Andrew Stanton

Director

Andrew Stanton was born in Rockport, Massachusetts, United States on December 3rd, 1965 and is the Director. At the age of 58, Andrew Stanton biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, movies, and networth are available.

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Other Names / Nick Names
Andrew Christopher Stanton Jr.
Date of Birth
December 3, 1965
Nationality
United States
Place of Birth
Rockport, Massachusetts, United States
Age
58 years old
Zodiac Sign
Sagittarius
Networth
$40 Million
Profession
Actor, Animator, Film Actor, Film Director, Film Producer, Screenwriter, Voice Actor
Andrew Stanton Height, Weight, Eye Color and Hair Color

At 58 years old, Andrew Stanton physical status not available right now. We will update Andrew Stanton's height, weight, eye color, hair color, build, and measurements.

Height
Not Available
Weight
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Hair Color
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Eye Color
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Build
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Measurements
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Andrew Stanton Religion, Education, and Hobbies
Religion
Not Available
Hobbies
Not Available
Education
California Institute of the Arts (BFA)
Andrew Stanton Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Julie Stanton ​(m. 1989)​
Children
2
Dating / Affair
Not Available
Parents
Not Available
Andrew Stanton Career

Stanton began his career in animation in the late 1980s. He worked as an animator for Kroyer Films, and one of his early gigs involved animating sperm for a sex-ed film with Martin Short. Stanton was one of several CalArts graduates hired by John Kricfalusi to work on Mighty Mouse: The New Adventures at Ralph Bakshi's studio.

After being rejected by Disney three times, Stanton was hired by Pixar's animation group in 1990 as its second animator (John Lasseter being the first) and ninth employee. Back then Pixar was not yet an animation studio, and their animation group was dedicated to making television commercials as a step towards their goal of making the first computer-animated feature.

Stanton, Lasseter and Pete Docter drafted the original treatment for Toy Story, which bore little resemblance with the eventually finished film. After production of the film was shut down in late November 1993 following a disastrous test screening, Stanton retreated into a windowless office and extensively reworked the script with help from Joss Whedon. The resulting screenplay was nominated at the Academy Awards for Best Original Screenplay, the first nomination in that category for an animated film.

Following Toy Story, Lasseter asked Stanton to help him direct and write Pixar's next feature A Bug's Life. Early in the film's production, the film had difficulty incorporating the circus bug's portion of the story and the main character (Flik's) portion of the story. In a day, Stanton was able to write a screenplay that tied both concepts together. In 1999, Stanton returned to write Toy Story 2, the critically acclaimed sequel to Toy Story, and also voiced Emperor Zurg. He would then go on to write Monsters, Inc.. Docter, the director of Monsters, Inc., would cite him many times as the originator of the idea that monsters generated screams to use to power their city.

Stanton made his sole directorial debut in 2003 with Finding Nemo. He took inspiration from his own role as a father and how he was overprotective of his son. Stanton directed, wrote and voiced Crush the sea turtle in the film. Just like Toy Story before it, Michael Eisner was not confident in the film and predicted it would fail. During this time Stanton and other Finding Nemo co-writer Bob Peterson developed the storytelling theory of "2+2", to not give the audience the full picture but rather halves and have them put the film together. The film turned out to be an enormous success becoming the highest-grossing film of 2003 and the highest grossing animated film of that time period beating out The Lion King. He won his first Academy Award for the film in the category of Best Animated Feature and his screenplay was nominated in the category of Best Original Screenplay. Following his success with Finding Nemo, Stanton began work on his next film as director WALL-E. WALL-E was considered a huge risk for both Pixar and Disney, considering how experimental the film sounded. Stanton nevertheless had confidence in the film and the fact that audiences wouldn't be bored by the dialogue-less first thirty minutes, but rather enamored by it. Upon release the film was a huge critical and financial success. Stanton won his second Academy Award from the film in the category of Best Animated Feature and once again his screenplay was nominated in the category of Best Original Screenplay. In an interview with World Magazine's Megan Basham, Stanton explained his singular vision for WALL-E:

Stanton returned to write Toy Story 3 in 2010, alongside Michael Arndt. When he first pitched the scene of the toys in the incinerator both Lasseter and Lee Unkrich (the director of the film) teared up. Many employees at Pixar have pointed out how the release of the film happened to be somewhat consecutive to one of Stanton's children going to college. His screenplay was nominated for an Academy Award in the category of Best Adapted Screenplay. After the acquisition of Pixar by The Walt Disney Company in 2006, Stanton became the vice president of creativity of Pixar alongside other fellow Pixar director Pete Docter. He is a member of the studio's coveted brain trust and has executive produced and served as a creative and mentor like voice on the following films: Ratatouille, Up, Brave, Monsters University, Inside Out, and The Good Dinosaur. Stanton made his live-action directing debut with Disney's John Carter. The film was based on Edgar Rice Burroughs' novel, A Princess of Mars. Upon release it received mixed reviews and was a box office failure.

Following John Carter, Stanton returned to Pixar to direct the sequel to 2003's Finding Nemo, Finding Dory. He came up with the concept upon watching a pre-screening of the 3D rerelease of the film and walking out of the theater worried about Dory. The film was released in 2016 and was a huge hit critically and financially, becoming the highest grossing animated film of that year. It was also critically received well, with critics calling it "a worthy successor to Nemo". On February 10, 2017, it was revealed by Entertainment Weekly that Stanton was going to direct two episodes of the second season of Stranger Things. Since then Stanton has also directed an episode of Better Call Saul, and Legion.

Stanton was credited as a narrative guru on Ralph Breaks the Internet, helping director and former classmate Rich Moore construct the story following Walt Disney Animation Studios and Pixar Animation Studios former chief creative officer Lasseter's step down. He co-wrote Toy Story 4, which was released on June 21, 2019. Initially, when he pitched the idea to director Josh Cooley, Cooley was concerned feeling like Toy Story 3 was the perfect ending. Stanton reportedly told Cooley "Toy Story 3 was a good ending--but it's not the ending." He explained that it wasn't the ending of Woody's story but rather the ending of Woody's time with Andy. Immediately after the conversation, Cooley agreed to direct the film alongside Lasseter. Stanton reportedly started writing Toy Story 4 in secret while the third film was still in production. He is currently the Vice President of Creativity at Pixar helping to ensure the company's creative output.

He has expressed interest in directing more live action films, stating that he wants to return "[b]ecause it's quicker and it's a little bit more of the opposite... It's the antithesis of animation. Animation you get to control everything, and it's awesome in that sense. But there's no spontaneity, and it takes a long time! And so there's high risk for the complete opposite reasons of live-action."

In 2020, it was announced that Stanton was in talks to direct and write Chairman Spaceman for Searchlight Pictures and Simon Kinberg's production label, Genre Films. The film is based on The New Yorker short story of the same name by Thomas Pierce. The film will mark Stanton's third venture into the Science-Fiction genre, following WALL-E and John Carter. Stanton has been quoted many times saying that science fiction is his favorite genre. Films like Star Wars, Blade Runner, Aliens, as well as Edgar Rice Burroughs' novel, Princess of Mars, helped shape his interest in the genre.

Source

Britain's Got Talent: Viggo Venn and Olivia Lynes go through to final after nail-biting live show

www.dailymail.co.uk, May 30, 2023
Viggo Venn and Olivia Lynes have made it to the grand final of Britain's Got Talent after surviving the explosive semi-final on Tuesday night. The two talented acts beat off stiff competition from Yo-Highness, Nathan and Joanne, Lewis Fuller, Tia Connolly, Andrew Stanton and Johns' Boys. Viggo won the public vote, sending him straight through to the final, while the judges were left to choose between Olivia and Johns' Boys.

Bruno Tonioli SWEARS live on TV during the Britain's Got Talent semi-final

www.dailymail.co.uk, May 30, 2023
The judge, 67, appeared very unimpressed as he was dragged up on stage during Andrew Stanton's very tense stunt act. He was brought on stage alongside fellow judges Simon Cowell, Amanda Holden and Alesha Dixon, despite their objections amid the 'horrific' stunts.

Britain's Got Talent SPOILER: Mr Blobby throws show into CHAOS as he falls flat on his face

www.dailymail.co.uk, May 5, 2023
90's TV icon Mr Blobby is set to throw the latest round of Britain's Got Talent auditions into chaos on Saturday. The manic pink character attempts to impress with his own unique brand of magic before falling flat on his face in front of the judges.  In a first look clip ahead of the episode, Blobby - who found fame in BBC1's Noel Edmond's House Party - is welcomed by a round of applause from the audience.