Georgiy Daneliya

Director

Georgiy Daneliya was born in Tbilisi, Georgian Soviet Socialist Republic, Georgia on August 25th, 1930 and is the Director. At the age of 88, Georgiy Daneliya biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

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Other Names / Nick Names
Georgi Nikolayevich Daneliya
Date of Birth
August 25, 1930
Nationality
Russia
Place of Birth
Tbilisi, Georgian Soviet Socialist Republic, Georgia
Death Date
Apr 4, 2019 (age 88)
Zodiac Sign
Virgo
Profession
Actor, Film Director, Opinion Journalist, Screenwriter
Georgiy Daneliya Height, Weight, Eye Color and Hair Color

At 88 years old, Georgiy Daneliya physical status not available right now. We will update Georgiy Daneliya's height, weight, eye color, hair color, build, and measurements.

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Georgiy Daneliya Religion, Education, and Hobbies
Religion
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Hobbies
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Education
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Georgiy Daneliya Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Irina Ginsburg, Lyubov Sokolova, Galina Yurkova
Children
Not Available
Dating / Affair
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Parents
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Georgiy Daneliya Life

Georgyevich Daneliya (Georgian: еореваеви делоева еалискамоли ; ; , ; (Georgian: ) is a Soviet and Russian film director and screenwriter who worked on film production and screenwriter Georgiyevich Daneli In 1989, he was named a People's Artist of the USSR and a recipient of the State Prize of the Russian Federation in 1997.

Early life

Georgiy Daneliya was born in Tbilisi to a Georgian family. Nikolai Dmitrievich Danelia (1902-1981) was a peasant. Following the October Revolution, he graduated from the Moscow State University of Railway Engineering and joined Mosmetrostroy, where he spent the remainder of his life as an engineer and a manager at various levels. Maria Ivlianovna Anjaparidze (1905-1980) of Georgiy belonged to a wealthy Anjaparidze family dating back to the 13th century and honoured by the Russian Empire in 1880. At the Tbilisi Film Studio and Mosfilm, she served as a film producer, a second unit producer, and an assistant director. Veriko Anjaparidze, her sister (Daneliya's aunt) was a well-known Georgian stage and cinema actress who married Mikheil Chiaureli, a well-known Soviet film actress. Sofiko Chiaureli's daughter appeared in Daneliya's comedy Don't Grieve with her mother.

In a year after Daneliya's birth, his family and family migrated to Moscow, where he grew up and attended the primary school. By the time the Great Patriotic War began, he and his mother were staying with their relatives in Tbilisi, where they spent the next two years. His father was sent to the front line to install underground command and control centers. He didn't participate in wars, but he was still rewarded as a major general for his service. The family was reunited in Moscow in 1943.

Personal life

Daneliya was officially married two times. Irina Ginzburg, a lawyer and niece of a high-ranking Soviet official Semyon Ginzburg, was his first wife (1951-1956), at the time a Deputy Minister of Oil Industry of the USSR. Svetlana Daneliya, the couple's daughter, was also a lawyer, and they had a daughter Svetlana Daneliya. Daneliya lived in a civil union with singer Lyubov Sergeyevna Sokolova, who appeared in many of his films from 1957 to 1984. Nikolai Sokolov-Daneliya (1959–1985), a film producer and a writer who died at the age of 26 after a "accident" triggered them. Some believed it was a drug overdose. Daneliya's family was left by the family for Galina Ivanovna Yurkova (born 1944), a film director and his regular collaborator since then. Kirill, a child who was born in 1968, was adopted by her mother Kirill (born 1968) and gave him his surname; Kirill became an artist. Daneliya has six grandchildren.

Georgiy Daneliya died in 1980 after being diagnosed with perforation of perforation and spent a year in hospital. He rarely left his apartment in his final years. He had been suffering from a chronic obstructive pulmonary disease for many years, according to his wife, Galina Yurkova-Daneliya.

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Georgiy Daneliya Career

Career

Daneliya began his career by appearing in various films directed by his uncle Mikheil Chiaureli. In 1955, he graduated from the Moscow Architecture Institute and spent two years as an architect. The Mosfilm Studio's Higher Director's Courses were established in 1956, and Daneliya decided to enroll. Mikhail Kalatozov, who was also a good friend of his mother, led him on his path. He went to college in 1959 and joined Mosfilm the following year.

Seryozha's debut, as well as Splendid Days outside of the Soviet Union, was co-written and co-directed by his buddy Igor Talankin. Sergei Bondarchuk and his wife Irina Skobtseva played the leading roles in this film based on a well-known Soviet writer Vera Panova's popular novel of the same name. The film was well received, and it was then sent to the Karlovy Vary International Film Festival, where it was honoured with the Crystal Globe.

In 1963, Daneliya invited Gennady Shpalikov, a young singer, to star in his first comedy film. By that time, Shpalikov had already fallen out of favour for writing Ilyich's Gate, a film that Nikita Khrushchev compared to an ideological diversion. Danelia paid a visit to Vladimir Baskakov, one of the State Committee on Cinematography's top officials, to ensure that their minds were not censored. Following that, the job became "fast, efficient, and enjoyable." They ended up with a film Walking the Streets of Moscow, which is similar to Ilyich's Gate in style and mood. The Artistic Council, an executive body that is in charge of production and post-production, has been alarmed by this revelation. They had no interest in the film. Daneliya and Shaplikov followed up with a "meaningful" episode (a floor polisher who works at the home of a major writer and criticizes beginning writers on this account), insulting the Council along the way, and a new breed of "lyric (or sad) comedy," which became Daneliya's trademark.

Nikita Mikhalkov appeared in his first major role and became one of the Khrushchev Thaw's most recognizable films. It had been lauded and officially selected for the 1964 Cannes Film Festival. However, Daneliya's new piece, Thirty Three, a parody of the Khrushchev period, was initially rejected and was quickly barred from theaters after its debut in 1965. It was still playing at small theaters and clubs throughout the 1970s, so that by the time the so-called glasnost was announced, "everyone had managed to watch my super-banned film."

Instead of going back to his sarcastic comedies, Daneliya decided to go back to his sad comedies rather than a straight-up satire. He made a number of critically profitable films over the years, establishing him as one of the best Soviet comedy directors. Mimino (1977), an unfortunate plumber's tale about a Georgian pilot's adventures in Moscow, was one of Afonya's most popular films at the San Sebastian Film Festival (1979) about a translator vacillating between his wife and mistress. Daneliya (1971) appeared as a creative director and a screenwriter in Gentlemen of Fortune (1971).

On the year of release, Gentlemen of Fortune attracted 6 million viewers and became the 12th most watched Soviet film, while Afonya attracted 62.2 million viewers, placing 15th in 15th place. At the 10th Moscow International Film Festival, Mimino received the Golden Award. At the 1979 San Sebastián International Film Festival, the Autumn Marathon was awarded the Golden Shell as well as two Pasinetti Awards at the 36th Venice International Film Festival.

He appeared in 1976 at the 26th Berlin International Film Festival as a member of the jury. In 1986, Daneliya produced Kin-dza-dza, a cult classic sci-fi film.

He was more recently involved in an animation project titled Ku!

Kin-dza-dza!

(a straight remake of his older Kin-dza-dza's Kin-dza-dza's Kin-dza-dza's earlier work.) The Russian Academy of Cinema Arts has given the Lifetime Achievement Award to Tony Carter. "A Passenger Without a Ticket," "Toasted Drains To the Dregs," and "The Cat Is Gone" were among his memoirs from 2003 to 2015. They are written in a classic Danelian style, mixing laugh-out-loud anecdotes with some sad memories and lyrical life tales.

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