Daniel Gildenlow

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Daniel Gildenlöw (born 5 June 1973 in Eskilstuna, Sweden) is a Swedish musician and songwriter.

He is best known as a multi-instrumentalist and singer for the progressive rock band Pain of Salvation.

He is the main songwriter, lead guitarist, and lead guitar player in the band, as well as the mastermind behind each album's concept.

He was also a member of The Flower Kings, but he was forced to leave before their 2005 US tour because of the country's US-VISIT program, which allows one's own biometric data to be submitted first.

Salvation and the truth (1984-1996) Pain of Salvation (1984–1996)

Daniel Gildenlöw, an eleven-year-old boy, formed the band "Reality" in Eskilstuna, Sweden, in 1984. Daniel Magdic, one of the band's early members, would remain with the band until the band's recording of Entropia in 1997. Reality, the youngest competitors ever to enter the competition, participated in the Swedish Annual Music Contest, "Rock-SM" in 1987. Daniel Gildenlöw received the award for "Best Vocalist." Johan Langell, drummer Johan Langell, and bassist Gustaf Hielm joined the band in 1990.

Daniel Gildenlöw renamed the band "Pain of Salvation" in 1991, having allegedly invented the band's name during math class. The band competed in tournaments and tournaments for three years, while still receiving national recognition for the effort.

Kristoffer Gildenlöw, Daniel's younger brother, was fired on bass in 1994, replacing Hielm on bass. The Gildenlöw brothers, Magdic and Langell's line-up performed at a local studio and film the Hereafter performance, which the band eagerly waited for record companies. Fredrik Hermansson discovered the band through a live demonstration and auditioned for the role as the band's keyboardist.

Pain of Salvation's first album, Entropia, was released in Asia on Avalon Records in early 1997. Entropia was described as "delivered with emotion, knowledge, passion, and poignancy" and "was a much-needed breath of fresh air for a genre that was full of self-parody and self-indulgence." Because of the album's various song styles and arrangements, a Sea of Tranquility reviewer also listed it as Pain of Salvation's most "eclectic" release. The album was also praised for its ability to sound "crisp and new." InsideOut Music and Hellion Records released the album in Europe and South America by Hellion Records in 1999.

The group's second album's preparations were interrupted by Magdic's amicable departure, who, according to reports, was unable to commit to the band's increasing demands. Magdic was replaced by Johan Hallgren, who had previously played with Daniel Gildenlöw in Crypt of Kerberos. In July 1998, the Concrete Lake was released in Asia on Avalon Records. This album was described as a darker and more difficult effort than Entropia, with one reviewer noting that "in a world that demands immediate gratification, those things for which one must work to obtain usually bring more joy in the end." This CD has no doubt," says the author. Another reviewer noted that it was more focused than its predecessor, although also noting that it was a concept album that "contains several independent subtopics and, rather than simply advising a tale, incorporates [interesting] lyrical themes in a more effective and profitable way." The effects of nuclear waste on the atmosphere and life, particularly in Lake Karachay, the former USSR; indigenous peoples' rights, displacement, and beliefs; and warfare and firearms are among the topics explored. Pain of Salvation was a member of InsideOut Music and Later in America, InsideOut Music America, and InsideOut Music America followed Salvation. The band embarked on a European tour to promote fellow progressive metal bands Threshold and Eldritch. They appeared at their first ProgPower festival in Tilburg on November 14, 1999.

Pain of Salvation released their third album, The Perfect Element, from March to July 2000, after a short break to reclaim. Part I of The Perfect Element examines an individual's formative experiences during the transition from adolescence to adulthood. The album, which was released in October 2000, was noted for being more accessible and melodic than the two previous albums, but the album's complexity was retained. In addition, it was described as "a turning point in the history of prog metal music." It's the first, ground-breaking, new, and final prog release of the new millennium. The reviewer noted that Perfect Element I herded the start of a completely new period for the band, as well as the group's experimental research. The band toured Europe from September to October 2000 with Arena in support of the album. ProgPower USA was a party that featured Symphony X and Evergrey in February 2001.

Pain of Salvation's fourth album, Remedy Lane, was almost entirely written during a two-month period from August to September 2001 by Daniel Gildenlöw. The album, which was dubbed the band's "breakthrough," was recorded at Roasting House Studio in Sweden. Remedy Lane is Daniel Gildenlöw's semi-autobiographical reflection on love, passion, and life. In January 2002, the album was first released. Pain of Salvation opened for Dream Theater during the Remedy Tour.

Pain of Salvation, a youth of Eskilstuna, held an acoustic concert on May 12, 2003, before a crowd of 80 people. In early 2004, the concert was announced at 12:55 p.m. It featured significantly rearranged versions of the band's past material. As a result, the band treats the album as a stand-alone unit rather than simply a live album.

The band spent the majority of 2003 to 2004, a conceptual album about God and humanity, which Daniel Gildenlöw had been working on intermittently since 1996. The album's debut was preceded by a number of live shows in Eskilstuna, where the band performed the album in its entirety. Costumes, stage props, screen projections, and the nine-part Orchestra of Eternity were all present in these performances, including costumes, stage props, and stage projections. The material was further refined by Daniel Gildenlöw after a string of performances, before being introduced in February 2004.

BE was first introduced in September 2004. The album was divisive for commentators and fans, with Allmusic remarking that "never in the history of rock & roll has an album creaked so alarmingly under the weight of such a bleak concept." "The album] BE too many undiscovered treasures, and only after a few spins will it reveal itself to its listeners," Sea of Tranquility said. BE released a song on "God's answering machine" featuring samples from a special phone line that the band created for fans. The messages were assembled and presented with a nascent musical accompaniment, resulting in what the band describes as one of the band's most touching tracks.

Pain of Salvation did not compete in the United States from 2004 to 2013. Daniel Gildenlöw vowed not to participate in the United States' fingerprinting of all out-of-country visitors, as well as his contempt for the Bush administration. He declared his support for the newly elected Barack Obama on January 22, 2009, and lifted his country's embargo. Kristoffer Gildenlöw, who was unable to attend rehearsals due to his move to the Netherlands, was asked to leave the band on February 21.

Scarsick was released on January 22, 2007. The album received mixed reviews again. Scarsick is a thematic sequel to The Perfect Element, Part I, according to Daniel Gildenlöw, who calls attention to the part of the CD inlay: "He" is the protagonist. Daniel Gildenlöw recorded the bass guitar parts for the album in honor of his brother's departure. The band toured Europe and appeared at select international festivals, including one in Egypt. Simon Andersson was recruited as a touring bassist and was made a full member of the band on March 10, 2007.

Johan Langell would leave the tour at the end of the tour due to family commitments, according to the band's announcement on April 29. Langell's replacement will be Leo Margarit, who performed at the "Motst" festival in Notodden on October 6, 2007. Both drummers performed during the show, with Margarit performing a three-minute solo at the end of "Nightmist." Simon Andersson left the band in 2008 to focus on his side projects and recover from the Scarsick tour. Per Schelander (2008–2010) and Daniel Karlsson (2011) were the band's tour guides for the next three years.

The band announced on February 13, 2009, that they would be participating in Dream Theater's "Project Country 2009" tour. However, both Pain of Salvation and Beardfish had to pull out of the tour due to a lack of funding.

The Ending Themes (On the Two Deaths of Salvation) DVD was released on March 24, 2009, and it featured the band in Amsterdam's performance. The DVD featured a photo of Leonard Cohen's song "Hallelujah."

The band's latest video clip, "Mortar Grind," debuted on November 1st, 2008 from their forthcoming studio album and EP. Pain of Salvation's next project was described as a two-album plan. However, the project was postponed due to SPV's bankruptcy, which allowed the band to finish the albums. Daniel Gildenlöw had re-evaluated the double album design by this time and decided to separate the project into two separate books by the time.

It was revealed in December 2009 that the song "Road Salt" would be an entry in Melodifestivalen, Sweden's national final for the 2010 Eurovision Song Contest. The band appeared in the first semi-final and qualified for the runners-up broadcast but lost by a slim margin to Pernilla Wahlgren and did not progress to the finals.

Road Salt One was launched in most of Europe on May 2010 and in North America on September 8, 2010, when Road Salt Two was launched in September 2011. "Where It Hurts" was also released in a music video. As Daniel Gildenlöw discusses, the Road Salt albums featured a concept that was in stark contrast to previous efforts:

The band's lineup in late 2011 and early 2012 saw significant changes, with Johan Hallgren and Fredrik Hermansson both leaving the band, touring bassist Daniel Karlsson joining the band on keyboards, Gustaf Hielm returning on bass guitar, and Ragnar Zolberg playing guitars.

The band's Falling Home, an acoustic album with re-imagined versions of their songs, two cover songs, and a brand new song (the title track, "Falling Home") was released in 2014. Around the time, Daniel Gildenlöw developed a life-threatening flesh eating bacteria. He was forced to miss Transatlantic's KaLIVEoscope tour after being hospitalized in Uppsala, Sweden.

Remedy Lane, as well as Remedy Lane Re:lived, a live recording of the album's performances at ProgPower USA, was released in 2016. During the same year, the band unveiled In the Passing Light of Day, based on Gildenlöw's hospitalization with a life-threatening streptococcal disease epidemic. It was released on January 13, 2017. Ragnar Zolberg's departure from the band and the return of former band member Johan Hallgren confirmed on May 1st, 2017.

The band revealed the unveiling of Panther, the band's sixth album, in 2020, which was scheduled for late August. In advance, the album's single "Accelerator" was revealed. It was also the last album for long-time bassist Gustaf Hielm, who had just left the band.

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