage, was also created by her. Binoche spent five days shooting Mara for Mike Figgis, based on Henry Miller's Quiet Days in Clichy, during a break in filming in 1990. This 30-minute film was part of HBO's anthology series Women & Men 2. When HBO changed it after he'd finished it, the film became more tumultuous, according to Mike Figgis. On August 18, 1991, HBO in the United States premiered a film.

Binoche seemed to be at a crossroads in her career at this moment. She was named as one of the most influential French actresses of her generation. However, Les Amants du Pont-Neuf's long history caused her to drop out of many important roles in international films, including The Double Life of Véronique by Jean-Paul Rappeneau, Night and Day by Chantal Akerman, and Beyond the Aegean, an aborted project with Elia Kazan. Binoche opted to pursue a foreign career after leaving France.

Binoche was cast in a sequence of critically and commercially successful international films in the 1990s, receiving her praise and accolades. Her persona changed from that of a young gamine to a more melancholic, tragic presence in this period. Critics argued that many of her appearances were notable for her almost passive presence in the face of tragedy and despair. Binoche has referred to her characters from this period as her "sorrowful sisters." Binoche and the Le Amants du Pont-Neuf film, which both of whom have greatly improved Emily Bront's Wuthering Heights and Damage's international fame, have migrated to London for Emily Bront's 1992 film Wuthering Heights and Damage, which have both greatly enhanced her international fame. Nonetheless, both films were significant both professionally and personally; her casting opposite Ralph Fiennes' Heathcliff in Wuthering Heights, instead of English actresses Helena Bonham Carter and Kate Beckinsale, was unimpressed that a uniquely British role had been switched to a French actress, who was both shocked and drew skepticism from the British press. At the 1992 Edinburgh International Film Festival, the film made its world premiere. Binoche's results were stifled, with Binoche being snubbed "Cathy Clouseau" and mocked for her "franglais" accent. Both Binoche and director Peter Kosminsky distanced themselves from the film, with Binoche refusing to do any publicity for the film or to redub it into French.

The story of a British Conservative minister played by Jeremy Irons, who embarks on a tumultuous affair with his son's fiancée, is a story about the Losses, a UK and French co-production (Binoche). Damage appeared to be the correct international vehicle for Binoche based on Josephine Hart's novel and directed by veteran French director Louis Malle; however, the execution was marred by delays and dogged by rumors of serious conflict. Malle said that it was the "most difficult" film he had ever made in an on-site interview, while Binoche said that "the first day was a big deal." Damage began in 1992 and debuted on American televisions in 1993. The reviews were mixed. Binoche received her fourth César nomination for her work.

She appeared in Trondsztof Kielowski's Three Colours: Blue in 1993, bringing much critical acclaim. Three Colors: Blue is the first film in a trilogy influenced by the French republic's ideals and the colors of its flag. Despite being devastated, she learns to cope by rejecting her previous life in favour of a conscious "nothing"; she turns down all individuals, belongings, and emotions. Three Colors: Binoche received the Best Actress Prize at the 1993 Venice Film Festival, earning Binoche the Best Actress Award. She has also received a César award and a Golden Globe nomination. Binoche cited her inspirations for the role as her friend and mentor Vernice Klier, who suffered with the author's death at a young age, as well as Anny Duperey's book The Black Veil, which deals with the author's sorrow at losing her parents at a young age. In the other two films in Kielowski's trilogy, Binoche appeared in three films, Three Colours: White and Three Colours: Red. Steven Spielberg appeared in Jurassic Park and Schindler's List around this time. She denied both directions. Following the success of Three Colors: Blue, Binoche had a brief sabbatical in which she gave birth to her son Raphal in September 1993.

Binoche returned to film in 1995 in Jean Giono's The Horseman on the Roof, directed by Jean-Paul Rappeneau. The film was especially notable in France at the time because it was the country's most expensive film in history. Binoche was nominated for a César award for Best Actress around the world, and it was again nominated for a César for Best Actress. This role, as a romantic hero, was to influence many of her subsequent appearances in the late 1990s. Binoche appeared in her first comedic role since My Brother-in-Law Killed My Sister a decade ago; A Couch in New York was directed by Chantal Akerman and co-starred William Hurt. This screw-ball comedy tells the tale of a New York psychiatrist who swaps homes with a Parisian dancer. The film was both a critical and commercial failure. Binoche was offered the opportunity to work with renowned directors who had turned down during the long shooting of Les Amants du Pont-Neuf.

The English Patient's next role strengthened her position as an international film actress. The film, which was based on Michael Ondaatje's book and directed by Anthony Minghella, was a worldwide success. Juliette Binoche reunites Juliette Binoche with Ralph Fiennes, Heathcliff to her Cathy four years ago, produced by Saul Zaentz, creator of The Unbearable Lightness of Being. Binoche has said that the shooting in Tuscany and in Rome's famed Cinecittà was one of her best work experiences of her career. The film, which details the life of a young man who was discovered in a plane's wreckage during World War II, has received nine Academy Awards, including Best Support Actress for Juliette Binoche. Following Simone Signoret's win for Room at the Top in 1960, she became the second French actress to win an Academy with this film. After this international hit, Binoche returned to France and started working with Daniel Auteuil on Claude Berri's Lucie Aubrac, the true story of a French Resistance hero. Binoche was forced to be removed from the film six weeks into the shoot due to differences with Berri about the authenticity of his script. Binoche has described this event as "an earthquake" to her.

Binoche was reunited with director André Téchiné for Alice et Martin (1998), the story of a tragic Parisian singer and her younger lover who conceals a dark family mystery. Despite being critically acclaimed in the United Kingdom, the film struggled to find a following in France. Binoche made her London debut in February 1998 in a new version of Luigi Pirandello's Clothe the Naked, which was re-named Naked and adapted by Nicolas Wright. Jonathan Kent's production was very well-received. Following this awesome appearance, she returned to French screens with Children of the Century (1999), a major budget romantic epic in which she portrayed 19th-century French proto-feminist author George Sand in 19th-century French proto-feminism. Sand's affair with poet and dandy Alfred de Musset played by Benoît Magimel was depicted in the film. Binoche appeared in four distinct roles over the next year, each of which enhanced her fame. Patrice Leconte's La Veuve de Saint-Pierre (2000), which she was nominated for a César Award for Best Actress, was a period drama starring Binoche and Daniel Auteuil as a woman trying to rescue a condemned man from the guillotine. The film received raves, particularly in the United States, where it was nominated for a Golden Globe for Best Foreign Language Film.

She appeared in Michael Haneke's Code Unknown, a film that was made following Binoche's approach to the Austrian director. At the 2000 Cannes Film Festival, the film premiered. This critically acclaimed role was a welcome departure from being the romantic heroine in a string of costume dramas. Binoche made her Broadway debut in Harold Pinter's Betrayal, for which she was nominated for a Tony Award later this year. The Roundabout Theatre Company's production, as well as John Slattery, was produced by David Leveaux. Binoche was the heroine of Lasse Hallström's Chocolat, the best-selling book by Joanne Harris, and she was back on film. Binoche received the European Film Audience Award for Best Actress in Europe, as well as a BAFTA Award for her work. Chocolat is the story of a mysterious stranger who opens a chocolaterie in a French village in 1959. The film was a worldwide hit.

Binoche, the Lancôme perfume Poème's advertising star, was photographed by Richard Avedon, her image adorning print ads, and a television advertisement campaign, starring Anthony Minghella and scoring by Gabriel Yared. Critics were wondering if Binoche was the tragic, despairing muse by the time of this period and subsequent appearances in a number of high-profile films. Ginette Vincendeau pondered Binoche's persona in a British film criticism magazine called "The Erotic Face" in June 2000; Vincendeau said that the fixation of several directors on her face resulted in an age of her body; not as a versatile actress rather than a versatile actress.

After the success of Chocolat, Binoche became internationally known as an A-list movie star in the early 2000s, but her persona became more recognizable as an actor after a string of period roles starring a stoic heroine facing tragedy and desolation. Binoche returned to French cinema in 2002 in an unexpected role: opposite Jean Reno, she played a ditsy beautician. Daniele Thompson's film, which was also selected for a César Award for Best Actress, was a box office hit in France and Binoche was once more nominated for a César for Best Actress. The film follows the life of a couple who were separated at an airport during a strike. Initially, the two disliked each other, but over the course of a night, they find common ground and perhaps even love. When Binoche appeared in a 2003 Italian television commercial for Ferrero Rocher, this playful spirit remained. Binoche's advertisement featured her Chocolat persona giving out chocolates to people on the streets of Paris's people.

Binoche, a more serious type of actor, travelled to South Africa to make John Boorman's In My Country (2004) opposite Samuel L. Jackson. Following the demise of Apartheid in the mid-1990s, the film based on Antjie Krog's book Country of My Skull discusses the Truth and Reconciliation Commission (TRC) hearings. Despite the fact that the film premiered at the Berlin International Film Festival in 2004, it was largely criticized for including a fictional romantic relationship and its portrayal of black South Africans. Despite the scathing reception, Binoche was incredibly enthusiastic about the film and her Boorman connection. Marion Stalens' sister, who travelled to South Africa to film La Reconciliation, which discusses the TRC process and follows Binoche's progress as she appears in Boorman's film. Binoche re-teamed with Michael Haneke for Caché next week. The film was a huge success, winning best director for Haneke at the 2005 Cannes Film Festival, with Binoche nominated for a European Film Award for Best Actress for her role. The film follows a bourgeois Parisian couple, played by Binoche and Daniel Auteuil, who begin to receive anonymous videotapes containing video footage shot over long stretches of their household, comparing the outside of their house. Caché then went on to place at number one on the "Top ten of the 2000s" list, which was released by The Times at the end of the decade.

Bee Season, Binoche's newest film, based on the celebrated book by Myla Goldberg, stars Richard Gere and Richard Gere. The film was not a hit at the box office, with less than $5 million worldwide. The film, although intelligent, was "distant and diffuse" for some commentators. The emotional breakdown of a family is depicted in Bee Season, right as their daughter starts to win national spelling bees. Binoche appeared in a somewhat unexpected collaboration with Abel Ferrara, a controversial American filmmaker, on an investigation into modern faith and Mary Magdalene's position in the Catholic Church, which was published in Mary (2005). Mary, starring Forest Whitaker, Matthew Modine, and Marion Cotillard, was a hit at the 2005 Venice Film Festival, winning the Grand Prix. Despite these accolades and glowing reviews, particularly those from the cultural publication Les Inrockuptibles, Mary was unable to find a distributor in key markets such as the United States and the United Kingdom.

Binoche appeared in the anthology film Paris in 2006, je t'aime appearing in a section directed by Japanese director Nobuhiro Suwa. Place des Victoires in Suwa is the tale of a grief-stricken mother who is able to spend a brief moment with her deceased son. Willem Dafoe and Hippolyte Girardot appear on the show as well as Willem Dafoe and Hippolyte Girardot. Je t'aime, a French tenor, was a huge success, grossing over $17 million at the world box-office in Paris. Binoche appeared at the Venice Film Festival in September, 2006, written and directed by Santiago Amigorena. Despite an impressive cast including John Turturro, Nick Nolte, and up-and-coming French actress Sara Forestier, the film was a failure. A Few Days in September is a drama set between 5 and 11 September 2001, in which Binoche plays a French undercover service agent who may or not have intelligence relating to imminent attacks in the United States. The film had been chastised in the press for its ostensible triviaization of the events of 11 September 2001. Binoche said in the UK that when promoting the film she believed the CIA and other government departments should have had foreknowledge of the 11 September attacks, as depicted in the film.

Binoche is headed to the Toronto International Film Festival for the premiere of Breaking and Entering, her second film with Anthony Minghella in the director's chair, based on his first original screenplay since his debut film Truly, Madly (1991). Binoche played a Bosnian immigrant living in London, while Jude Law co-starred as a well-to-do businessman drawn into her life by an act of deception. Binoche visited Sarajevo, where she met women who had survived the 1990s war. Within the turbulence of urban renewal in inner-city London, Benoît Delhomme's book Breaking and Entering depicts intersecting lives. Despite being lauded for her appearance, Binoche's film didn't ring true for critics and failed to find an audience. "Binoche, physically unchanged as ever, enjoys Amira's controlled anarchy with ease," Todd McCarthy says in a review in Variety. Robin Wright, Vera Farmiga, Juliet Stevenson, Rafi Gavron, and Martin Freeman appeared on Breaking and Entering.

Although Binoche began the decade on a high note with an Academy Award nomination for Chocolat, she struggled to find roles that didn't restrict her to the tragic, melancholic persona of the 1990s. Despite Caché's worldwide success, several high-profile films such as In My Country, Bee Season, and Breaking and Entering all failed both technically and commercially. Binoche seemed to be at a crossroads in her career.

Binoche's career began in 2007 as she began to play in a number of critically acclaimed foreign films, giving her film career a fresh boost as she shed the restrictions that seemed to have stifled her career in the early part of the decade. The premiere of Flight of the Red Balloon (2007) by Taiwanese filmmaker Hou Hsien was held at the Cannes Film Festival. It was planned as a short film to be included in a 20th anniversary tribute to the Musée d'Orsay by Serge Lemoine, the museum's president. Hou turned it into a feature-length film and secured the necessary financing when the initial plan didn't succeed. International journalists lauded the film's debut around the world early in 2008. Hou's film The Red Balloon, Albert Lamorisse's 1957 short, tells the tale of a woman's attempts to balance her obligations as a single mother with her dedication to her work as a voice artist. The film, shot on location in Paris, was largely improvised by the cast. The film appeared in The Village Voice as number one on the influential critic J. Hoberman's "Top 10 List" for 2008.

At the 2007 Venice Film Festival, Amos Gitai premiered disengagement out-of-commission. Disengagement, starring Liron Levo and Jeanne Moreau, is a political drama tracing the life of a French woman of Dutch/Palestinian origins who is on the lookout for a daughter she lost 20 years ago on the Gaza strip. She arrives in Gaza after the 2005 Israeli disengagement. The film received the prestigious Premio Rossellini Award and was critically acclaimed, particularly by the eminent Cahiers du cinéma. However, the film in Israel was more controversial, and state television station Channel 1 blasted the film for "left-winging of Gitai's films."

In stark contrast, Peter Hedges co-wrote and directed Dan, a Disney-produced romantic comedy starring Binoche and Steve Carell. It was published in October 2007, making it a hit in the United States, before debuting around the world in 2008. At the global box office, the film grossed over $65 million. In Real Life Dan is a comic stripe that is immediately adores a woman (Binoche), only to learn she is the new girlfriend of his brother. Dane Cook, Emily Blunt, and Dianne Wiest appear in the film.

Binoche, a French immigrant, had a huge and fruitful success in Paris supervised by Cédric Klapisch. Paris is Klapisch's personal tribute to the French capital, including Romain Duris, Fabrice Luchini, and Mélanie Laurent. With a net revenue of over $22 million at the world box office, Paris was one of the most popular French films in recent years. Binoche and Klapisch were first discovered on the set of Mauvais Sang, where Klapisch was working as a set electrician.

Summer Hours (2008), directed by Olivier Assayas, is also in France. Three siblings are involved in the difficult process of disposing of their late mother's valuable art collection. The film premiered in France in March 2008 and made its American debut at the 2008 New York Film Festival before going on general release in the United States on May 19, 2009. The film was widely distributed and was nominated for the Prix Louis Delluc in France and appeared on numerous "Top ten lists," including first place on David Edelstein's "Top ten of 2009" list in New York magazine and J. R. Jones' list in the Chicago Reader. Charles Berling, Jérémie Renier, and Édith Scob were among the summer Hours.

Binoche appeared in a dramatic dance performance called in-i, co-created with respected choreographer Akram Khan in the fall of 2008. The performance, which told a love tale through dance and dialogue, was presented by Anish Kapoor, and Philip Sheppard's music. It premiered at the National Theatre in London before embarking on a world tour. "Binoche's physical growth is astounding: Khan is a master mover," the Sunday Times in the United Kingdom wrote. The project was part of a 'Binoche Season' titled Ju'Birlations, which also included a retrospective of her film work and an exhibition of her paintings, which were also included in a bilingual book Portraits in Eyes. Binoche as each of her characters and as any director she had worked with up to that time were included in the book. She also wrote a few lines to each director.

Binoche traveled to Tehran in April 2006 and again in December 2007, at the invitation of Abbas Kiarostami. She shot a cameo appearance in his film Shirin (2008), which she was shooting at the time, while he was on tour in 2007. When two Iranian MPs raised the issue in parliament, Binoche's visit became turbulent, we're advised that more caution be exercised in granting visas to international celebrities, which may lead to "cultural degradation." Binoche began work on Certified Copy directed by Kiarostami in June 2009. In the 2010 Cannes Film Festival, the film was a Official Selection. Binoche received the Best Actress Award at the festival for her appearance. On May 19, 2010, the film in France received overwhelmingly favorable feedback. Binoche becomes the first actress to win the European "best actor triple crown" at Cannes this year. The film's launch in the United Kingdom in September 2010 was overshadowed by French actor Gérard Depardieu's disparaging remarks about Binoche, including French actor Gérard Depardieu's "Please can you tell me what the mystery of Juliette Binoche is supposed to be." He continued, he said, that he was a narrator. "I would like to know why she has been so beloved for so many years." She has nothing; absolutely nothing. Binoche said in reaction, that he promotes Certified Copy, "I don't know him." You don't have to like everyone, and you can dislike someone's work. I don't know the [of his words] violence, but I don't know how [of his words]... I'm not sure why he's behaving like this. It's his problem." Certified Copy was among Kiarostami's homeland when Iranian authorities announced on May 27 that the film would not be banned in Iran, apparently due to Binoche's attire; however, deputy Culture Minister Javad Shamaqdari said that "if Juliette Binoche's clothes, it would have been banned in Iran, but there will not be a general screening," says Deputy Culture Minister Javad Shamaqdari; "if Juliette Binoche were better clad"

Binoche appeared in a brief supporting role in The Son of No One for American writer and producer Dito Montiel after the success of Certified Copy. Channing Tatum, Al Pacino, and Ray Liotta appear in the film. The Son of No One premiered at the 2011 Sundance Film Festival, with mostly critical feedback. Anchor Bay Entertainment purchased it for distribution in the United States and other key markets beginning in select US theaters on November 4, 2011. According to Rotten Tomatoes, Juliette Binoche's Son of No One is Juliette Binoche's least commercially profitable film, with only 18% of critics giving it a positive rating as of December 2011.

Binoche began working on Elles for Polish director Magorzata Szumowska in June 2010. Elles, which was produced under the auspicious title Sponsorship, is an investigation into teenage prostitution, with Juliette Binoche as a reporter for ELLE. On February 1, 2012, the film was released in France. Juliette Binoche would appear in Another Woman's Life, which is loosely based on Frédérique Deghelt's book La Vie d'une Autre. The film, which was released in France on February 15, is the French actress Sylvie Testud and co-stars actor/director Mathieu Kassovitz's debut in France. Another Woman's Life is Marie (Binoche), a young woman who meets and spends the night with Paul (Kassovitz). When she wakes up, she discovers that 15 years have passed. With no remembrance of those years, she finds she has an impressive career, a son, and a marriage to Paul that seems to be dooming. In France, the film received generally mixed feedback.

Binoche had been cast in David Cronenberg's film Cosmopolis, starring Robert Pattinson, Paul Giamatti, Mathieu Amalric, and Samantha Morton on February 17, 2011, who reported it on Tuesday. Didi Fancher, a New York art dealer who is having an affair with Pattinson's Eric Packer, appeared in a supporting role. Following a competition slot at the 2012 Cannes Film Festival, Paulo Branco's film began principal photography on May 24, 2011 and was released in 2012. Critics were split on Cosmopolis. An Open Heart, directed by Marion Laine, was released in France in August 2012. The film, based on Mathias Énard's book Remonter l'Orénoque, is based on a two-year friendship between two highly successful surgeons. The film portrays the repercussions of an unexpected pregnancy and alcoholism on their families. The second film starring Laine, An Open Heart, received tepid reviews in France and poor box office receipts.

Camille Claudel 1915, the 13th anniversary of Bruno Dumont's films, chronicling three days of the 30-year French artist Camille Claudel (Binoche)'s stay in a mental hospital but not for any reason. As she awaits her brother's visit, poet Paul Claudel's film explores Claudel's attempts to keep her sanity and find creative inspiration. Binoche in particular received raves for her role in the film, with Binoche in particular receiving high praise for her role.

Binoche completed work on A Thousand Times Good Night for director Erik Poppe, in which she plays both a war photographer and veteran director Fred Schepisi's romantic drama Words and Pictures. She appeared in Gareth Edwards' Godzilla, which was theatrically released in May 2014. Binoche reunites with Olivier Assayas for Clouds of Sils Maria in August 2013. Binoche was a film about her life, and plot elements parallel her life. Kristen Stewart and Chlo Grace Moretz were also on the show. At Cannes 2014, the film made its debut. Binoche was supposed to appear in Nobody Wants the Night by Isabel Coixet, which was scheduled to begin firing late in 2013.

In 2015, Binoche appeared in a new English language translation of Antigone. The project, directed by Ivo van Hove, attracted a world premier in Luxembourg at the end of February. Then began an international tour to London, Antwerp, Amsterdam, Edinburgh, Recklinghausen, and New York.

Binoche narrated the recent documentary film titled Talking About Rose about the Chad soldier Rose Lokissim, who fought against Hissène Habré's draconian rule in the 1980s.

Binoche reunited with Bruno Dumont in 2016 in a comedy film Slack Bay. Fabrice Luchini and Valeria Bruni Tedeschi, both starring Fabrice Luchini and Valeria Bruni Tedeschi, who is a burlesque comedy set in Northern France's Ambleteuse region, were the premiere of the 2016 Cannes Film Festival. The film, which takes place in 1910, tells the tale of two families bonded by an unexpected love. Ma Loute received a lot of praise from French reviewers, and she was a big success at the French box office.

Juliette Binoche returned to Polina, sa vie (2016) directed by Valérie Müller and Angelin Preljocaj, after the success of her reunion with Bruno Dumont, focusing on the life of a talented Russian ballerina, Polina (Ana Shevtsoda). We'll go from Moscow to Aix-En-Provence and Antwerp, from triumph to disillusion, following Polina's meteoric destiny. Liria Elsaj, a choreographer who awakens a desire in Polina to move away from classical ballet to explore more modern dance, is depicted by Binoche. In October 2017, she sang of Barbara's autobiographical prose in the Philharmonie de Paris, accompanied by French pianist Alexandre Tharaud.

Telle mère, telle fille (Like Mother, Like Daughter) (2017) is a comedy by Noémie Saglio that stars Binoche as a free-wheeling 47-year-old woman who falls pregnant at the same time as her uptight daughter Avril (Camille Cottin). Lambert Wilson appears in the film, reuniting with Binoche 32 years after they were a hit at the 1985 Cannes Film Festival in André Téchiné's Rendez-Vous. Binoche and Cottin appeared together again in May 2017, this time on a small screen in the final episode of Dix Pour Cent's second season (Call My Agent), where Juliette Binoche appeared in a tongue-in-cheek episode centered on the Cannes Film Festival.

Binoche appeared in Rupert Sanders' big screen version of the cult manga Ghost in the Shell this year, returning to the big screen. In the film Big Burns, Binoche played Dr Ouelet, a scientist with the Hanka group that made the ghost in the shell, portrayed by Scarlett Johansson. Binoche, Sanders, and Johansson all did extensive publicity for the film in the United States, Japan, Europe, and Australia.

At the Quinzaine des Réalisateurs selection at the Cannes Film Festival in May 2017, Claire Denis' Un Beau Soleil Intérieur (Let the Sunshine In) premiered (Let the Sunshine In) (2017). Isabelle (Binoche), a middle-aged Parisian artist who is looking for true love at last, is the subject of the film. The film depicts her numerous encounters with a number of unsuitable guys. Xavier Beauvois, Nicolas Duvauchelle, Josiane Balasko, Valeria-Bruni Tedeschi, and Gérard Depardieu appear in the film. Un Beau Soleil Intérieur was a hit with audiences and commentators around the world.

Binoche appeared in Naomi Kawase's Vision (2018). Following that, she rejoined Claire Denis for the English language High Life (2018), Olivier Assayas for Doubles Vies (2019) and Patrice Leconte for La maison vide (2019).

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