Julie London

At 74 years old, Julie London physical status not available right now. We will update Julie London's height, weight, eye color, hair color, build, and measurements.

In 1943, London met Sue Carol, a talent agent and then-wife of actor Alan Ladd, while operating the elevator at Roos Bros., (Roos/Atkins), an upscale clothing store on Hollywood Boulevard. Struck by London's features, Carol facilitated a screen test for the inexperienced actress, and London signed a contract with her. London met Esquire photographer Henry Waxman while working her second job as a clerk at a menswear store, and he shot photographs of her that appeared in the magazine's November 1943 issue. These photos helped establish her as a pin-up girl during World War II.

She made her film debut while still in high school, appearing under the name Julie London in Nabonga in 1944. She later starred in the 1947 film The Red House with Edward G. Robinson. After a series of uncredited roles, she signed a contract with Warner Bros. Pictures, appearing in the war film Task Force (1949) and the Western Return of the Frontiersman (1950). She was cast in the lead role of Pat Boyd in the William Castle-directed The Fat Man (1951). London completed shooting the film in August 1950. After Warner Bros. dropped her contract, London was offered a contract with Universal Pictures based on the role, but turned it down, opting instead to focus on her marriage to actor Jack Webb.

After divorcing Webb in 1954, London resumed her career, appearing in The Fighting Chance, filmed in May 1955 and released by 20th Century Fox. Earlier in 1955, London was spotted singing at a jazz club in Los Angeles by record producer Simon Waronker, who was recommended to her by her friend (and future husband) Bobby Troup. Despite her notable stage fright, Waronker was impressed by London's vocals and delivery, and later recalled that "The lyrics poured out of her like a hurt bird." Waronker convinced London to pursue a recording career, and signed her with Liberty Records. London recorded 32 albums in a career that began in 1955 with a live performance at the 881 Club in Los Angeles. Her debut album Julie Is Her Name was released in December of that year, and Billboard named her the most popular female vocalist for 1955, 1956, and 1957. She was the subject of a 1957 Life cover article in which she was quoted as saying "It's only a thimbleful of a voice, and I have to use it close to the microphone. But it is a kind of oversmoked voice, and it automatically sounds intimate."

London's debut recordings (which appeared on her self-titled extended play) were completed under the New York-based Bethlehem Records label. Four additional tracks recorded during these sessions were later included on the album Bethlehem's Girlfriends, a compilation album released in 1957. Bobby Troup was one of the session musicians on the album. London recorded the standards "Don't Worry About Me", "Motherless Child", "A Foggy Day", and "You're Blasé". "Cry Me a River", London's most famous single, was written by her high-school classmate Arthur Hamilton and produced by Troup. The recording became a million-seller after its release on her debut album in 1955.

While her music career earned her public notice, London also continued to appear in films, with lead roles in Crime Against Joe (1956), as well as appeared as herself in The Girl Can't Help It (1956), in which London performs three songs, including "Cry Me a River". The film was a box-office success, and became one of the top-30 highest-grossing films of 1956. London subsequently appeared in a television advertisement for Marlboro cigarettes, singing the "Marlboro Song". She appeared in several Westerns: In 1957, she appeared in Drango playing a Southern belle harboring fugitives, followed by a starring role opposite Gary Cooper in Man of the West, in which her character, the film's only woman, is abused and humiliated by an outlaw gang. The same year, she appeared as a pending bride in the Western Saddle the Wind; London's performance received critical acclaim in The New York Times. She appeared in The Wonderful Country in 1959, in which she plays a downtrodden wife of an army major.

In 1960, London released the album Julie...At Home, which was recorded at her residence in Los Angeles. The same year, she released Around Midnight, which incorporated a larger backing band in comparison to her previous releases. She released numerous albums on Liberty Records throughout the 1960s, including Whatever Julie Wants (1961), Love Letters (1962), The End of the World (1963), and All Through the Night (1965), the latter a collection of songs by Cole Porter.

London appeared on numerous television series in the 1960s, including guest appearances on Rawhide (1960), Laramie (1960), I Spy (1965), Alfred Hitchcock Presents (1965) and The Big Valley (1968). She and second husband Bobby Troup frequently appeared as panelists on the game shows Tattletales, Hollywood Squares, and Masquerade Party in the 1970s. On May 28, 1964, Troup and she recorded a one-hour program for Japanese television in Japan. London sang 13 of her classic songs, including "Bye Bye Blackbird", "Lonesome Road", and "Cry Me a River". She released studio albums until the end of the decade, and her final studio album was Yummy, Yummy, Yummy (1969), a collection of contemporary songs. After this, London stopped singing professionally, as she had lost significant vocal control due to years of smoking and drinking.

London remained close with ex-husband Jack Webb, and in 1972, he cast her and Troup in his television series Emergency!, of which he was executive producer. London played Dixie McCall, and Troup was cast as emergency-room physician Dr. Joe Early. They appeared in the same roles in an episode of the Webb-produced series Adam-12.

In 1977, after a six-year run of 128 episodes, Emergency! was cancelled despite good ratings. London, the only actress to appear in every episode of the series, was invited back for two of the four TV movie specials, and the show ended in 1979. During this time, London appeared in television advertisements for Rose Milk Skin Care Cream. Later, Webb offered London a position as executive producer of future television projects, but she chose to retire from the television industry to spend more time with her family. She completed "My Funny Valentine", her last musical recording, for the soundtrack of the Burt Reynolds film Sharky's Machine in 1981.

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