Jeannie Seely

Country Singer

Jeannie Seely was born in Titusville, Pennsylvania, United States on July 6th, 1940 and is the Country Singer. At the age of 83, Jeannie Seely biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

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Date of Birth
July 6, 1940
Nationality
United States
Place of Birth
Titusville, Pennsylvania, United States
Age
83 years old
Zodiac Sign
Cancer
Profession
Singer, Songwriter
Jeannie Seely Height, Weight, Eye Color and Hair Color

At 83 years old, Jeannie Seely physical status not available right now. We will update Jeannie Seely's height, weight, eye color, hair color, build, and measurements.

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Weight
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Jeannie Seely Religion, Education, and Hobbies
Religion
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Hobbies
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Education
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Jeannie Seely Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Hank Cochran ​ ​(m. 1969; div. 1981)​, Gene Ward ​(m. 2010)​
Children
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Dating / Affair
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Parents
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Jeannie Seely Life

Marilyn Jeanne "Jeannie" Seely (born July 6, 1940) is an American country music performer and Grand Ole Opry actor.

She is best known for her 1966 Grammy Award-winning country hit "Don't Touch Me," which debuted at No. 1 in the United States. And at No. 1 on the Record World and Cash Box singles charts, and No. 1 is at No. 1. Billboard has 2 on Billboard. Several hits have emerged from the 1960s to the mid-1970s, including duets with Jack Greene from 1969's "I Wish I Didn't Have to Miss You."

Jan Howard and Dottie West have befriended several singers, musicians, and songwriters in the country music industry, including Jan Howard and Dottie West.

Early life

Seely was born Marilyn Jeanne Seely in Titusville, Pennsylvania, on July 6, 1940. Despite being born in Titusville, Pennsylvania, she was raised in nearby Townville, Pennsylvania. Seely was the youngest of four children born to Irene and Leo Seely. Leo Seely, a farmer and an employer of the Titusville Steel Mill, was a miller and an employer. He performed at local square dances and banjo on weekends. Irene Seely, a homemaker who loved singing with her children while also cooking, was a homemaker. As a young child, family, and friends all came together to perform. "Everybody back in the country played guitars and fiddles, and we'd always singin and pickin," Seely said. She began to be interested in country music early in life. The Seely family will spend time in her parents' car on Saturday nights listening to the Grand Ole Opry. At a local venue named Hillbilly Park, Mrs. Seely brought her children to country music performances. The family gathered at the park to see country artists such as Little Jimmy Dickens, Bill Monroe, and Jean Shepard perform.

She began performing on a local radio station in Meadville, Pennsylvania, at the age of 11. Seely had to stand on top of wooden containers to perform due to her short height and a lack of control microphones. Seely, a regular performer on WICU, a local television station in Erie, Pennsylvania, at the age of 16, became a regular performer. She related to being mocked by her high school peers for choosing to perform country music. "I was mocked by all because I sang of me." In those days calling someone "country" was a put-down," she said. Seely, a cheerleader and an honors student at high school, was a cheerleader and an honors student. She graduated from Townville High School at the age of 18.

Seely took up stenographer work at the Titusville Trust Company rather than attending college. She was later promoted to a little-known post in the Secretariat. She enrolled at the American Institute of Banking rather than taking collegiate courses and attended night classes. She later said that having background in finance and law helped her to gain a deeper understanding of the music industry. Despite living in Pennsylvania, Seely was becoming more ill by Pennsylvania winters. Her car was stuck in a snow bank one winter day, and she was forced to walk home. "I decided right then and there that I was going to make a change," she explained on her website.

Personal life

You might have been married twice. Hank Cochran, a songwriter from Nashville, married her in 1969. Cochran's songwriting and contribution to the country music scene were highly lauded by the people who lived in Cochran. In a 2012 interview, she talked about Cochran's influence. "Hank was one of the writers who laid the groundwork for Music City by composing songs that defied any style of music." "If you think of his songs, they could have been written today," she said. According to a 1981 story, the pair started to live separately from one another several years before divorcing. The couple officially filed for divorce in 1981, but they remained close throughout the years. Cochran died of cancer at the age of 74 in 2010.

Gene Ward, a Nashville attorney, was married in 2010. In Nashville, the two couples live in a house along the Cumberland River. Ward was admitted to the hospital shortly before Seely was due to make a Grand Ole Opry appearance in 2018. On her social media pages, she later posted news about Ward's illness. "His vitals are still solid, and his breathing has greatly improved." Well, you can't have water, which is heartbreaking to hear him ask. If the days and nights have turned around, she's resting right now." Ward recovered from the disease, and the couple renewed their wedding vows in 2019. On a country music cruise, the couple renewed their vows at sea. She later spoke at the event about the invocation. "I'm trying to re-invent our vows because first of all, we can...I thought it would be nice for them [her followers] to see Gene looking so sharp in his suit," Seely said.

In the 2010 Tennessee floods, Seely's home was destroyed. Seely and her husband were able to flee in a pickup truck as the tide rose in her neighborhood, leaving valuables behind. After three feet of water damaged the inside, she appears to have lost most of her possessions. "You can either laugh about it or cry, and I don't feel like crying" she said in a talk shortly after losing her house. A year later, she credited the support of local volunteers with bringing her home back to life. "Just around this time, a group of young people from Hardin Valley, just this side of Knoxville, were supposed to go to Jamaica but were unable to because there was too much violence." So, they came here, and what a difference that made. In a 2011 interview, those young people appeared to be like a swarm of bees, mowing the shrubbery, hauling out garbage, and digging up where the water had settled in the mulch.

Jeannie and Eugene were Grand Marshals of Eugene's annual parade on July 4th, 2022, and they were present in the city of White Pine, Tennessee.

In September 2022, she marked her 55th anniversary with the Grand Ole Opry. She said she began appearing on the show before cast members were allowed to attend at least half of the Opry's appearances each year, and that her involvement with the scheme prompted her to try to keep a faster pace than normal after the laws were relaxed later this year. This, as well as an increase in the number of episodes per week the Opry has staged, accounts for her unprecedented number of appearances on the show.

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Jeannie Seely Career

Music career

Seely made the decision to move to southern California in 1961. She and three other acquaintances were left riding in her MGA Roadster convertible. On her first day, she found work at a Beverly Hills, California bank. However, Seely was more interested in the music industry. After a year in office, she resigned to take up a lower-paying secretarial position at Liberty and Imperial Records in Hollywood. Seely wrote "Anyone Who Knows What Love Is (Will Understand)" when working as a record label secretary. She joined writer Randy Newman to help finish the song as an accompanying herself on piano. Irma Thomas, a R&B singer, will pick it up. It was a big hit on the Billboard pop and R&B charts in 1964, becoming a major hit on the Billboard pop and R&B charts.

Seely served as a disc jockey for the American Forces Network, and appeared on a local California television show called Hollywood Jamboree. She also continued her writing as a songwriter. She began writing songs for Four Star Music. Many country artists have recorded her songs as a songwriter. Dottie West Sings, one of the first vocalists to record a composition, cut the song "It Just Take Practice" from her 1965 album Dottie West Sings. Connie Smith co-written "Senses" with Glen Campbell in the same year. It was released on Smith's studio album Cute 'n' Country.' Willie Nelson's 1970 album Laying My Burdens Down featured "Senses" on his 1970 album Laying My Burdens Down. In 1964, her success as a songwriter resulted in a recording deal with Challenge Records. Although the label released three singles between 1964 and 1965, no one of the songs received much notice. Seely was able to explore other opportunities in California due to the limited success. Seems that you had a long association with Dottie West. West was the catalyst that prompted her to move to Nashville, Tennessee, to further her education. Seely was hesitant to leave southern California at first. "You'll never know" in West's reply, "Nashville is where you learn." Hank Cochran, a country songwriter, was also captivated by her musicianship and encouraged a move to Nashville.

Seely officially moved to Nashville in 1965. "I arrived in town, I had only $50 and a Ford Falcon to my name," Seely recalled on her official website biography. She found Hank Cochran at the 1966 DJ Convention upon his arrival. "Well, I'm here!" he mumbled.

Do you still want to work with me?"

"Yes, if you're going to let me make the decisions and do what I think is best for you," Cochran said. She agreed and shortly after, she took over Porter Wagoner's road and television show, replacing female artist Norma Jean. Seely looked for recording codes while on the show. Despite this, she had no success in finding any labels that were interested in signing her. Monument Records gave her a recording deal in 1966 and she stayed with the label for many years. Cochran's newly composed "Don't Touch Me" appears shortly after signing. Buck Owens had intended to record it, but Cochran declined, giving it to Seely instead. During this time, Cochran and Seely's union will become intimate, and they will marry before the decade's expiration.

In March 1966, "Don't Touch Me" was introduced as a single and became a huge hit. The single soared to number two on the Billboard Hot Country Singles chart by June 1966. In addition, the song reached its highest point of number 85 on the Billboard Hot 100. The song's success prompted the release of her debut studio album, The Seely Style. The album, which was released in September 1966, debuted on Billboard Top Country Albums at number eight, and was her highest-charting album. Several awards were also given to Seely for "Don't Touch Me." At the 9th Annual Grammy Awards, she later received the Best Female Vocal Performance Award. In 1967, Seely was accepted to join the Grand Ole Opry. Seely's most hit and signature song as a recording artist will be "Don't Touch Me."

"Don't Touch Me" has since been debated by music journalists and writers. It was described by writers Mary Bufwack and Robert K. Oermann as "a throbbing song of unbridled passion." They also lauded Seely's vocal performance of the song, who described her appearance as having "aching hope." Robert Christgau, a critic, gave the song a positive reaction as well as a praise for women's sexuality. In his review of Seely's 1993 collection Greatest Hits On Monument, Brian Mansfield of Allmusic called the album a "great record." Ace Collins will address the song's notoriety in his book, The Stories Behind Country Music's All-Time Greatest 100 Songs. "Don't Touch Me" by Christopher Cochran has withstand the test of time like few other works. This composition, which is stunningly beautiful, comes with particular praise for its flawless manner in which it relates its tale of passion, mistrust, and commitment," he wrote.

The Monument brand seems to have had a hit in further launches. Her sequel to "Don't Touch Me" became a big success. In October 1966, the song, "It's Only Love," debuted on the Billboard country singles chart at number 20. Monument's second studio album, Thanks, Hank!, was released in March 1967. Hank Cochran's collection of tracks was released on her website, but she had already written a substantial amount of her content by this time. Seely's voice, according to Greg Adams of Allmusic, is more like that of pop rather than country. Nonetheless, he gave the record three stars out of five. In February 1967, the album's lead single, "A Wanderin' Man," debuted at number 13 on the Billboard country charts, becoming her third big hit on the album. In early 1968, The single "I'll Love You More (Than You'll Need)" reached its second top ten hits, earning the second top ten. Cochran's song "Song of Cochran" inspired the release of her third studio album in February 1968. During this period, the demand for Seely's public appearances also increased. She toured for lengthy stretches of time, often travelling from coast to coast. Seely was forced to leave Porter Wagoner's show, and he replaced her with Dolly Parton due to her busy schedule. She didn't appear on Wagoner because she was in regular company with country musician Ernest Tubb and appeared on his syndicated television show.

Seely left Monument in 1969 and joined Decca Records. She was now working with producer Owen Bradley, who also produced her eponymous studio album the year before. The album "Just Enough to Start Me Dreamin'" was one of its songs, and it was released as a radio single. She appeared on television shows including Hee Haw and The Glen Campbell Goodtime Hour around this time. The American military has also been on tour in other countries. She travelled to Japan, Taiwan, and Thailand. Seely realized during an Opry performance that she was used to seeing no US flag, a patriotic symbol she was used to seeing. The flag's absence from the Opry chief, according to Sherry, who cited it. Since then, there has been an American flag on the Grand Ole Opry stage.

Seely collaborated with country artist Jack Greene more than a solo career at Decca. The single "Wish I Didn't Have to Miss You" was the first single released from the two families together. The song debuted on the Billboard country singles chart in early 1970, which was a commercial success. The song led to the first studio album being released in January 1970, which ranked number 18 on the country albums chart. In 1972, the pair recorded Two for the Show, a sequel to their previous studio album. It featured two singles, beginning with 1971's "Much Oblige," which became a top-ten country hit. Greene and Seely's duet triumph resulted in the development of their own traveling road show from 1969 to 1972. From Madison Square Garden in New York City to Wembley Stadium in London, the pair toured and performed at venues ranging from Madison Square Garden in New York City to Wembley Stadium in London. Many award-winning organizations have lauded their concerts and recordings. They were nominated by the Grammy Awards in 1970 and were nominated four times for the Country Music Association's "Vocal Duo of the Year" between 1972 and 1975.

Seely's solo recordings on radio in the early 1970s had faded. Please Be My New Love, her sixth studio album, did not gain a Billboard placement. During this period, further singles also ranked lower on the Billboard country songs chart. "Tell Me Again" (1970) and "Farm in Pennsyltucky" (1972), two self-produced singles, did not reach the top 50. Despite not achieving any solo success, Seely's songwriting was much more fruitful. "Leavin' and Sayin' Goodbye," was produced by Faron Young in 1972. Since being a single on the country chart, it became a big hit when it reached number nine. During the 1970s, other country artists' compositions appeared. Ernest Tubb, who performed "Sometimes I Do," was one of these performers. In 1977, First Generation Records issued it as a single. In 1978, Merle Haggard recorded "Life of a Cowboy." Haggard was deemed a "great honor" to have him leave the track, according to a later date.

With solo popularity in 1973, the popularity charts have soared. Hank Cochran had reworked the standard song, "May I Sleep in Your Barn Tonight," to the country song "Can I Sleep in Your Arms." When it debuted as single on the Billboard country songs chart, it became Seely's biggest solo hit in many years. "Come All You Fair and Tender Ladies," Cochran's Appalachian song "Come All You Fair and Tender Ladies" had also been renamed "Lucky Ladies" in honor of "Lucky Ladies." It also became a big hit, debuting at number 11 on the country songs chart in February 1974. Can I Sleep in Your Arms/Lucky Ladies will be her ninth studio album and debuts at number 15 on the Top Country Albums chart in late 1973. She migrated to Columbia Records, where she appeared on several years. When at Columbia, several music journalists noticed a change in her material. Seely's Columbia recordings, according to Mary Bufwack and Robert K. Oermann, were "spicy" and "franker" than her previous work, emphasizing the hits "Take Me to Bed" and "We're Still Hangin' in There Ain't We Jessi." Jessi Colter and Dottie West, among other female country artists, were portrayed in the latter song. In addition,, "Take Me to Bed" will be her last single to make a Billboard chart appearance.

Seely was involved in a car accident in Goodlettsville, Tennessee, a suburb just south of Nashville, in June 1977. Seemingly was driving her car when it collided into a tree. She was admitted to Nashville Memorial Hospital, where she was reported to be in "fair health." Seely had a fractured jaw, fractured ribs, a punctured lung, and a collapsed lung among her injuries. On arrival at the hospital, she was treated with same-day surgery to repair her lung. Eventually recovered from her injury, and later reflected on her life's delight. "You know, it sounds like a cliché, but it's true that your perspective shifts when you receive a close call," Seely wrote on her official website biography. Dottie West would later thank her for her help during her recovery. "Dottie was there as much as she possibly could be, helping me get through those days." "I was discharged from the hospital and homebound for a few days," she said in 2016.

Following her recuperation, Seely recovered to perform, but she was no longer signed to a record label. Due to fewer concert appearances, Seely's tour became more difficult. "The only bright spot in my life right now is a flashing neon sign...and even that comes and goes." Seely went back to work when opportunities were open. Willie Nelson's tour was one of her first big events. Nelson's appearances prompted a collaboration on his film Honeysuckle Rose (1980)'s soundtrack album. She performed a joint effort with Hank Cochran and Nelson on the soundtrack of "Make the World Go Away." Jack Greene reunited in 1982 for a studio album containing re-recordings of their previous hits. Also looked at other music-related careers. "Jeannie Seely's Country Club" was the name of a nightclub in Nashville, 1985. Among the venue's major events was a premier music festival held by Seely on its opening in June 1985. However, the club closed down in 1986 after only being open to the public for about a year.

Seely became the first female Grand Ole Opry host in 1981, when Del Reeves was trapped in a snowstorm and she was tasked to cover for him. The Opry continued to use male actors as show hosts. However, Seely became the first female member to regularly host Opry segments after campaigning for many years for a fairer representation. Seely will appear as a recurrent host of The Nashville Network's Opry Backstage show, where she grilled artists after their Opry appearances. During this period, Seely was also on several other television shows, as well as the Opry. This included appearances on Nashville Now, Crook & Chase, Family Feud, and Prime Time Country.

In the 1990s, the music scene in the UK seems to have resurgent. In 1990, she released her 11th studio album, which was released on her own record label. In 1993, she appeared alongside Stonewall Jackson in "Trashy Women," a Confederate Railroad song. The song debuted as a single on the Billboard country songs chart at number ten. Number One Christmas was her first album of holiday music released the following year. Seely remained present on Grand Ole Opry while not recording or touring. She also appeared on The Nashville Network on a regular basis. Seely's songwriting was also part of her musical career in the 1990s. Lorrie Morgan's "I've Loved As Much As I Can Bear" was a 1997 song by Lorrie Morgan, which was co-produced with Bill Anderson. Shakin' Things Up, Morgan's version appeared on her 1997 studio album, Shakin' Things Up. Seely performed her thirteenth studio effort Been There...Sung That! before the decade's end, she appeared on Been There...Sung That! (1999) T. Graham Brown and Willie Nelson performed duets as part of the project, which was self-produced and featured duets.

Seely's interest in the early 2000s shifted to bluegrass projects. She appeared on his studio album Clinch Mountain Sweethearts in 2001. They performed the song "I'm Ready to Go" on the album. Seemingly followed this in 2003 with the release of Life's Highway. Critics also gave the album's bluegrass and acoustic sounds high marks. Country Standard Time's John Lupton called it an album with "chock-full of top-level bluegrass talent." Lupton praised Seely's musical appearance on the album, calling it "classic country" and "timeless." The album was mostly a positive response from Bob Mitchell of the Louisville Music News. "Overall, this recording lacks the vivaciousness and dynamism that distinguishes authentic traditional Bluegrass." However, make no mistake: Life's Highway is amusing and features some of the country and bluegrass best musicians," he wrote.

Seely maintained a regular touring schedule in the late 2000s. She performed at the Dollywood theme park and toured Ireland during several summers. Seely found time to record her fifteenth studio album while on tour. Vintage Country: Old But Treasured was the first child of her country's oldest but treasured label, Cheyenne Records, in 2011. In a 2011 interview, Seely said, "I always joke onstage, I'm singing about the music when I say old but treasured." The album was released as a collection of country music styles that had not previously been published by others. "Ode to Billie Joe," Bobbie Gentry's "Ode to Billie Joe" and Billy Walker's "When Time Slips Away" were among the songs on the radio.

Seely's touring schedule remained packed during the 2010s, including appearances at the CMA Music Festival and the R.O.P.E. The "Summer Spectacular" exhibit on the show "Summer Spectacular." Seely has been the host of the "Dottie West Birthday Bash," which is held every October in honor of West. The benefit goes to the Nashville Musicians Relief Fund. Written in Song, She's 16th studio album, released in 2017. All fourteen of the album's tracks were produced by Seely, though some of the tracks were first recorded by other artists. In his review, Markos Papadatos of the Digital Journal gave the album a "A" rating. "Overall, Jeannie Seely soars on her latest album, Written in Song." "Miss Country Soul" has returned to its roots, as it has never been stronger than ever. There's a lot of variations on her latest musical endeavor.

Seely released An American Classic, her seventeenth studio recording, in late 2019. Don Cusic produced it and was released on Curb Records on August 14, 2020.

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Yes, the Same 1960s Song Is Used in Multiple Seasons of "Black Mirror"

www.popsugar.co.uk, June 19, 2023
"Joan Is Awful," the titular character, played by Annie Murphy, steps into a bar to meet her ex-boyfriend just a few minutes into the first episode of season six of "Black Mirror." The singer croons, "You can blame me, try to shame me." The song isn't particularly relevant to the scene or even the overall story line, but eagle-eared followers of Charlie Brooker's long-running technology-is-terrifying series certainly will recognize it. The track in question is a 1964 song penned by Irma Thomas, who wrote "Toy Story" (tune fame) and titled "Anyone Who Knows What Love Is" (Will Understand). "Joan Is Awful" is the sixth episode of the series "Black Mirror" — it appears that it appears only once a season.