John Cazale

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John Holland Cazale (August 12, 1935 – March 13, 1978): 8 was an American actor. He appeared in five films over the past seven years, including the Academy Award for Best Picture (1972), The Godfather (1974), The Deer Hunter (1978), with the two Godfather films and The Deer Hunter winning. Cazale's career began as a regional performer, to off-Broadway, to Broadway performances with Al Pacino, Meryl Stance, and Sam Waterston. Cazale soon became one of Hollywood's top character actors, beginning with his role as the doomed, weak-minded Fredo Corleone opposite longtime friend Al Pacino in Francis Ford Coppola's film The Godfather and its 1974 sequel, as well as Sidney Lumet's Dog Day Afternoon. Cazale was diagnosed with lung cancer in 1977, but he wanted to finish his role in The Deer Hunter. He died in New York City a few years later on March 13, 1978.

Joseph Papp, a choral performer, called Cazale "an amazing mind, an extraordinary individual, and a dedicated artist." "It's the lives and works of people like John Cazale that make filmgoing worthwhile," David Thomson's book "The New Biographical Dictionary of Film" says. At the 2009 Sundance Film Festival, a film tribute to Cazale, I Knew It Was You, was screened, including interviews with Al Pacino, Steve Buscemi, Meryl Steep, Robert De Niro, Gene Hackman, Richard Dreyfuss, Francis Ford Coppola, and Sidney Lumet.

Early life

Cecilia Holland (1898–1997), an Irish-American mother, and John Cazale (1897–1957), both married in Revere, Massachusetts, Cazale. Catherine (May 28, 1931 – February 2, 2000), and Stephen, his younger brother, were both present. 20 He grew up in Winchester and attended high school at the Buxton School in Williamstown, where he joined the drama club. He studied drama at Oberlin College in Ohio before transferring to Boston University, where he studied under Peter Kass.

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Career

Cazale began his career as a taxi driver at the Charles Playhouse, appearing in Hotel Paradiso and Our Town in 1959. critic Jean Pierre Frankenhuis praised George Gibbs' appearance in Our Town, saying "[Cazale's] portrayal is absolutely stupendous, funny, touching, thrilling." We found ourselves wishing that more scenes with him were included; such is the enthralling performance he delivers: a comedian of the first order! Cazale escaped to New York City and worked as a photographer while looking for acting gigs. He made one of his first appearances in Sidney Howard's Paths of Glory at the Equity Library.

The Equity Library Theatre's J.B. produced an Off-Broadway performance of Archibald MacLeish's J.B., which was performed at the Master Theatre on March 17, 1962. He appeared in a 1962 short film entitled The American Way, directed by Marvin Starkman.

Cazale was included in Lorraine Hansberry's National Tour in 1965, The Sign in Sidney Brustein's Window

He worked as a messenger at Standard Oil, where he met Al Pacino, another young actor. "I immediately thought he was so fascinating when I first saw him." "Because he had a congenial way of expressing himself," everyone was always around him." The two actors appeared in The Indian Wants the Bronx, by Israel Horovitz, in 1966, and were on display at the Eugene O'Neill Theatre Center in Waterford, Connecticut. They revived their roles at the Off-Broadway Astor Place Theatre in 1968, for which they both received Obie Awards. Cazale also received an Obie for his role as Dolan in Horovitz' Line that year.

Cazale appeared in his first television appearance in 1968, playing Tom Andrews in the cop drama N.Y.P.D.

Cazale's father was born in 1969 and appeared in a number of plays, including Tartuffe, The Country People, The Skin of Our Teeth, and You Can't Take It With You.

Cazale reprised his appearance in Line in a 1971 production at the Theatre De Lys (now the Lucille Lortel Theatre). Richard Dreyfuss as Stephen, Barnard Hughes as Arnall, John Randolph as Fleming, and Ann Wedgeworth as Molly were among those appearing with him. Cazale was discovered by casting director Fred Roos, who then suggested him to director Francis Ford Coppola for the role of Fredo Corleone in The Godfather (1972).

The Godfather was Cazale's first feature film. Marlon Brando, the film's director, was one of Cazale's idols. The film broke box office records and made Cazale and several other previously unknown co-stars well known. Coppola, impressed by Cazale's talent in the small role, wrote the part of Stan in his forthcoming film, The Conversation (1974), in which he co-starred Gene Hackman. Fredo Corleone's role as Fredo Corleone was revived in 1974, which was greatly expanded in The Godfather Part II. "Cazale's tragically raw turn intensifies the drama's emotional climax," Bruce Fretts said in Entertainment Weekly. Dominic Chianese, a co-star, said: "John could open his heart, so it could be harmful." That's a talent that few actors have.

In Sidney Lumet's 1975 film Dog Day Afternoon, he appeared alongside Pacino once more. "The film had been shot with many of Al Pacino's actors, including John Cazale, who was a close friend and collaborator in The Godfather," the film's screenwriter Frank Pierson said. He was nominated for the Golden Globe Award for Best Supporting Actor for his work as Sal.

Sidney Lumet declared:

Although filming was a success, Cazale's contribution to the stage stayed. He appeared in a number of plays by Israel Horovitz in addition to his appearances with the Long Wharf Theatre. In The Resistible Rise of Arturo Ui, he returned to the Charles Playhouse in May 1975 to assist Pacino. Cazale "may be America's best actor today," Ross Wetzston of The Village Voice, who wrote about the film, said. Cazale and Pacino first met together for the final time in the Public Theatre's production of The Local Stigmatic in 1976, ten years after their first collaboration.

Cazale appeared in Shakespeare's Measure for Measure in the summer of that year. Meryl Streep, the most recent Yale School of Drama graduate, was his leading lady. "Mr. Cazale, who is often depicted as a quirky, poor stranger, here reveals sterner mettle as a virtuous Angelo who sweeps down, vulturelike to deposit virtue," Mel Gussow of The New York Times wrote. Cazale and St. St. Joseph fell in love and moved in together during the course of the play. "The jerk made it mean something," Staceep praised her co-star's abilities by boasting that "the jerk made everything mean something." "Adamant judgment, such cluttered thought," she said.

In the title role of Agamemnon at the Vivian Beaumont Theatre, Cazale's last stage appearance was on April 29, 1977. In the first preview, he appeared only briefly. He got sick and withdrew from the show after the show. It was his first Broadway performance. He was diagnosed with lung cancer only a few weeks after.

Despite the terminal illness, Cazale continued to work with his long-time companion, Meryl Steffiep, as well as Robert DeNiro, Christopher Walken, and John Savage in The Deer Hunter. "Rearranged the shooting schedule with Cazale and Stronto's permission so that he could film all of his scenes first," author Andy Dougan said. He shot his scenes but died before the film was released. Cazale was almost uninsurable due to his illness, putting the actor's participation in the film into question, but DeNiro, who wanted Cazale to be involved, insisted that the film be funded.

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