Ann Reinking

Stage Actress

Ann Reinking was born in Seattle, Washington, United States on November 10th, 1949 and is the Stage Actress. At the age of 71, Ann Reinking biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, movies, and networth are available.

  Report
Date of Birth
November 10, 1949
Nationality
United States
Place of Birth
Seattle, Washington, United States
Death Date
Dec 12, 2020 (age 71)
Zodiac Sign
Scorpio
Profession
Actor, Choreographer, Dancer, Film Actor, Stage Actor
Ann Reinking Height, Weight, Eye Color and Hair Color

At 71 years old, Ann Reinking has this physical status:

Height
168cm
Weight
Not Available
Hair Color
Light brown
Eye Color
Not Available
Build
Average
Measurements
Not Available
Ann Reinking Religion, Education, and Hobbies
Religion
Not Available
Hobbies
Not Available
Education
Not Available
Ann Reinking Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Larry Small, ​ ​(m. 1970, divorced)​, Herbert Allen Jr., ​ ​(m. 1982; div. 1989)​, James Stuart, ​ ​(m. 1989; div. 1991)​, Peter Talbert, ​ ​(m. 1994)​
Children
1
Dating / Affair
Not Available
Parents
Not Available
Ann Reinking Career

Reinking moved to New York City at age 18, and danced as a member of the corps de ballet at the Radio City Music Hall, performed in the ensemble of the second national tour of Fiddler on the Roof, and at the age of 19 made her Broadway debut in the musical Cabaret. She was a chorus dancer in Coco (1969), Wild and Wonderful (1971), and Pippin (1972). During Pippin, she came to the attention of the show's director and choreographer Bob Fosse. Reinking became Fosse's protégée and romantic partner, even as Fosse was still legally married to (though separated from) Gwen Verdon at the time.

In 1974, Reinking came to critical notice in the role of Maggie in Over Here!, winning a Theatre World Award. She starred as Joan of Arc in Goodtime Charley in 1975, receiving Tony Award and Drama Desk nominations for Best Actress in a Musical. In 1976, she replaced Donna McKechnie as Cassie in A Chorus Line; in 1977, she replaced Verdon in the starring role of Roxie Hart in Chicago, a show directed and choreographed by Fosse. In 1978, she appeared in Fosse's revue Dancin', and received another Tony nomination. In that year, Reinking and Fosse ended their romance and separated. However, they continued to have a professional, creative collaboration. Fosse's influence on Reinking's work as a choreographer could be seen in her retention of his "dark, jazzlike, fluid body movements." In 1979, Reinking appeared in Fosse's semi-autobiographical film All That Jazz as Katie Jagger, a role loosely based on her own life and relationship with Fosse. Reinking appeared in two more feature films, as Grace Farrell in Annie (1982) and as Micki Salinger in Micki & Maude (1984). In a 2019 mini-series aired on FX, Fosse/Verdon, Margaret Qualley portrayed Reinking and her relationship with Fosse.

In March 1985, Reinking appeared at the 57th Academy Awards to give a mostly lip-synced vocal performance accompanied by a dance routine of the Academy Award-nominated Phil Collins single "Against All Odds (Take a Look at Me Now)". The routine was poorly received by critics from the Los Angeles Times and People, as well as by Collins himself in a Rolling Stone interview. In 1986, she returned to Broadway, replacing Debbie Allen in a successful revival of Fosse's production of Sweet Charity. In 1991, she appeared in her first theater production following the birth of her son, the Broadway National Tour of Bye Bye Birdie, costarring Tommy Tune. In 1992, she contributed choreography to Tommy Tune Tonite!, a three-man revue featuring Tune. Reinking founded the Broadway Theater Project, a Florida training program connecting students with seasoned theater professionals, in 1994. In 1995, she choreographed the ABC television movie version of Bye Bye Birdie.

Reinking had retired from performing by this time. In 1996, she was asked to create the choreography "in the style of Bob Fosse" for an all-star four-night-only concert staging of Chicago for City Center's annual Encores! Concert Series. When the producers could not obtain a suitable actress for the role of Roxie Hart, Reinking agreed to reprise the role after almost 20 years. This concert staging of Chicago was a hit, and a few months later the production (in its concert staging presentation) was produced on Broadway, with the Encores! cast: Reinking, Bebe Neuwirth, Joel Grey, James Naughton, and Marcia Lewis. In November 2016, the revival celebrated its 20th year, and as of March 2020, when theaters temporarily closed due to the COVID-19 pandemic, it was the longest-running American musical on Broadway. The revival of Chicago won numerous Tony Awards, and Reinking won the Tony Award for Best Choreography. She recreated her choreography for the 1997 London transfer of Chicago, which starred Ute Lemper and Ruthie Henshall.

In 1998, she co-created, co-directed and co-choreographed the revue Fosse, receiving a Tony Award co-nomination for Best Direction of a Musical. For her work on the West End production of Fosse, Reinking (along with the late Bob Fosse himself) won the 2001 Olivier Award for Best Theatre Choreographer.

In 2001, she received an honorary doctorate from Florida State University for her contribution to the arts. Reinking served as a judge of annual New York City public school dance competitions for inner-city youth, and appeared in Mad Hot Ballroom, the 2005 documentary film about the competition. Reinking collaborated with composer Bruce Wolosoff and Thodos Dance Chicago to create the ballet The Devil in the White City, based on the novel of the same name by Erik Larsen; the Chicago Sun-Times named it "Best Dance of 2011." Reinking again collaborated with Wolosoff in 2013 to create A Light in the Dark, a ballet inspired by the lives of Helen Keller and Ann Sullivan, which was nominated for a Chicago/Midwest Emmy Award in Outstanding Achievement for Arts/Entertainment Programming. In 2012, she contributed choreography for the Broadway production of An Evening with Patti LuPone and Mandy Patinkin. She served as a member of the advising committee for the American Theatre Wing.

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